Hello,
Everything is correct except that the ties do not appear. What is my error?
\version "2.18.2"
\relative c'' {
\clef treble
\key e \minor
\time 6/8
<< {b8\rest s \set tieWaitForNote = ##t d,~ } \\
{\set tieWaitF
?
Something like
\relative c'' {
\key e \minor
\clef treble
\time 6/8
\set tieWaitForNote = ##t
g,8~ b~ d~ 4. }
And then manipulate ties individually if needed?
Hwaen Ch'uqi
On 11/24/15, Mark Stephen Mrotek <carsonm...@ca.rr.com> wrote:
> Hello,
>
>
>
> Everything is correct ex
r@gnu.org>
Subject: Re: tieWaitForNote
Greetings Mark,
I believe that ties only work if the notes they are connecting are in the same
voice. In your example, you have called \voiceOne, \voiceTwo, and \voiceThree.
However, your resulting chord is in none of those voices. Would it be possib
d is the one for the rest because LilyPond cannot put a r8 and a
g4. to the same stem (that’s what it tries if you use << >> without \\).
\version "2.18.2"
\relative c {
\key e \minor
\time 6/8
\set tieWaitForNote = ##t
\tieDown
<<
\new Voice { \
: tieWaitForNote
Am 24.11.2015 um 06:53 schrieb Mark Stephen Mrotek:
> Everything is correct except that the ties do not appear. What is my
error?
If you really want these note length values you need a << >> construct but
without \\ because that would create new Voices. The only new
Am 21.11.2015 um 20:30 schrieb David Kastrup:
Urs Liska writes:
Thanks, that makes things clearer. This is definitely what I
suggested. The "outer" slur is not a tie but a phrasing slur and the
inner one a slur indicating the bowing.
That would not make much sense,
> Werner, any suggestions for _not_ using a tie in that manner?
For me, a tie lengthens a time value of a given pitch; it has no other
meaning.
Werner
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Malte Meyn writes:
> Am 21.11.2015 um 20:30 schrieb David Kastrup:
>> Urs Liska writes:
>>
>>> Thanks, that makes things clearer. This is definitely what I
>>> suggested. The "outer" slur is not a tie but a phrasing slur and the
>>> inner one a slur
Urs Liska writes:
> Thanks, that makes things clearer. This is definitely what I
> suggested. The "outer" slur is not a tie but a phrasing slur and the
> inner one a slur indicating the bowing.
That would not make much sense, really. Phrasing slurs in violin music
are
bin.com/5sfp1b/1
>
> \score{
> {
> \set tieWaitForNote = ##t
>
> c''2 \( ~ b'4 \) c''4
> c''2 ~ b'4 \( c''4 \)
> }
>
> \layout{}
> \midi{}
> }
>
>
>
>
> ___
> lilypond-user mailing li
that
something like this should most likely done with multiple voices (and
LilyPond handles it much better anyway).
If this *is* necessary, do you really have *that many* instances where a
manual direction tweak is prohibitive, like the following:
\score{
{
\set tieWaitForNote = ##t
c''2 _( ~ b'4 ) c''4
{
>>> \voiceTwo
>>> c''2 ( b'4 )
>>> }
>>> >>
>>> }
>>>
>>>
>> +1!
>>
>> I've played songs on the piano that have this feel, but I agree that
>> something like this should most likely done
Any thoughts on avoiding these clashes without having to manually tweak all
the slurs?
[image: Inline image 1]
http://lilybin.com/5sfp1b/1
\score{
{
\set tieWaitForNote = ##t
c''2 \( ~ b'4 \) c''4
c''2 ~ b'4 \( c''4 \)
}
\layout{}
\midi
e piano that have this feel, but I agree that
> something like this should most likely done with multiple voices (and
> LilyPond handles it much better anyway).
>
> If this *is* necessary, do you really have *that many* instances where a
> manual direction tweak is prohibitive, like the foll
\language english
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
tieWaitForNote = ##t
}
\context {
\Voice
\name SubVoice
\remove Tie_engraver
}
\context {
\name Voice
\type Engraver_group
\consists Tie_engraver
\accepts SubVoice
#Span_stem_engraver
tieWaitForNote = ##t
}
}
}
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.
I've no idea how to solve that quandary.
Thanks for trying… =(
How about this one? It's sort of fishy but seemingly does the trick in
this simple case.
\version 2.17
\language english
\layout {
\context {
\PianoStaff
\consists #Span_stem_engraver
tieWaitForNote = ##t
Hi David,
How about this one?
Amazing! Thanks.
It's sort of fishy
What specifically is 'fishy' about it?
but seemingly does the trick in this simple case.
Definitely. I don't think any of the other cases in this score will be any
different — if I run into any thing that your fishing
tieWaitForNote = ##t
}
}
upper_notes = \relative d'' {
{ \voiceOne r8 d e8[-. a'-. e']-. a2-. }
\new Voice { \voiceTwo s8 \crossStaff { b,,, c e fs b2.. } }
}
lower_notes = \relative d, {
\clef bass
\tuplet 7/4 { \stemUp d32[ ~ a' ~ fs' ~ \change Staff = piano_upper
\voiceTwo b c
{
\context {
\PianoStaff
\consists #Span_stem_engraver
tieWaitForNote = ##t
}
}
upper_notes = \relative d'' {
{ \voiceOne r8 d e8[-. a'-. e']-. a2-. }
\new Voice { \voiceTwo s8 \crossStaff { b,,, c e fs b2.. } }
}
lower_notes = \relative d, {
\clef bass
--- On Mon, 9/7/09, Robin Bannister r...@dataway.ch wrote:
From: Robin Bannister r...@dataway.ch
Subject: Re: tieWaitForNote across staves
To: Jonathan Wilkes jancs...@yahoo.com, lilypond-user
lilypond-user@gnu.org
Date: Monday, September 7, 2009, 1:02 AM
Jonathan Wilkes
wrote:
I
Jonathan Wilkes wrote:
I tried fooling around with tieWaitForNote
You didn't show your code, so it's not easy to guess what you tried.
I have no cross-staff experience, but it looks to me like
the cross-staff run is a lot better supported than
the cross-staff chord (where you have
--- On Sun, 9/6/09, Robin Bannister r...@dataway.ch wrote:
From: Robin Bannister r...@dataway.ch
Subject: Re: tieWaitForNote across staves
To: Jonathan Wilkes jancs...@yahoo.com, lilypond-user
lilypond-user@gnu.org
Date: Sunday, September 6, 2009, 6:28 PM
Jonathan Wilkes wrote:
I
normally want to avoid staff collisions).
I see a cross-staff property for grobs, but it's internal. Any advice?
-Jonathan
\version 2.12.2
\score {
\new Staff = RH {
\relative c' {
s4
% \set tieWaitForNote = ##t
\stemUp
dis gis c 8
Jonathan Wilkes wrote:
I see a cross-staff property for grobs
But this doesn't mean that every sort of grob has it, or uses it.
The file define-grob-properties.scm lists about a dozen grobs which do:
Beam, Stem, Slur, TupletBracket, among others, but not TieColumn.
So your TieColumn
Hello,
Is there a way to get the attached notation in Lilypond? I tried
fooling around with tieWaitForNote but it seems the ties set in the rh
keeping on waiting, and waiting, and waiting...
Any help is appreciated.
Thanks,
Jonathan
attachment: cross-staff
Richard Wattenbarger wrote:
the d-flat tie doesn't render in the upper voice
When you ask for tieWaitForNote like this, it gets turned on for the voice
and doesn't affect any other voices, e.g. a voice for the right hand.
The {} // {} construct needs two voices and sets up its own
\key aes \major
\relative c, {
\set tieWaitForNote = ##t
\slurUp
%this works fine
r16 es~ (bes'~ g'~) es, bes' g'4
r16 fes
to either use a \new Voice or put some of the notes in another line (which also doesn't work.)Any suggestions?Thanks,Vivian.%% This doesn't work.\grace{\set tieWaitForNote = ##t\stemDown \tieUp f'''16~[ \tieDown e~ b~ \change Staff = "lh" \stemUp \tieUp bes,,,~ \tieDown d,~]}\new Voice {\tieNeut
tieWaitForNote bug
LilyPond 2.8.1 installed with GUB on Debian Linux
Using \set tieWaitForNote, which allows for ties between arpeggios and a
following chord, some ties are not attached to or do not extend to the
correct note.
--- begin LilyPond code ---
version 2.8.1
\layout { ragged-right
Tie Anomaly
LilyPond 2.8.0 on Debian Linux, installed using the GUB
There seems to be an anomaly with ties when using the \set
tieWaitForNote feature, in version 2.8.0. I noticed this anomaly when I
was trying to manually format a tie column between a grace-note arpeggio
and the following chord
On 12-Sep-05, at 9:42 PM, Martin Bergande wrote:
using LilyPond 2.4.4 I tried to \set tieWaitForNote = ##t but the
program
seems not know this command and supposes typing errors. Can anybody
give me
a hint how to solve this problem?
Are you sure that tieWaitForNote exists in 2.4.4
Betreff: Re: tieWaitForNote
Datum: Mon, 12 Sep 2005 22:56:59 -0700
On 12-Sep-05, at 9:42 PM, Martin Bergande wrote:
using LilyPond 2.4.4 I tried to \set tieWaitForNote = ##t but the
program
seems not know this command and supposes typing errors. Can anybody
give me
a hint how to solve
--- Ursprüngliche Nachricht ---
Von: Graham Percival [EMAIL PROTECTED]
An: Martin Bergande [EMAIL PROTECTED]
Kopie: lilypond-user@gnu.org
Betreff: Re: tieWaitForNote
Datum: Mon, 12 Sep 2005 22:56:59 -0700
On 12-Sep-05, at 9:42 PM, Martin Bergande wrote:
using LilyPond 2.4.4 I tried to \set
Dear all,
using LilyPond 2.4.4 I tried to \set tieWaitForNote = ##t but the program
seems not know this command and supposes typing errors. Can anybody give me
a hint how to solve this problem?
Thanks for answering in advance,
Martin
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2000 MB
I'm using windows ME, and have still made no headway with \set
tieWaitForNote.
Sacha
- Original Message -
From: Graham Percival [EMAIL PROTECTED]
To: Sacha Standen [EMAIL PROTECTED]
Cc: lilypond-user@gnu.org
Sent: Wednesday, June 15, 2005 6:11 AM
Subject: Re: set tieWaitForNote
What OS
I'm having problems on version 2.4.3 and on version
2.5.29 with the command: \set tieWaitForNote. I've tried various syntax and have
tried entering the example given in the manual (5.1.12), but the final note of
the arpeggio is always the only one to be tied.
This is the text
What OS and package type are you using? I just tried it on 2.5.30
compiled on
OSX, and I get all the ties.
Cheers,
- Graham
On 14-Jun-05, at 9:52 AM, Sacha Standen wrote:
I'm having problems on version 2.4.3 and on version 2.5.29 with
the command: \set tieWaitForNote. I've tried various
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