Re: HELP: Trill line without 'tr' written before it

Simon Albrecht writes: > On 16.03.2016 11:42, Mike Solomon wrote: >> \once \override TrillSpanner #'bound-details #'left #'text = ##f % this is >> how > > IIUC this syntax is being disallowed at the moment and 2.20 will only > allow the (very convenient) dot-separated

Re: HELP: Trill line without 'tr' written before it

On 16.03.2016 12:15, Thomas Morley wrote: How about using RhythmicStaff and glissando? Why? I don’t see need to use such tricks here. Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.org

Re: HELP: Trill line without 'tr' written before it

Kieren MacMillan writes: > Hi David, > >>"horn1" = { ... } >>\"horn1" >> already works > > I toyed with that, but was/am not a big fan of the quotes. > >> and keeps the stuff in different variables. > > Hmmm… Maybe I’m misunderstanding. I thought this new

Re: HELP: Trill line without 'tr' written before it

Hello, Not sure if I missed it, but will: \relative { c' -\tweak style #'trill \startTextSpan d e f \stopTextSpan \textSpannerDown c' -\tweak style #'trill \startTextSpan d e f \stopTextSpan } still work in the future? JM > Le 17 mars 2016 à 00:35, David Kastrup

Re: HELP: Trill line without 'tr' written before it

2016-03-16 12:17 GMT+01:00 Simon Albrecht : > On 16.03.2016 12:15, Thomas Morley wrote: >> >> How about using RhythmicStaff and glissando? > > > Why? I don’t see need to use such tricks here. > > Best, Simon I don't see any tricks in my code, just simplifying things. Why

Re: HELP: Trill line without 'tr' written before it

Thomas Morley writes: > Btw, checkout > http://music.stackexchange.com/questions/42775/move-a-trill-into-the-stave > -About 'scrape', which is what the zigzag-or-trill-line should > represent. One could argue for glissando and trill, I'd say > -Someone else suggested

Re: HELP: Trill line without 'tr' written before it

Hi David, On Mar 16, 2016, at 12:35 PM, David Kastrup wrote: > I have my doubts about the importance of this feature. One of my recent large-forces arrangements included 8 independent horn parts, 12 independent trombone parts, and several other multi-divisi instrumental setups.

Re: HELP: Trill line without 'tr' written before it

Kieren MacMillan writes: > Hi David, > >> violin.2 = { c d } >> will work, as will \violin.2 (as of issue 4797) or \violin.#(+ 1 1) > > Wow! That’s wonderful news. I have my doubts about the importance of this feature. Actually this was more prompted as lead-up

Re: HELP: Trill line without 'tr' written before it

On 16.03.2016 23:46, Thomas Morley wrote: 2016-03-16 12:17 GMT+01:00 Simon Albrecht : On 16.03.2016 12:15, Thomas Morley wrote: How about using RhythmicStaff and glissando? Why? I don’t see need to use such tricks here. Best, Simon I don't see any tricks in my code,

Re: HELP: Trill line without 'tr' written before it

2016-03-16 11:21 GMT+01:00 George : > If you'd like a detailed explanation > of my problem you can have a look > at the question I posted here: > http://bit.ly/1WpUjqA > > I am trying to create a zig-zagged line after a note head, > currently I am using this code: > >

Re: HELP: Trill line without 'tr' written before it

On 16.03.2016 11:42, Mike Solomon wrote: \once \override TrillSpanner #'bound-details #'left #'text = ##f % this is how IIUC this syntax is being disallowed at the moment and 2.20 will only allow the (very convenient) dot-separated list syntax \once\override TrillSpanner

Re: HELP: Trill line without 'tr' written before it

Hi George, On 16.03.2016 11:21, George wrote: this creates a trill line above the note (I'd like it to appear on the stave) with 'tr' written before it (I'd like the zig-zag line to appear directly after the note head, with no extra text, just the line.) How can I accomplish this? Have a

Re: HELP: Trill line without 'tr' written before it

> On 16 Mar 2016, at 11:21, George wrote: > > > (I'd like the zig-zag line to appear directly > after the note head, with no extra text, > just the line.) \version "2.18.2" \new DrumStaff \with { instrumentName = #"Güiro " shortInstrumentName = #"Guir. " } {

HELP: Trill line without 'tr' written before it

If you'd like a detailed explanation of my problem you can have a look at the question I posted here: http://bit.ly/1WpUjqA I am trying to create a zig-zagged line after a note head, currently I am using this code: \version "2.18.2" \new DrumStaff \with { instrumentName = #"Güiro "

Re: OT help with midi2ly on command line mac os blind user

Hello David, Thanks for pointing this out. I don’t use bash often in fact, since my default shell is tcsh. And it turns out I have a lot of bash left-overs from the machines I was in charge professionally some time ago… JM > Le 15 mars 2016 à 17:15, David Wright a

Re: OT help with midi2ly on command line mac os blind user

On Tue 15 Mar 2016 at 09:09:38 (+0100), Jacques Menu Muzhic wrote: >bash-3.2$ echo $PATH > >

Re: OT help with midi2ly on command line mac os blind user

ctory such that it contains > > export PATH=$PATH:~/bin > >This file should end with a blank line.  >I guess my questions are the following:  >How will these steps help me in using midi2ly? Starting at step 5 (called 1 in your quote above), when your bash sh

Re: OT help with midi2ly on command line mac os blind user

on/midi.so: mach-o, but wrong architecture This shows that Python module midi.so is not usable on my machine. I run OS X 10.11.3: bash-3.2$ uname -a Darwin macbookprojm 15.3.0 Darwin Kernel Version 15.3.0: Thu Dec 10 18:40:58 PST 2015; root:xnu-3248.30.4~1/RELEASE_X86_64 x86_64 Can’t hel

OT help with midi2ly on command line mac os blind user

will these steps help me in using midi2ly? Also, can anyone give me an example of what to type in the terminal to convert a midi file to lilypond format? Thanks for any answers and/or suggestions. I apologize for the long off-topic email. Daniel, Also, ha I don’t know why my computer is putting 1

Re: OT: Help needed to package cross-platform python application

2> > https://lists.gnu.org/mailman/listinfo/lilypond-user > > > -- > If you reply to this email, your message will be added to the discussion > below: > > http://lilypond.1069038.n5.nabble.com/OT-Help-needed-to-package-cross-platform-python-applicatio

Re: OT: Help needed to package cross-platform python application

Il giorno ven 11 mar 2016 alle 9:22, Federico Bruni ha scritto: Il giorno mer 9 mar 2016 alle 23:46, Abraham Lee ha scritto: I have developed a couple of python PDF utilities that make certain batch processing operations a little easier. I'd

Re: OT: Help needed to package cross-platform python application

Il giorno mer 9 mar 2016 alle 23:46, Abraham Lee ha scritto: I have developed a couple of python PDF utilities that make certain batch processing operations a little easier. I'd like to make some binary files of the utilities so that users can just download and use

Re: OT: Help needed to package cross-platform python application

My mistake. :( Sorry. Thanks! :-) Am 11.03.2016 08:38, schrieb Marc Hohl: Am 11.03.2016 um 08:12 schrieb Blöchl Bernhard: OT? Indeed! Another blog highchecking attack. Why not stay in the python blog? s/highchecking/hijacking/ ;-) ___

Re: OT: Help needed to package cross-platform python application

Am 11.03.2016 um 08:12 schrieb Blöchl Bernhard: OT? Indeed! Another blog highchecking attack. Why not stay in the python blog? s/highchecking/hijacking/ ;-) ___ lilypond-user mailing list lilypond-user@gnu.org

Re: OT: Help needed to package cross-platform python application

OT? Indeed! Another blog highchecking attack. Why not stay in the python blog? Am 11.03.2016 02:30, schrieb David Wright: On Wed 09 Mar 2016 at 15:46:24 (-0700), Abraham Lee wrote: I have developed a couple of python PDF utilities that make certain batch processing operations a little

Re: OT: Help needed to package cross-platform python application

On Wed 09 Mar 2016 at 15:46:24 (-0700), Abraham Lee wrote: >I have developed a couple of python PDF utilities that make certain batch >processing operations a little easier. I'd like to make some binary files >of the utilities so that users can just download and use them without >

OT: Help needed to package cross-platform python application

All, I have developed a couple of python PDF utilities that make certain batch processing operations a little easier. I'd like to make some binary files of the utilities so that users can just download and use them without needing to worry about setting up a python installation on their machines,

Re: Help with fonts from a blind user

that said i don't even have icons so. Stephen ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Help with fonts from a blind user

This assumes one has a file manager that is a GUI (it's hard to do this in say midnight commander or xterm) for those without you can cd to your lilypond directory and put the fonts there. I use cd /usr/local/lilypond-current/lilypond/usr/share/lilypond/current/fonts/ ls otf svg HTH

Re: Help with fonts from a blind user

, should I copy the > fonts.scm file to the scm folder? thanks again y’all. > Only if you are using a version prior to 2.19.12, then that file is necessary. HTH, Abraham -- View this message in context: http://lilypond.1069038.n5.nabble.com/Fwd-Help-with-fonts-from-a-blind-user-tp188259p

Fwd: Help with fonts from a blind user

Daniel Contreras Begin forwarded message: > From: Daniel Contreras <daniel.c.9...@gmail.com> > Date: March 7, 2016 at 4:09:00 PM CST > To: Kieren MacMillan <kieren_macmil...@sympatico.ca> > Subject: Re: Help with fonts from a blind user > > Hello Kieren and

Re: Help with fonts from a blind user

s that you > received into the appropriate folder. > Kieren has told you correctly, but here are some additional instructions that should help clarify things. Firstly, the lilyjazz-text.otf and lilyjazz-chord.otf fonts should go in the normal system font folder. All the other files (e.g.

Re: Help with fonts from a blind user

Hi Daniel, > Can anyone point me in the right direction as to how and where to install > these font files. 1. Right- [or control-] click on your Lilypond application file/icon, and from the contextual menu choose “Show Package Contents”. 2. Navigate down to the Contents > Resources > share >

Help with fonts from a blind user

and where to install these font files. He also sent me the patch file in order to run the fonts on my version of lp. Thanks for any help. Take care, Daniel ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond

Re: Whiteout box function by Thomas Morley / need help

On 06.03.2016 12:16, Karol Majewski wrote: As for skylines: in a nutshell, skylines are invisible borders. Setting them to #'() affects the shape of these borders. IIUC, it rather removes the skyline, making the grob invisible for spacing purposes, doesn’t it? Best, Simon

Re: Whiteout box function by Thomas Morley / need help

Hi Andrew,   basically, this function allows to adjust the size of the whiteout box. It is especially useful in handling DynamicText-SpanBar collisions. Read the whole topic here:   http://lilypond.1069038.n5.nabble.com/Whiteout-box-function-by-Thomas-Morley-need-help-td161262.html

Re: Whiteout box function by Thomas Morley / need help

HI Karol, Is there any introductory or tutorial material anywhere about vertical skylines, and horizontal? I confess I really have very little comprehension of this aspect of ilypond. [My perhaps myopic reading of the NR does not enlighten me.] Why does that setting do the job? What is its

Re: Whiteout box function by Thomas Morley / need help

OK, it seems that \override DynamicLineSpanner.vertical-skylines = #'() does the job.   There is an issue with DynamicText placed at the end of hairpin.   If DynamicText is placed after the end of hairpin and some extraWhiteout is added to the left of DynamicText then the whole DynamicText is

Re: Whiteout box function by Thomas Morley / need help

There is an issue with DynamicText placed at the end of hairpin.   If DynamicText is placed after the end of hairpin and some extraWhiteout is added to the left of DynamicText then the whole DynamicText is shifted to the right.   I want DynamicText to stay centered below note. Any suggestions are

Re: help needed with project notation strategy

nterpretation does not suck horribly. > Thanks for the reminder re: Rosegarden, I'll try the MIDI file there > to see how it shows up in the notation page. It might help. With input of that size, wasting some time on converters before making a decision is certainly warranted. Personally

Re: help needed with project notation strategy

otation it might also be an idea to look at Midi sequencers like Rosegarden. I think that midi2ly sucks less when already dealing with quantized Midi, so even just running stuff through Rosegarden for quantization might help. Since every note was hand-entered into the sequencer - I'm a guitaris

Re: help needed with project notation strategy

already dealing with quantized Midi, so even just running stuff through Rosegarden for quantization might help. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

help needed with project notation strategy

Greetings, I wrote a piece for piano that I want to notate with LilyPond. The piece has some difficult aspects regarding which I need some advice or just confirmation that my strategy is sound (or not). The piece is long, 848 measures of varying textures, styles, tempi, and time signatures,

Re: Help with unexpexted double barline trouble and \markup

ong use > on inputing this in Sibelius (added as pfd). What can i do to speed > this up? Help and encouragement is much obliged. What one can say is basically: Be patient and learn. How long did it take you to get to a state where inputting this in Sibelius takes you less time? In a way

Re: Help with unexpexted double barline trouble and \markup

a4 b c d | e f g a | You can also label bar numbers with comments: a4 b c d | %1 e f g a | %2 but this gets tiresome after a while. > Also, inputing this takes alot of time considering how long use on > inputing this in Sibelius (added as pfd). What can i do to speed this up? > Help

Re: Help with unexpexted double barline trouble and \markup

On 15 January 2016 at 14:37, Kieren MacMillan wrote: > Hi Carl-Henrik, > > > Bar 1) > > Stemlets. Do it have to be this hard creating them? Is there a way to > make it global? Also, i want the stemlet to reach down towards the rest. > How? > > This may be related

Re: Help with unexpexted double barline trouble and \markup

Hi Carl-Henrik, > Bar 1) > Stemlets. Do it have to be this hard creating them? Is there a way to make it > global? Also, i want the stemlet to reach down towards the rest. How? This may be related to the issue Urs is working on at the moment. In any case, I’m sure there are automatic ways to

Re: Help with unexpexted double barline trouble and \markup

Hi Chris, > According to the documentation, no… > […] > But I have seen a snippet through which you can avoid the slur AND beam That’s what I meant by “there are automatic ways to make your preference global”. ;) It’s probably a Scheme function/callback. I hope it gets found! Kieren.

Help with unexpexted double barline trouble and \markup

can i clean up/simplify my input? Also, inputing this takes alot of time considering how long use on inputing this in Sibelius (added as pfd). What can i do to speed this up? Help and encouragement is much obliged.Images of lilypond and sibelius (reference) outout.http://imgur.com/a/Izl8D .ly

Re: Help with unexpexted double barline trouble and \markup

Am 15.01.2016 um 15:37 schrieb Kieren MacMillan: >> Bar 1) >> > Stemlets. Do it have to be this hard creating them? Is there a way to make >> > it global? Also, i want the stemlet to reach down towards the rest. How? > This may be related to the issue Urs is working on at the moment. In any >

Re: Help with unexpexted double barline trouble and \markup

On 15.01.2016 17:50, Urs Liska wrote: Am 15.01.2016 um 17:46 schrieb Simon Albrecht: On 15.01.2016 16:58, Carl-Henrik Buschmann wrote: 1) My experience is that reading rhythms with the stemlets over the rests helps alot. It is a tad "modern" but generally approved. Is there a way to make it

Re: Help with unexpexted double barline trouble and \markup

On 15.01.2016 16:58, Carl-Henrik Buschmann wrote: 1) My experience is that reading rhythms with the stemlets over the rests helps alot. It is a tad "modern" but generally approved. Is there a way to make it global? No problem: just insert \context { \Voice \override

Re: Help with unexpexted double barline trouble and \markup

Am 15.01.2016 um 17:46 schrieb Simon Albrecht: > On 15.01.2016 16:58, Carl-Henrik Buschmann wrote: >> 1) My experience is that reading rhythms with the stemlets over the >> rests helps alot. It is a tad "modern" but generally approved. Is >> there a way to make it global? > > No problem: just

Re: Help with unexpexted double barline trouble and \markup

On 15 January 2016 at 15:58, Carl-Henrik Buschmann wrote: > > 15. jan. 2016 kl. 15.32 skrev Chris Yate : > > > > On 15 January 2016 at 07:07, Carl-Henrik Buschmann > wrote: > >> I'm working on a lead sheet but being a novice i'm

Re: Help with unexpexted double barline trouble and \markup

> > 15. jan. 2016 kl. 15.32 skrev Chris Yate : > > > > On 15 January 2016 at 07:07, Carl-Henrik Buschmann > wrote: > I'm working on a lead sheet but being a novice i'm hitting my head against > the wall at some noob

Re: Help with unexpexted double barline trouble and \markup

2016-01-15 15:37 GMT+01:00 Kieren MacMillan : > Hi Carl-Henrik, >> Bar 8) >> Why does the double barline not exend equaly through both staffs? > > That looks like a bug to me: all SpanBars should [IMO] be printed at the > largest applicable size. Well, then it's

Re: Help needed with chants

2015-12-30 1:33 GMT+01:00 Karen Billings <ksbilli...@att.net>: > Harm, > > Thank you so much!!! > > No matter how much I work with this, it seems like I still have tons to > learn... I am truly in awe! > > Again, many thanks! > > Karen > Glad I

Re: Please help with fretboard diagram spacing

(place-fret 6 3 2) > (place-fret 6 5 4) >) > } >} ><b-1\5> | >} > } > >> > > Cheers, > ~Pierre > > > 2015-11-17 14:03 GMT+01:00 Tom Swan <t...@tomswan.com>: > > I didn't get any res

Please help with fretboard diagram spacing

I didn't get any response to my request for advice on adjusting spacing between a fretboard diagram and the associated staff. Does anybody have any suggestions? I am stuck and need help with this. Thanks! Here is the snippet -- I would like more space below the fretboard diagram and the staff

Re: Please help with fretboard diagram spacing

- Original Message - From: "Tom Swan" <t...@tomswan.com> To: "lilypond-user" <lilypond-user@gnu.org> Sent: Tuesday, November 17, 2015 1:03 PM Subject: Please help with fretboard diagram spacing I didn't get any response to my request for advice on adjust

Re: Please help with fretboard diagram spacing

1\5> | } } >> Cheers, ~Pierre 2015-11-17 14:03 GMT+01:00 Tom Swan <t...@tomswan.com>: > I didn't get any response to my request for advice on adjusting spacing > between > a fretboard diagram and the associated staff. Does anybody have any > suggestions

Re: Help with accaciatura

On 01/11/15 08:22, David Kastrup wrote: tisimst writes: As in \acciacciatura s8 Or whatever the right duration is. More like \grace s8 since \acciaccatura [sic!] adds a slur if I am not mistaken. Thank you all. Although it is a bug, as someone pointed out,

Re: Help with accaciatura

tisimst writes: > As in > > \acciacciatura s8 > > Or whatever the right duration is. More like \grace s8 since \acciaccatura [sic!] adds a slur if I am not mistaken. -- David Kastrup ___ lilypond-user mailing list

Help with accaciatura

#L37 Sorry for the links for github. I hope it can make it easier. If not, I'll try to do it other way. Thank you Alberto PS: when I end transcribing, I would be grateful is someone offer to proofread, and if someone else (or the same volunteer) would be kind enough to help

Re: Help with accaciatura

Hello Alberto, On 31.10.2015 22:46, Alberto Simões wrote: Hello In a piano piece, I have an accaciatura in the beginning of a repeat, in the upper voice. In the lower voice, it does not exist. It seems lilypond is somehow confused by it. This is most likely an instance of issue 34

Re: Help with accaciatura

iling list > [hidden email] <http:///user/SendEmail.jtp?type=node=183014=0> > https://lists.gnu.org/mailman/listinfo/lilypond-user > > > -- > If you reply to this email, your message will be added to the discussion > below: > > http://lilypo

Re: markup-system-spacing syntax help

On Sun, 2015-10-18 at 15:40 -0400, Kieren MacMillan wrote: > Hi Richard, > > > I can't seem to get the vertical spacing settings > > http://www.lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables > > to do anything: > > > > \version "2.19.25" > > \header { >

Re: markup-system-spacing syntax help

Hi Richard, > I can't seem to get the vertical spacing settings > http://www.lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables > to do anything: > > \version "2.19.25" > \header { > title = "title" > } > \paper { > markup-system-spacing = 20 > } The

markup-system-spacing syntax help

I can't seem to get the vertical spacing settings http://www.lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables to do anything: \version "2.19.25" \header { title = "title" } \paper { markup-system-spacing = 20 } \score { \repeat unfold 200 { c''1*4/4 } }

Re: Help with Auto-beaming rules

Thanks for clarifying the need for manual beaming in certain cases. I've added commands to switch beaming rules in Denemo, and this has lead me on to coding up a command to search for the rhythmic pattern of the selection. This means that those passages that need manually beaming can be easily

Help with Auto-beaming rules

The attached bit of 18th century typesetting shows an 8.[ 32 32] beamed group and a series of 32[ 32 32 32] beamed groups in a 2/4 time signature. This is quite typical of the period and is IMHO more legible than if the 1/32 notes were beamed in larger groups. Can this be done by auto-beaming

Re: Help with Auto-beaming rules

Hello Richard, Am 08.09.2015 um 13:43 schrieb Richard Shann: The attached bit of 18th century typesetting shows an 8.[ 32 32] beamed group and a series of 32[ 32 32 32] beamed groups in a 2/4 time signature. This is quite typical of the period and is IMHO more legible than if the 1/32 notes

Re: Help with Auto-beaming rules

I've seen contemporary scores that follow the following basic rules: All notes within the pulse value (say, a quarter-note in 4/4) are beamed into one group. If the total group has values shorter than a 16th (this includes 16th-note tuplets) then only the first beam carries across the whole

Re: Help for \beamExceptions

On Fri, 2015-09-04 at 20:20 +0200, David Kastrup wrote: > Richard Shann writes: > > > On Fri, 2015-09-04 at 19:25 +0200, David Kastrup wrote: > >> Richard Shann writes: > >> > >> > On Fri, 2015-09-04 at 18:56 +0200, David Kastrup wrote: > >> >>

Re: Help for \beamExceptions

Richard Shann writes: > On Fri, 2015-09-04 at 20:20 +0200, David Kastrup wrote: >> Richard Shann writes: >> >> > Please correct me if I am wrong, but at the moment I don't know how a >> > user can place a something at the top of a LilyPond file

Re: Help for \beamExceptions

I seem to have run into a snag with re-writing default-time-signature-settings, it works ok if there was previously a rule for a time signature, but adding a rule for one (such as 6/8) which has none doesn't result in the beaming pattern being used. Here is a minimal example. The first bar shows

Re: Help for \beamExceptions

Richard Shann writes: > I seem to have run into a snag with re-writing > default-time-signature-settings, it works ok if there was previously a > rule for a time signature, but adding a rule for one (such as 6/8) which > has none doesn't result in the beaming pattern

Re: Help for \beamExceptions

Richard Shann writes: > On Fri, 2015-09-04 at 18:56 +0200, David Kastrup wrote: >> Richard Shann writes: >> >> > I seem to have run into a snag with re-writing >> > default-time-signature-settings, it works ok if there was previously a >> >

Re: Help for \beamExceptions

On Fri, 2015-09-04 at 19:25 +0200, David Kastrup wrote: > Richard Shann writes: > > > On Fri, 2015-09-04 at 18:56 +0200, David Kastrup wrote: > >> Richard Shann writes: > >> > >> > I seem to have run into a snag with re-writing > >> >

Re: Help for \beamExceptions

Richard Shann writes: > On Fri, 2015-09-04 at 19:25 +0200, David Kastrup wrote: >> Richard Shann writes: >> >> > On Fri, 2015-09-04 at 18:56 +0200, David Kastrup wrote: >> >> Richard Shann writes: >> >> >> >> > I seem

Re: Help for \beamExceptions

On Fri, 2015-09-04 at 18:56 +0200, David Kastrup wrote: > Richard Shann writes: > > > I seem to have run into a snag with re-writing > > default-time-signature-settings, it works ok if there was previously a > > rule for a time signature, but adding a rule for one (such

Re: Help for \beamExceptions

Richard Shann writes: > On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: >> >> > And there is a comment somewhere about using | to separate >> something, >> > I guess bars with the same \time signature (or, indeed different >> > ones). >> >> No, it's always for

Re: Help for \beamExceptions

On Thu, 2015-09-03 at 10:54 +0200, David Kastrup wrote: > Richard Shann writes: > > > On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: > >> > >> > And there is a comment somewhere about using | to separate > >> something, > >> > I guess bars with the same \time

Re: Help for \beamExceptions

Richard Shann writes: > On Thu, 2015-09-03 at 10:54 +0200, David Kastrup wrote: >> Richard Shann writes: >> >> > On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: >> >> >> >> > And there is a comment somewhere about using | to separate

Re: Help for \beamExceptions

On Thu, 2015-09-03 at 12:59 +0200, David Kastrup wrote: > Richard Shann writes: > > > On Thu, 2015-09-03 at 10:54 +0200, David Kastrup wrote: > >> Richard Shann writes: > >> > >> > On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: > >> >>

Re: Help for \beamExceptions

xt it is initialized, and the timing variables are > %% then copied from wherever Timing had been previously established. > %% The alias at Score level provides a target for initializing > %% Timing variables in layout definitions before any > %% Timing_translator has been run. >

Re: Help for \beamExceptions

On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: > > > And there is a comment somewhere about using | to separate > something, > > I guess bars with the same \time signature (or, indeed different > > ones). > > No, it's always for exactly one time signature, but at the time it is >

Re: Help for \beamExceptions

Am 02.09.2015 um 21:35 schrieb Richard Shann: On Wed, 2015-09-02 at 20:13 +0200, David Kastrup wrote: And there is a comment somewhere about using | to separate something, I guess bars with the same \time signature (or, indeed different ones). No, it's always for exactly one time signature,

Re: Help for \beamExceptions

Richard Shann writes: > On Tue, 2015-09-01 at 21:04 +0200, David Kastrup wrote: >> Richard Shann writes: >> >> > I've been trying to use the music function \beamExceptions >> >> "scheme function" > > Is that to say that this should be called a

Re: Help for \beamExceptions

On Tue, 2015-09-01 at 22:06 +0200, Simon Albrecht wrote: > Hello Richard, > > if you want to use \beamExceptions, it seems like the only way to do this is > %% > \version "2.19.25" > > { >\time 4/4 >\set Timing.beamExceptions = \beamExceptions { 8[] 8[ 8] 8[] 8[] 8[ > 8 8] } >

Re: Help for \beamExceptions

Am 02.09.2015 um 21:35 schrieb Richard Shann: I guess I would know the answer to this if I could find out what the alist holds initially, but my feeble attempt to elicit this via \void \displayScheme #beamExceptions gave me #> You can display the list of beam exceptions currently in effect by

Help for \beamExceptions

I've been trying to use the music function \beamExceptions which is in version 2.19.25, I can't find anything much to document it though. For example, trying this \version "2.19.25" MvmntIVoiceI = { e'8[ f'8 g'] a'8\noBeam b'8 a'[ g'8 f'] | e'8 f' g' a' b' a' g' f' } \score {

Re: Help for \beamExceptions

Richard Shann writes: > I've been trying to use the music function \beamExceptions "scheme function" > which is in version 2.19.25, I can't find anything much to document it > though. For example, trying this > > \version "2.19.25" > > MvmntIVoiceI = { > e'8[

Re: Help for \beamExceptions

Hello Richard, if you want to use \beamExceptions, it seems like the only way to do this is %% \version "2.19.25" { \time 4/4 \set Timing.beamExceptions = \beamExceptions { 8[] 8[ 8] 8[] 8[] 8[ 8 8] } e'8 f' g' a' b' a' g' f' } %% – that’s a bit cumbersome and IMO it

Re: Slightly OT: Help needed with asynchronuous function call in JavaScript

Urs Liska u...@openlilylib.org writes: Hey all, I'm testing a way to integrate syntax highlighted LilyPond code in a GitBook book. I'm quite happy so far with everything (particularly because I could finally pick up an idea that might eventually lead to colored code examples in the LilyPond

Re: Slightly OT: Help needed with asynchronuous function call in JavaScript

Am 24.06.2015 um 07:41 schrieb David Kastrup: Urs Liska u...@openlilylib.org writes: Hey all, I'm testing a way to integrate syntax highlighted LilyPond code in a GitBook book. I'm quite happy so far with everything (particularly because I could finally pick up an idea that might

Re: Slightly OT: Help needed with asynchronuous function call in JavaScript

Am 24.06.2015 um 08:44 schrieb Johan Vromans: On Wed, 24 Jun 2015 04:08:55 +0200 Urs Liska u...@openlilylib.org wrote: But I'm stuck with the problem of getting to the highlighted HTML out of the function and back into the book. The problem is obviously related to asynchronuous function

Slightly OT: Help needed with asynchronuous function call in JavaScript

Hey all, I'm testing a way to integrate syntax highlighted LilyPond code in a GitBook book. I'm quite happy so far with everything (particularly because I could finally pick up an idea that might eventually lead to colored code examples in the LilyPond manuals). But I'm stuck with the problem of

Re: Help wanted from a blind user

Am 18.06.2015 um 03:33 schrieb Daniel Contreras: Hello ponders, Just wanted to thank you guys first of all for all your help with my questions. What I am trying to accomplish this time is the following. A common practice in arranging for salsa or Latin music I am finding out is that when one

Help wanted from a blind user

Hello ponders, Just wanted to thank you guys first of all for all your help with my questions. What I am trying to accomplish this time is the following. A common practice in arranging for salsa or Latin music I am finding out is that when one is dealing with a d.s. al coda and things

<    4   5   6   7   8   9   10   11   12   13   >