Why do you have a separate {...} \\ {...} for each bar?
(I agree that it might make the input more readable). Otherwise,
you can save some typing by
lower = \relative c
{
\clef bass
\key b \major
\time 6/8
{ \slurDown \override Rest #'staff-position = #2
3) The lower system has an overlay of the rest and the g. I assume
Lilypond
counts the voices from top to bottom. So I changed the order in the
second
measure. But this gives a too high rest. It should be from third to
fifths
line.
Try setting the rest manually with something like
Hello,
I am new to this mailing list. I hope it's ok to ask these questions here.
If not, please excuse.
I want to write a score with two systems and two voices in the lower system.
I found some trouble with it.
1) In the upper system I need a full 6/8 rest. But r1 stands for 8/8 rest.
How do I
On Mon, Nov 13, 2006 at 03:27:09PM +0100, Helge Kruse wrote:
Hello,
I am new to this mailing list. I hope it's ok to ask these questions here.
If not, please excuse.
No, that's what the list is here for! I will try to answer some of your
questions but it would be easier if you could send
Cameron Horsburgh wrote:
I want to write a score with two systems and two voices in the lower system.
I found some trouble with it.
1) In the upper system I need a full 6/8 rest. But r1 stands for 8/8 rest.
How do I get the full rest, hanging centered at the fourth line?
Try using R1
