> Thanks so much for the improvements in MR 2196; they're excellent and
> improve the look of the brackets in my sketches.
>
> When I compile the following snippet under 2.25.19, I get output
> that's different than what Kieren describes (for 2.25.11): [...]
>
>
On Wed, Sep 25, 2024 at 3:23 PM Werner LEMBERG wrote:
>
> >> In this example, everything looks fine when there are max. 3 nested
> >> analysis brackets (first score). However, when the brackets are 4
> >> the distance between them is irregular.
> >>
> &g
hoot’
>
>
> What you need is to change the *padding* between the brackets, i.e.,
> the minimum vertical distance. Not very surprisingly, the
> corresponding property is called `padding`, and it is also available for
> many other LilyPond grobs.
>
>
> Werner
Hello Lib,
Sorry for the late reply.
>> >> In this example, everything looks fine when there are max. 3
>> >> nested analysis brackets (first score). However, when the
>> >> brackets are 4 the distance between them is irregular.
The irregular dist
On Wed, 25 Sept 2024 at 22:22, Werner LEMBERG wrote:
>
>
> >> In this example, everything looks fine when there are max. 3 nested
> >> analysis brackets (first score). However, when the brackets are 4
> >> the distance between them is irregular.
> >>
>
>> In this example, everything looks fine when there are max. 3 nested
>> analysis brackets (first score). However, when the brackets are 4
>> the distance between them is irregular.
>>
>> Moreover, how to reverse the order of the brackets so that the
>> s
Hi there,
> In this example, everything looks fine when there are max. 3 nested
> analysis brackets (first score). However, when the brackets are 4 the
> distance between them is irregular.
>
> Moreover, how to reverse the order of the brackets so that the
> shortest ones are c
Hi everybody,
In this example, everything looks fine when there are max. 3 nested
analysis brackets (first score). However, when the brackets are 4 the
distance between them is irregular.
Moreover, how to reverse the order of the brackets so that the
shortest ones are closer to the staff?
Thanks
Thank you - that worked perfectly.
I assume then I must have deleted that line in my original template from
years ago.
Kind regards
Colin
On Mon, 23 Sept 2024 at 21:10, Xavier Scheuer wrote:
> On Mon, 23 Sept 2024 at 21:32, Colin Baguley wrote:
> >
> > Hi
> > Thank you for trying - but I've jus
On Mon, 23 Sept 2024 at 21:32, Colin Baguley wrote:
>
> Hi
> Thank you for trying - but I've just copied and pasted your code - and it
still doesn't do the parentheses.
> I've attached the PDF I get ..
Hello,
\override ChordName.parenthesized = ##t
Kind regards,
Xavier
Hi
Thank you for trying - but I've just copied and pasted your code - and it
still doesn't do the parentheses.
I've attached the PDF I get ..
On Mon, 23 Sept 2024 at 19:00, Knute Snortum wrote:
>
> On Mon, Sep 23, 2024 at 9:04 AM Colin Baguley wrote:
>
>> Hi,
>> When writing a simple song lead
On Mon, Sep 23, 2024 at 9:04 AM Colin Baguley wrote:
> Hi,
> When writing a simple song lead sheet i have the chord(name) above the
> normal melody line.
> Some guitarists like to use a capo and so I place a transposed chord(name)
> below the main one.
> To do this I used a function called "paren
\new ChordNames
\guitarchords
%---CAPO LINE--- I want these in brackets
\new ChordNames
\transpose f e { \capochords }
%-MELODY LINE --
\new Staff
\melody_notes
>> }
Luca Fascione wrote:
I'm looking for a way to make a "fingering bracket": this would be a
vertical bracket on the left or right of a few simultaneous notes, to
indicate they are all to be fingered with the same finger.
Things to note:
- I can't use the arpeggio mark, because it's not uncommon
Here you go: https://gitlab.com/lilypond/lilypond/-/issues/6736
Thanks again Werner
L
On Tue, Aug 6, 2024 at 10:01 PM Luca Fascione wrote:
> Ok cool, thanks Werner.
> I'll make a ticket
>
> L
>
> On Tue, Aug 6, 2024 at 6:38 PM Werner LEMBERG wrote:
>
>>
>> >> > I'm looking for a way to make a
Ok cool, thanks Werner.
I'll make a ticket
L
On Tue, Aug 6, 2024 at 6:38 PM Werner LEMBERG wrote:
>
> >> > I'm looking for a way to make a "fingering bracket": [...]
> >>
> >> Please file an issue,
> >
> > Is this not something I can code myself in Scheme?
>
> I don't know (Harm can certainly m
>> > I'm looking for a way to make a "fingering bracket": [...]
>>
>> Please file an issue,
>
> Is this not something I can code myself in Scheme?
I don't know (Harm can certainly make a better educated guess than
me), but my gut feeling says that it is a hard problem, especially to
get the hori
On Tue, Aug 6, 2024 at 5:47 PM Werner LEMBERG wrote:
>
> > I'm looking for a way to make a "fingering bracket": [...]
>
> Please file an issue,
>
Sure!
Is this not something I can code myself in Scheme?
L
--
Luca Fascione
> I'm looking for a way to make a "fingering bracket": [...]
Please file an issue, which essentially contains your e-mail text
together with the images.
Werner
Hi Kieren,
That's just fantastic - thank you so very much! Even though I've used
Lilypond a fair bit, my abilities at its more advanced capabilities (such
as writing functions) are very poor indeed. Yet even I find that there are
occasional things which need some tweaking to get right.
For me i
Hi Alasdair,
> It looks like the sort of thing that would be best incorporated in a
> function, called something like, say "bracketise", which can then be easily
> called in the score as " \bracketise b' ". I'll go back through my scores to
> see if I can re-teach myself how to write, and use,
e a situation where the main note is below the stave, and an
> > alternative note is provided, an octave higher, which is in the stave.
> > This alternative note has a small note head which is in (square)
> brackets,
> > and its stem is in the same direction (up) as the main note.
t; alternative note is provided, an octave higher, which is in the stave.
> This alternative note has a small note head which is in (square) brackets,
> and its stem is in the same direction (up) as the main note. The stem of
> the alternative note is just to the left of the stem of the ma
On Sun, Aug 4, 2024 at 7:33 AM Alasdair McAndrew wrote:
> Hello,
>
> I have a situation where the main note is below the stave, and an
> alternative note is provided, an octave higher, which is in the stave.
> This alternative note has a small note head which is in (square) brac
Hello,
I have a situation where the main note is below the stave, and an
alternative note is provided, an octave higher, which is in the stave.
This alternative note has a small note head which is in (square) brackets,
and its stem is in the same direction (up) as the main note. The stem of
the
Yes, of course! It's that simple! Thank you very much!
On Mon, Jun 3, 2024 at 2:44 PM Werner LEMBERG wrote:
> > It seems that the positions of nested tuplet brackets can only be changed
> > separately if the inner n-tuplet brackets do not start on the downbeat.
> >
>
> It seems that the positions of nested tuplet brackets can only be changed
> separately if the inner n-tuplet brackets do not start on the downbeat.
>
> Take this as an example:
>
> \version "2.25.2"
>
> {
> \once \override TupletBracket.positions = #
Dear list,
It seems that the positions of nested tuplet brackets can only be changed
separately if the inner n-tuplet brackets do not start on the downbeat.
Take this as an example:
\version "2.25.2"
{
\once \override TupletBracket.positions = #'(6 . 6)
\tuplet 5/4 {
I have had help before with adding brackets to dynamics and I see the
snippet to parenthesize snippets. Is there a way to enclose a hairpin in
brackets?
TIA,
Paul
On 20/02/2024 23:06, Kieren MacMillan wrote:
Hi,
I want to set a text spanner with an ending bracket.
https://lilypond.org/doc/v2.25/Documentation/snippets/expressive-marks_003a-creating-text-spanners
Hope that helps!
Kieren
__
My work day may look
Hi,
> I want to set a text spanner with an ending bracket.
https://lilypond.org/doc/v2.25/Documentation/snippets/expressive-marks_003a-creating-text-spanners
Hope that helps!
Kieren
__
My work day may look different than your work day. Please do not f
Hello List,
I want to set a text spanner with an ending bracket.
(for example, a "sul g" instruction for violin):
%%%
\relative c' {
\override TextSpanner.bound-details.left.text = \markup \upright
"sul G"
g'4\startTextSpan fis g a |
bes a g d\stopTextSpan
}
%%%
P. S. Just remem
r).
Paul
From: Werner LEMBERG
To:
Cc:
Sent: 20/10/2023 6:33
Subject: Re: Tuplet brackets too short?
> Shouldn't both tuplet brackets span every notecolumn within the
> purview of the last note's duration?
Yes, at least according to Gould. Using `tupl
Mark Knoop writes:
> At 05:33 on 20 Oct 2023, Werner LEMBERG wrote:
>>> Shouldn't both tuplet brackets span every notecolumn within the
>>> purview of the last note's duration?
>
>> Yes, at least according to Gould. Using `tupletFullLength` helps,
At 05:33 on 20 Oct 2023, Werner LEMBERG wrote:
>> Shouldn't both tuplet brackets span every notecolumn within the
>> purview of the last note's duration?
> Yes, at least according to Gould. Using `tupletFullLength` helps, but
> now tuplet brackets are too lon
> Shouldn't both tuplet brackets span every notecolumn within the
> purview of the last note's duration?
Yes, at least according to Gould. Using `tupletFullLength` helps, but
now tuplet brackets are too long:
```
\new Staff
{ \set Staff.tupletFullLength = ##t
\time 2/4
&l
At 16:10 19/10/2023 +0200, David Kastrup wrote:
... the results look awful:
Shouldn't both tuplet brackets span every notecolumn within the
purview of the last note's duration?
For what it's worth (I know, I know!), Elaine Gould [Behind Bars, pp.
195/6] seems to distinguish
If I write
\new Staff
{ \time 2/4
<< \tuplet 3/2 { c''4 d'' c'' } \\ \tuplet 3/2 { g'4 a'2 } >>
}
the results look awful:
Shouldn't both tuplet brackets span every notecolumn within the purview
of the last note's duration?
my fallacy!) Then the result should be s4
* 2/3 \times 2/3 {c'4} s4 * 2/3 \times 2/3 {c'4 c'4} s4 * 2/3 meaning I
would expect the brackets to wrap around the non-skips and avoid even the
inner skips, which is not the current behavior. What it felt like from the
user end was th
\omit Rest r16[ d s d s d s d s d s d s d s d] }
>>
```
I can see why “your” behavior can make sense, I'm just explaining why the
handling of skips in tuplet brackets is relatively consistent with some other
things.
> By calling it a bug, I didn't mean to sound aggressive.
N
> Le 4 juil. 2023 à 18:28, Gregory Evans a
> écrit :
>
>
> Hi everyone,
> I'm wondering if anyone can explain a lilypond behavior I did not expect. I
> noticed today that tuplet brackets appear over skips in the middle of the
> tuplet but not over skips whi
Hi everyone,
I'm wondering if anyone can explain a lilypond behavior I did not expect. I
noticed today that tuplet brackets appear over skips in the middle of the
tuplet but not over skips which appear at the edges of the tuplet. I
imagine this is a bug since the treatment is inconsistent (i.
How can I find the documentation for optional sections with brackets and
text above similar to \alternative. There are no repeats involved.
Thank you,
Paul
nsert brackets, arrows or lines between chords
names in order to express the direction and function of every chord as
it is usually done in jazz harmony.
Is there any way of doing this?
Thank you, Abraham, for the feedback.
I feel comfortable now with the volta brackets as they are.
Secondly, I agree that it is overkill to to have the Voice specified
for the left hand when there is only one voice.
I'm fine-tuning as I go...
Thanks,
Ken
On Wed, Dec 21, 2022 at 10:
Hey, Ken!
On Wed, Dec 21, 2022 at 11:11 PM Kenneth Wolcott
wrote:
> Hi;
>
> I need volta repeat brackets for a Trumpet+Piano "great big staff?".
>
> I see the section in the Notation Reference and a section in the
> Snippet Reference regarding volte multi-st
On Tue, Nov 22, 2022 at 3:37 PM Leo Correia de Verdier <
leo.correia.de.verd...@gmail.com> wrote:
> That is not another bug, that is because I only redefined the regular
> barline
>
D'Oh. Of course. Thanks...
> Another curious thing is that bar six prints right for me, even without
> barlines
That is not another bug, that is because I only redefined the regular barline
(not the double) to print on the beginning of staves. Add:
\defineBarLine "||" #'("||" "|" "||”)
to the layout block and you’re back. That needs to be done for every kind of
barline you use.
Another curious thing
Ha.
So it works. but also reveals another bug
Note small change in bar 5: now the bar 6 line is gone again, and so it's
the correctly accounted accidental spacing...
L
\version "2.22.1"
\layout {
\override Score.Clef.break-visibility = #'#(#f #f #f) % make only the
first clef visible
}
\d
Noice, thanks Leo, this is enough of a workaround for my current state,
thanks for figuring that out
Cheers,
Luca
On Tue, 22 Nov 2022, 14:04 Leo Correia de Verdier, <
leo.correia.de.verd...@gmail.com> wrote:
> Hi Luca!
>
> This could well be a bug. In the context you have shown you can work
> ar
Hi Luca!
This could well be a bug. In the context you have shown you can work around it
by printing the barlines at the beginning of staves too, by adding
\defineBarLine "|" #'("|" "|" "|”)
to the layout block.
HTH
/Leo
> 22 nov. 2022 kl. 13:30 skrev Luca Fascione :
>
> Ok, so, small source at
Ok, so, small source at the bottom
[image: image.png]
See how the stems of the first columns in bars 2, 6, 10 all line up,
whereas on bars 3, 7, 11 they don't...
L
\version "2.22.1"
\layout {
\override Score.Clef.break-visibility = #'#(#f #f #f) % make only the
first clef visible
}
m =
It seems to have something to do with this:
\override Clef.break-visibility = #'#(#f #f #f)
I'm working on shortening the source
L
On Tue, Nov 22, 2022 at 12:25 PM Luca Fascione wrote:
> Ha. Ok, I'll whittle it down to something small that repros it then.
> Thanks Leo!
> L
>
> On Tue, 22 Nov
Ha. Ok, I'll whittle it down to something small that repros it then.
Thanks Leo!
L
On Tue, 22 Nov 2022, 12:00 Leo Correia de Verdier, <
leo.correia.de.verd...@gmail.com> wrote:
> Hi Luca!
>
> This works quite well when I try to replicate it, so the code producing
> the error is probably needed to
Hi Luca!
This works quite well when I try to replicate it, so the code producing the
error is probably needed to solve this. Try to make a minimal example. That
said, one could guess that it could have something to do with break-alignments.
Best
/Leo
> 22 nov. 2022 kl. 11:27 skrev Luca Fascion
Hi all,
In a sheet I'm working on I'm observing that the accidentals on the first
bar of a line aren't handling collisions with the start-of-line bracket and
bar, while inbetween bars this works just fine (see attached image).
Where do I look for hints on how to fix this?
Many thanks,
Luca
[imag
Le 11/10/2022 à 05:49, Paul Scott a écrit :
Can I also include a dynamic like mp inside the same bracket?
Try this:
\version "2.23.14"
\markup format-bracket =
\markup \large \vcenter \etc
bracketParens = {
\override Parentheses.stencils =
#(lambda (grob)
(list (grob-inter
Le 11/10/2022 à 05:39, Paul Scott a écrit :
This one doesn't seem to work in 2.23.13 or 2.23.14.
For me it does. Perhaps you have something in your score
that interacts badly with it.
Jean
with dynamic
text.
Is there a way to mix normal text, brackets specifically, with
hairpins? This is used in the U.S. Marine Band versions of the
Sousa marches.
Thank you for any ideas,
Do you mean something like this?
\version "2.23.13"
\markup format-bracket =
\mar
to mix normal text with dynamic
text.
>
> Is there a way to mix normal text, brackets specifically, with
> hairpins? This is used in the U.S. Marine Band versions of the Sousa
> marches.
Hello,
Not sure if it corresponds to your request, but it is possible to get
hairpins between br
>
> Is there a way to mix normal text, brackets specifically, with
> hairpins? This is used in the U.S. Marine Band versions of the Sousa
> marches.
Hello,
Not sure if it corresponds to your request, but it is possible to get
hairpins between brackets by changing the stencil of Paren
wrote:
In 2.23.13 Notation 1.3.1 shows how to mix normal text with dynamic
text.
Is there a way to mix normal text, brackets specifically, with hairpins?
This is used in the U.S. Marine Band versions of the Sousa marches.
Have you looked further in the docs? See the subsection on "New
dyn
mix normal text, brackets specifically, with
hairpins? This is used in the U.S. Marine Band versions of the Sousa
marches.
Thank you for any ideas,
Do you mean something like this?
\version "2.23.13"
\markup format-bracket =
\markup \large \vcenter \etc
{
\once
On Thu, 6 Oct 2022 at 19:59, Paul Scott wrote:
>
> In 2.23.13 Notation 1.3.1 shows how to mix normal text with dynamic text.
>
> Is there a way to mix normal text, brackets specifically, with
> hairpins? This is used in the U.S. Marine Band versions of the Sousa
> marches.
H
On 2022-10-06 10:31 am, Paul Scott wrote:
In 2.23.13 Notation 1.3.1 shows how to mix normal text with dynamic
text.
Is there a way to mix normal text, brackets specifically, with
hairpins?
This is used in the U.S. Marine Band versions of the Sousa marches.
Have you looked further in the
Le 06/10/2022 à 19:31, Paul Scott a écrit :
In 2.23.13 Notation 1.3.1 shows how to mix normal text with dynamic text.
Is there a way to mix normal text, brackets specifically, with
hairpins? This is used in the U.S. Marine Band versions of the Sousa
marches.
Thank you for any ideas,
Do
In 2.23.13 Notation 1.3.1 shows how to mix normal text with dynamic text.
Is there a way to mix normal text, brackets specifically, with
hairpins? This is used in the U.S. Marine Band versions of the Sousa
marches.
Thank you for any ideas,
Paul
Le 20/09/2022 à 04:27, David Wright a écrit :
On Mon 19 Sep 2022 at 17:45:24 (-0700), Kenneth Wolcott wrote:
What is "\rightjust"? Is it a variable (macro) that you have
defined? I can't find that command in the NR. How does that differ
from right-align, which I tried and it didn't work fo
On Mon 19 Sep 2022 at 17:45:24 (-0700), Kenneth Wolcott wrote:
> What is "\rightjust"? Is it a variable (macro) that you have
> defined? I can't find that command in the NR. How does that differ
> from right-align, which I tried and it didn't work for me.
Oops, I'm sorry. I forgot that I'm re
HI Jean;
Now it finally starts to make sense!
Thanks,
Ken
On Mon, Sep 19, 2022 at 6:30 PM Jean Abou Samra wrote:
>
> Le 20/09/2022 à 02:45, Kenneth Wolcott a écrit :
> > HI David;
> >
> >Thank you.
> >
> >What is "\rightjust"? Is it a variable (macro) that you have
> > defined? I can'
Le 20/09/2022 à 02:45, Kenneth Wolcott a écrit :
HI David;
Thank you.
What is "\rightjust"? Is it a variable (macro) that you have
defined? I can't find that command in the NR.
I suppose David defined it as something like
rightjust = \tweak self-alignment-X #RIGHT \etc
The alignmen
HI David;
Thank you.
What is "\rightjust"? Is it a variable (macro) that you have
defined? I can't find that command in the NR. How does that differ
from right-align, which I tried and it didn't work for me.
Thanks,
Ken
On Mon, Sep 19, 2022 at 5:23 PM David Wright wrote:
>
> On Mon 19 Se
On Mon 19 Sep 2022 at 16:28:35 (-0700), Kenneth Wolcott wrote:
> I have implemented the "Fine" and "D.C. al Fine" as rehearsal mark markups.
>
> Now I have a problem where the "D.C. al Fine" consumes much more
> space than the bar containing the dotted-half note, it even falls off
> the right
HI Valentin;
Thank you for elaboration.
I have implemented the "Fine" and "D.C. al Fine" as rehearsal mark markups.
Now I have a problem where the "D.C. al Fine" consumes much more
space than the bar containing the dotted-half note, it even falls off
the right side of the page.
How does
Hi Ken,
Lilypond has so called engravers at various levels that handle placement of
stuff. If you do ^"some text" a so called TextScript event is created, which is
handled by an engraver at Staff level. The voltas on the other hand are created
by an engraver at Score level. Other events that ar
Hi Valentin;
Thank you.
Regarding point #1, I don't understand what (how to) to change it so
that it is Score level. Would I place the same command inside the
\layout {} block inside the \score section? Do I invoke it in the
same way?
Regarding point #2, I'm still trying to understand th
Hi Ken,
note that it would be reasonable to create these Marks on a Score level, not
on a Staff level.
If you are using a sufficiently recent development version you can also make
use
of the \repeat segno function, somewhat like this:
\version "2.23.12"
\layout {
\context {
\Score
Hi Knute;
Thank you for reminding me to share :-)
I did not find a precise search phrase that I should have used but
"Controlling the vertical ordering of scripts" in the Notation
Reference comes close; reading the entire section helped.
What I saw there reminded me of what I had been show
On Sat, Sep 17, 2022 at 9:36 PM Kenneth Wolcott
wrote:
>
> HI;
>
> I found what I was looking for; sorry to waste your time...
Why not share what you found so others can learn from it?
--
Knute Snortum
HI;
I found what I was looking for; sorry to waste your time...
Ken
On Sat, Sep 17, 2022 at 9:06 PM Kenneth Wolcott
wrote:
>
> Hi;
>
> Raise the "Fine" and "D.C. Fine" above the repeat volta alternative
> brackets, how?
>
> Please give me good
> how about something simple but functional like this:
>
> chbracket =
> #(define-music-function (offset height width) (number? number? number?)
>(let* ((x0 -0.7)
> (x1 (+ x0 width))
> (y0 offset)
> (y1 (+ y0 height)))
> #{
>\tweak outside-staff-prio
Hello Werner,
how about something simple but functional like this:
chbracket =
#(define-music-function (offset height width) (number? number? number?)
(let* ((x0 -0.7)
(x1 (+ x0 width))
(y0 offset)
(y1 (+ y0 height)))
#{
\tweak outside-staff-priority #
>> * Has someone coded this already? I couldn't find code in the LSR.
>
> I don't know if this is still the most ideal way, but it works.
> [...]
Thanks a lot for all the replies! I'll analyze them and cook
something up for my needs.
Werner
ll the most ideal way, but it works. Someone on
> this list coded all of this many years ago ... unfortunately, I'm unable to
> remember who it was to give them proper attribution. I use this snippet all
> the time to make various brackets in organ music. (The bracket names are my
>
y, I'm unable to remember
who it was to give them proper attribution. I use this snippet all the time to
make various brackets in organ music. (The bracket names are my own; I wanted
to use something clear & descriptive.) The #s at the end of the lines dictate
the size (length) of the br
Werner LEMBERG wrote:
For piano music it is common to indicate the use of the right hand in
the lower staff with a 'half-bracket' (and vice versa for the upper
staff), see image.
Two questions.
* What's the right term for this 'half-bracket'?
* Has someone coded this already? I couldn't find
>> For piano music it is common to indicate the use of the right hand in
>> the lower staff with a 'half-bracket' [...]
>
> In the NR I find
>
> Indicating cross-staff chords with arpeggio bracket [...]
>
> It's not a half-bracket but it's the closest in the manual I can
> find at a glance.
Tha
Werner LEMBERG writes:
> For piano music it is common to indicate the use of the right hand in
> the lower staff with a 'half-bracket' (and vice versa for the upper
> staff), see image.
>
> Two questions.
>
> * What's the right term for this 'half-bracket'?
>
> * Has someone coded this already?
Le 31/05/2022 à 10:39, Werner LEMBERG a écrit :
For piano music it is common to indicate the use of the right hand in
the lower staff with a 'half-bracket' (and vice versa for the upper
staff), see image.
Two questions.
* What's the right term for this 'half-bracket'?
No idea, I don't know t
> * What's the right term for this 'half-bracket'?
BTW, in SMuFL this symbol is called 'keyboardPlayWithRH' :-)
https://w3c.github.io/smufl/latest/tables/keyboard-techniques.html
Werner
For piano music it is common to indicate the use of the right hand in
the lower staff with a 'half-bracket' (and vice versa for the upper
staff), see image.
Two questions.
* What's the right term for this 'half-bracket'?
* Has someone coded this already? I couldn't find code in the LSR.
Thank
> I’ve created some code for creating well behaved annotation brackets
> for some SE question, which I want to share with you all in case
> someone of you can use it.
Very nice! This smells like a good snippet for the LSR :-)
Werner
Hello Pondmates!
I’ve created some code for creating well behaved annotation brackets for some
SE question, which I want to share with you all in case someone of you can use
it.
Cheers,
Valentin%% Creates a (optionally rounded) bracket with a gap in the middle.
%% lx = left x position, ly
This was so simple, and just works as required, except for one thing.
Using priority 2000 puts the brackets above tempo indications and other
markup; I used Leo's value of 750 which did it exactly right. Leo's
additional "avoid-scripts" and "avoid-slur" overrides
Great! That works fine.
Thanks!
Em qua., 29 de set. de 2021 18:15, Hans Aikema
escreveu:
>
>
> On 29 Sep 2021, at 21:28, Jefferson Felix wrote:
>
> Hi everyone,
>
> I'm working on some hymns and noticed that I need to add square brackets
> just above th
> On 29 Sep 2021, at 21:28, Jefferson Felix wrote:
>
> Hi everyone,
>
> I'm working on some hymns and noticed that I need to add square brackets just
> above the treble clef to indicate the introductory part of the hymn (usually
> performed by an organ or orches
Hi everyone,
I'm working on some hymns and noticed that I need to add square brackets
just above the treble clef to indicate the introductory part of the hymn
(usually performed by an organ or orchestra before the choir sings).
As an example, I can show a sheet of music from the hymnal o
was way over the top - which your response and
Leo's have confirmed.
For your interest, this is where I found the (way too complex for my
case!) code I was using for horizontal tuplet brackets:
https://lilypond-user.gnu.narkive.com/pekwMXTV/angle-of-a-tuplet-bracket
The complexity was because
In this case, I'm not sure what Harm did to ensure horizontal position
of tuplet brackets. In the following solution, I'm doing a bit of a
hack: I ask LilyPond to place the tuplet bracket outside everything
else (that's the value of outside-staff-priority), and then I fo
I can’t tell for sure without seeing the code, but I think you may not need
very advanced code to force the brackets horizontal in your case, and that
something like this is what you’re after:
\version "2.22.1"
\fixed c'' {
\override TupletBracket.directi
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