Am 18.01.2011 18:56, schrieb Graham Percival:
On Tue, Jan 18, 2011 at 05:24:11PM +0100, Marc Hohl wrote:
These functions should be bundled in a snippet, or perhaps included in the
lilypond distribution?
Start by adding it to LSR.
Done.
http://lsr.dsi.unimi.it/LSR/Snippet?id=744
Regards
Am 21.12.2010 03:17, schrieb Graham Percival:
[...]
Excellent! How do we move forward and include this font?
btw are there any other nice fonts that we could include as well?
Somebody produces a patch, for lilypond git and/or GUB as
necessary, and we will examine it. There are no guarantees
Am 20.01.2011 09:20, schrieb jakob lund:
2011/1/19 Jan-Peter Voigtjp.vo...@gmx.de:
Hello scheme-gurus,
nr. 744 is bookmarked ;-)
There's one more thing. I tried the verse-command and it works nicely, but
it will wrap lines:
say you have a stanza like this
--snip--
strI = \lyricmode
{
\set
Am 21.01.2011 03:05, schrieb Daniel:
Hello,
Hello Daniel,
I have recently discovered Lilypond, and wow. It is just great. I have been
looking for something like this for a long time.
:-)
I have a question on how to diatonically transpose a motive in a non-major or
minor scale in this case,
Am 21.01.2011 08:46, schrieb Basso Ridiculoso:
Hello Marc,
Danke für deine antwort zu meine frage! :)
Its funny you point out those functins, because I have been looking at
that...but I have not been able to make it work. I hope you don't mind
a direct reply to your email.
No problem, but
Am 21.01.2011 05:26, schrieb m...@apollinemike.com:
Hey Daniel,
Check out http://wiki.lilynet.net/index.php/JM_diatonic-transpose.ly .
This is more or less the same info I emailed him - unfortunately, we
both missed
the fact that he asked for _pentatonic_ transposition, which isn't
supported
Am 24.01.2011 15:33, schrieb Jan-Peter Voigt:
Hello Phil,
I posted the improved version this morning with a bit more text
about the possible overrides. So you can approve that and delete the
old one or copy either the code of the new snippet (or the attached
one) to the old and delete the
Am 24.01.2011 04:24, schrieb Robert Stoddard:
Undoubtedly, this is a simple request for those who understand Scheme...
I don't think so, see
http://lists.gnu.org/archive/html/lilypond-user/2008-05/msg00254.html
How can I change the lyric extender from a solid line to a dotted one?
Nothing
Am 24.01.2011 21:24, schrieb Marc Hohl:
[...]
With text spanners, customized dashed lines are easily created.
Oops, you needed dotted lines, not dashed ones ... sorry, I have no clue
at the moment.
HTH,
Marc
Thanks,
Robert
www.bostonsing.org http://www.bostonsing.org
Am 30.01.2011 23:28, schrieb Tim McNamara:
[...]
It would also be wonderful to be able to stack extensions and alternative
voicings:
D7(b5)
(b9)
D7#5(b13) but in one tall parentheses (there may be a way to do that already
but I don't know how).
A bit off-topic, but the jazz
Am 31.01.2011 19:16, schrieb Laurentin Lévesque:
With my choir we're doing lots of highly syncopated music this year. I am
trying to rewrite my voice parts (with the lyrics) while having the beatcounts
printed on top of the staff in their proper location with respect to the
syncopated notes.
Am 03.02.2011 05:36, schrieb Carl Sorensen:
[...]
a) 1231xx or 1231x1
This is just Edim above up one fret, right?
This could be useful for higher chords:
f:dim 1231x1
fis:dim 2342x2
g:dim 3453x3
gis:dim 4564x4
a:dim 5675x5
bes:dim 6786x6
b:dim 7897x7
b) xx6464 or
Am 06.02.2011 18:32, schrieb Tim McNamara:
There is a fourth note, double one of the notes in the triad, in the dim
fingerings that is not in the score. IME the fingering should match the score
in cases where there is a score.
I think this is the case with tablature, but considering the
Hello all,
after reading the manual and the archives, I have to admit that I am
probably too stupid for the new spacing system.
I have the following song template and I want the staves to be further apart
so they fill about 2/3 of the entire page.
I fiddled around with ridiculously high values
Am 07.02.2011 11:52, schrieb Trevor Daniels:
Marc Hohl wrote Monday, February 07, 2011 10:12 AM
I have the following song template and I want the staves to be
further apart
so they fill about 2/3 of the entire page.
I fiddled around with ridiculously high values for padding,
basic-distance
Am 07.02.2011 12:42, schrieb Xavier Scheuer:
On 7 February 2011 11:12, Marc Hohlm...@hohlart.de wrote:
Hello all,
after reading the manual and the archives, I have to admit that I am
probably too stupid for the new spacing system.
I have the following song template and I want the staves to
Am 08.02.2011 12:00, schrieb Jan-Peter Voigt:
Hello Marc, hello Jakob, hello list,
I just wanted to share a tiny extension of the lyrics-markup function:
...
(cond
((eq? (ly:music-property lyrics 'name) 'LyricEvent)
(ly:music-property lyrics 'text))
Am 13.11.2013 10:30, schrieb Mike Solomon:
Hey all,
On 2.19.0, when I do:
\relative c' {
f1 \bar |
f1 \bar .
g1 \bar ||
a1 \bar .|
b1 \bar .|.
c1 \bar |.|
d1 \bar |.
e1 \bar |:
f1 \bar :|”
}
I get the attached result, which leaves out several bar lines that should
normally be printing.
Any
Am 14.11.2013 09:50, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Here is what I coded:
Not really. You are mixing note languages in here; this would never
have worked. Please test your examples before posting.
Now the last f,, should be marked with a broken bracket
Am 14.11.2013 09:50, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Here is what I coded:
Not really. You are mixing note languages in here; this would never
have worked. Please test your examples before posting.
Uh, sorry, I overlooked
[...]
Thanks, that works better, but there is no way to code broken
ligatures out-of-the-box, as shown in the picture.
Ah, I misunderstood your problem: you want a ligature broken al
niente: one that basically comes from nowhere, and one that breaks into
nowhere.
Yes, exactly.
That would
Am 24.11.2013 02:58, schrieb ryanmichaelmcclure:
How can one create a primo symbol in LilyPond? Here is what it should look
like: http://lilypond.1069038.n5.nabble.com/file/n154307/Primo.png
I've attempted to create one using markup. Here are what I've tried:
^\markup{ \concat{ 1 \super o}}
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
If the dot can be omitted, 1° is probably just fine.
Am 24.11.2013 09:56, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 24.11.2013 09:35, schrieb David Kastrup:
[...]
What's wrong with
primo = 1º
prima = 1ª
Shouldn't that do the trick without further trickery?
Well, the example png shows the ° placed above the dot of 1..
You
Am 30.12.2013 17:50, schrieb David Kastrup:
[...]
We are proud to announce the release of GNU LilyPond 2.18.0 - the new
stable release. LilyPond is a music engraving program devoted to
producing the highest-quality sheet music possible. It brings the
aesthetics of traditionally engraved music to
Am 03.01.2014 06:51, schrieb Daniel Rosen:
How can I modify the code below so that it produces output more along the lines
of the attachment (regarding the numbers over the percent repeats)? I want the
number to express how many measures are being repeated, not how many
repetitions.
I think
Am 03.01.2014 16:17, schrieb Daniel Rosen:
-Original Message-
[...]
Nope, that gives me a 2 over the first percent and a 3 over the second. I need
both of them to have a 2.
Ah, ok, sorry, I misunderstood your request completely.
Perhaps
http://lsr.dsi.unimi.it/LSR/Item?id=883
is
Am 03.01.2014 18:32, schrieb Marc Hohl:
Am 03.01.2014 16:17, schrieb Daniel Rosen:
-Original Message-
[...]
Nope, that gives me a 2 over the first percent and a 3 over the
second. I need both of them to have a 2.
Ah, ok, sorry, I misunderstood your request completely.
Perhaps
Am 03.01.2014 19:20, schrieb David Kastrup:
Noeck noeck.marb...@gmx.de writes:
Why do I see side by side two keywords for setting properties: \set
and \override.
That is explained in the manual.
With the promising caption \set versus \override and no content:
Am 03.01.2014 19:08, schrieb Marc Hohl:
Am 03.01.2014 18:32, schrieb Marc Hohl:
Am 03.01.2014 16:17, schrieb Daniel Rosen:
-Original Message-
[...]
Nope, that gives me a 2 over the first percent and a 3 over the
second. I need both of them to have a 2.
Ah, ok, sorry, I
Am 06.01.2014 23:41, schrieb Werner LEMBERG:
I'd like to make a survey on how you are working with Git.
Do you use the command line exclusively, or a GUI (which one(s))?
Or a GUI for certain tasks and the command line for others?
I use git on the command line only. However, I use the
Am 11.01.2014 20:06, schrieb Carl Sorensen:
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or the
second chord (open chord
Am 12.01.2014 00:09, schrieb Eluze:
Carl Sorensen-3 wrote
There has been a difference of opinion on why the default B7 guitar chord
shape should be. I'm making a poll to determine what the users would
prefer.
Would you like the first chord in the attachment (barred on fret 2) or the
second
This message should go to the list IMHO
Original-Nachricht
Betreff: Re: What should be the default B7 chord?
Datum: Sun, 12 Jan 2014 04:30:39 -0600
Von: Ed Faulk efa...@faswebdesign.com
An: Marc Hohl m...@hohlart.de
Open chord, first position.
Ed
On 1/12/2014 4:17 AM, Marc
Am 13.01.2014 09:34, schrieb Bric:
[...]
Not to digress from lilypond /too/ much, but FWIW, some default patches
for the timidity(++) on my Ubuntu sound significantly better than the
ones in the FluidR3 soundfont (strings, for instance). I am talking
about the quality (verisimilitude) and beauty
Am 16.01.2014 06:35, schrieb David Kastrup:
Alex Loomis thebluemusic...@gmail.com writes:
How much sense would it make for there to be a separate \mark-style command
that functioned identically but didn't mess with the counter?
What do you mean? Neither \mark #4 nor \mark G mess with the
Am 27.01.2014 21:38, schrieb Xavier Noria:
A web search shows \bendBefore is not implemented. I have tried some
snippets found out there but failed to get the bends (using LilyJAZZ if
that matters).
I need the bend to indicate how to attack certain notes in saxophone scores.
Does anybody have
Am 29.01.2014 10:35, schrieb Simon Bailey:
Hi,
i've been using the systems-per-page layout variable for some scores
and have a question related to it.
in the piano pieces i've been working with lately, finding page
breaking has become challenging. i've generally resorted to
system-count,
Hi David,
Am 30.01.2014 07:18, schrieb David O'Donnell:
I am trying to replicate an older score, where the the clef changes at
the beginning of the line. However, unlike Lilypond's default, the old
clef and the key signature are printed and then immediately following
that, the new clef is
Hi list,
I want the tempo indication to appear at the leftmost edge of the piece
(I know that Gould has a different opinion about this, but I am using
LilyJAZZ, and the Realbook style does not care about these typographic
conventions).
However, changing the break-align-symbols property does not
Am 29.01.2014 06:41, schrieb Graham King:
To generate MIDI output, I use a piece of boilerplate lilypond code,
containing:
\midi { \context { \Score tempoWholesPerMinute = #currentTempo }}
where it is expected that:
currentTempo = #(ly:make-moment TACTUS RF)
I would like to generalise
[CC'ing to -devel]
Am 03.02.2014 00:44, schrieb Eluze:
Marc Hohl wrote
Hi list,
I want the tempo indication to appear at the leftmost edge of the piece
(I know that Gould has a different opinion about this, but I am using
LilyJAZZ, and the Realbook style does not care about these typographic
Am 03.02.2014 10:45, schrieb Robin Bannister:
Marc Hohl wrote:
But why does LilyPond seem to ignore '(left-edge)?
It seems it is not visible.
The first left edge doesn't arise via a line break,
so for pedantic Lilypond the _unbroken_ case applies.
Try
\once \override Score.LeftEdge.break
Am 03.02.2014 11:47, schrieb Kevin Patrick Barry:
Dear LilyPond users,
I am trying to make a markup function that will take a list as an
argument. Some of the members of the list will be treated as markup
and some will be treated as numbers. Is there a way to convert one
type to the other? Or
Am 03.02.2014 15:15, schrieb Robin Bannister:
Marc Hohl wrote:
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Thanks, sounds plausible, but it doesn't work either:
Umm ... and with MetronomeMark ?
D'Oh...
Works significantly better ;-)
Sorry for mixing up
Am 04.02.2014 16:07, schrieb Kevin Patrick Barry:
Can you please post what you have achieved so far? It's hard to guess
without seeing your code.
Marc
Sorry for the slow reply. A small example of what I am trying follows:
#(define-markup-command (sus layout props args) (markup-list?)
Hi list,
I use LilyJAZZ in one of my latest projects. Thanks to Harm's patch,
it was possible to use the Jazz font in tempo markings, but this
seems to be broken:
\version 2.19.0
\include LilyJAZZ.ily
\score {
\new Staff {
\jazzOn
\override Score.MetronomeMark.font-name =
Am 02.02.2014 12:58, schrieb Graham King:
On Sun, 2014-02-02 at 08:51 +0100, Marc Hohl wrote:
Am 29.01.2014 06:41, schrieb Graham King:
To generate MIDI output, I use a piece of boilerplate lilypond code,
containing:
\midi { \context { \Score tempoWholesPerMinute = #currentTempo }}
where
Am 09.02.2014 19:52, schrieb Thomas Morley:
2014-02-09 11:31 GMT+01:00 Marc Hohl m...@hohlart.de:
Hi list,
I use LilyJAZZ in one of my latest projects. Thanks to Harm's patch,
it was possible to use the Jazz font in tempo markings, but this
seems to be broken:
[...]
Hi Marc,
Hi Harm
Am 09.02.2014 20:14, schrieb Marc Hohl:
Am 09.02.2014 19:52, schrieb Thomas Morley:
2014-02-09 11:31 GMT+01:00 Marc Hohl m...@hohlart.de:
Hi list,
I use LilyJAZZ in one of my latest projects. Thanks to Harm's patch,
it was possible to use the Jazz font in tempo markings, but this
seems
Am 09.02.2014 21:54, schrieb catal...@hotmail.com:
Hi list,
I have a cello score using 2 staves, the extra being used to display movements
of the bow (sul tasto / sul ponticello), using glissandi (on a staff with a
single line).
This extra staff has a special clef that looks like this:
SP
ST
Am 12.02.2014 08:09, schrieb Graham King:
On Sun, 2014-02-09 at 12:09 +0100, Marc Hohl wrote:
I found another solution somewhere buried in my files:
#(define TACTUS
(if (defined? TACTUS)
TACTUS
50))
Perhaps that's something better suited to your needs?
Marc
Am 18.02.2014 11:20, schrieb Valentin Villenave:
[...]
And another thing -- totally unrelated this time -- I've been wishing
for, would be that the determination of stem direction would be made
more intelligent and context-aware; for example the following example
would look a tad better if all
Am 26.02.2014 11:58, schrieb Yming:
Sent from my NOOK
MING TSANG tsan...@rogers.com wrote:
Hi, lilyponders:
\unfoldRepeats generates a midi file with \repeat volta 2 music
properly.
Is it possible to generate midi file with D.S. al Code; segno; To
Coda and Coda structure of a music? I like
Am 01.03.2014 10:45, schrieb Pierre Perol-Schneider:
2014-03-01 0:49 GMT+01:00 Thomas Morley thomasmorle...@gmail.com
mailto:thomasmorle...@gmail.com:
HTH,
Harm my friend this is just perfect !
Hi Harm,
would you mind to share your solution with us? ;-)
Marc
Cheers,
~Pierre
Am 01.03.2014 14:01, schrieb Thomas Morley:
2014-03-01 11:13 GMT+01:00 Marc Hohl m...@hohlart.de:
Hi Harm,
would you mind to share your solution with us? ;-)
Marc
Hi Marc,
I could verify that I've sent my reply to Pierre, Shane _and_ the list!
Though, I can't find it in any archive
Am 02.03.2014 16:10, schrieb Schneidy:
Hi LilyPonders,
I'm working on an ancient tablature form.
The idea is to get an simple tool that helps people to rewrite ancient tab
together with a standard modern score.
Herewith is a first attempt including 3 outputs :
1. a worksheet including three
Am 05.03.2014 20:49, schrieb David Kastrup:
I am not top-posting
I want to avoid ossia staves. They seem reasonably self-evident as
alternatives for the potentially less playable runs (probably the end is
the clincher). But how bad are those, anyway? The Midi sounds doable.
And I am too
Am 05.03.2014 21:14, schrieb Marc Hohl:
Am 05.03.2014 20:49, schrieb David Kastrup:
I am not top-posting
I want to avoid ossia staves. They seem reasonably self-evident as
alternatives for the potentially less playable runs (probably the end is
the clincher). But how bad are those, anyway
Am 05.03.2014 20:49, schrieb David Kastrup:
I am not top-posting
I want to avoid ossia staves. They seem reasonably self-evident as
alternatives for the potentially less playable runs (probably the end is
the clincher). But how bad are those, anyway? The Midi sounds doable.
And I am too
Am 05.03.2014 21:45, schrieb David Kastrup:
[...]
So the absence of more definite instructions is intentional to let the
player make the best of it.
Ah, ok, makes perfect sense to me.
Marc
___
lilypond-user mailing list
lilypond-user@gnu.org
Am 06.03.2014 00:12, schrieb Simon Albrecht:
[...]
Why is this not in the LSR or even in
http://lilypond.org/doc/v2.18/Documentation/notation/graphical-notation?
AFAIK there is no way to use scheme engravers in the documentation yet,
and the frame engraver is written in scheme.
But including
Am 06.03.2014 09:58, schrieb David Kastrup:
David Kastrup d...@gnu.org writes:
[...]
Ok, here we go. I also decided to beam over the whole second run in
order to avoid suggesting a strongly grouped interpretation.
Just one question: why do you use Green- sleeves
instead of Green -- sleeves
Hi list,
Am 06.03.2014 14:42, schrieb David Nalesnik:
Hi Marc, all,
[...]
I'm a bit conflicted about this. Once the LSR is upgraded, it might be
possible to upload it there, where it will be more accessible to others
and in a safe place.
On the other hand, the method it uses to incorporate
Am 06.03.2014 18:00, schrieb David Kastrup:
David Kastrup d...@gnu.org writes:
[...]
So I'm now down to
and that's probably long enough I should spend on this distraction.
What about
{ r8 a' d e f\3 a\2 | f\3 a\2 d\12\arpeggio } \\
{ d,2.~ | d2 } r4
for the final
Hi list,
I have (again) problems understanding the spacing between lyrics and
staves below. Attaced is an example with three stanzas, and I want to
increase the distance between the lowest lyric line and the next
saff line.
IIUC, it is some nonstaff-nonrelated-staff thingy, but if I follow
the
Hi Trevor,
Am 08.03.2014 01:20, schrieb Trevor Daniels:
Hi Marc
I have (again) problems understanding the spacing between lyrics and
staves below. Attaced is an example with three stanzas, and I want to
increase the distance between the lowest lyric line and the next
saff line.
IIUC, it is
Am 08.03.2014 09:32, schrieb David Kastrup:
David Kastrup d...@gnu.org writes:
Marc Hohl m...@hohlart.de writes:
Am 06.03.2014 18:00, schrieb David Kastrup:
David Kastrup d...@gnu.org writes:
[...]
So I'm now down to
and that's probably long enough I should spend on this distraction
Am 08.03.2014 10:42, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
Am 08.03.2014 09:32, schrieb David Kastrup:
Not that hard. Except that with
{ \set tieWaitForNote = ##t
r8 a' d e f\3~ a\2~ | f a d2 } \\
{ d,2.~ | d2 }
r4
the string
Am 09.03.2014 20:41, schrieb Ralph Palmer:
On Sun, Mar 9, 2014 at 12:35 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com
mailto:pierre.schneider.pa...@gmail.com wrote:
2014-03-09 17:15 GMT+01:00 Phil Holmes m...@philholmes.net
mailto:m...@philholmes.net:
Wow!
Am 13.03.2014 17:52, schrieb Pierre Perol-Schneider:
2014-03-13 16:41 GMT+01:00 Jacques Menu imj-muz...@bluewin.ch
mailto:imj-muz...@bluewin.ch:
Hello,
Hi Jacques,
I’d like a:
\bar [|:
in one of the staves to apply to all staves in the group, not to
each one
Am 14.03.2014 08:57, schrieb Schneidy:
Marc Hohl wrote
I think he rather wants something like in the attached picture, but I
don't know how to realize it...
Regards,
Marc
Hi Marc,
[snip]
Well, this still shows three starting brackets instead of one big
bracket spanning all three staves
Am 15.03.2014 11:04, schrieb Pierre Perol-Schneider:
2014-03-14 16:36 GMT+01:00 Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de:
Well, this still shows three starting brackets instead of one big
bracket spanning all three staves as shown in the poicture, isn't it?
Yep, you're wrigth
Am 16.03.2014 04:36, schrieb David Raleigh Arnold:
On Fri, 14 Mar 2014 17:19:28 +0100 (CET)
Martin Tarenskeen m.tarensk...@gmail.com wrote:
Hi,
[...]
Minus for minor is a horrible idea. It's also old fashioned
and abandoned even by the Real Book.
I don't want to start a philosophical
Am 17.03.2014 04:59, schrieb Paul Morris:
Simon Albrecht-2 wrote
Interesting question: the Internals Reference says the stencil for Dots
is ly:dots::print. But where is this defined? Where can I look it up?
I think at this point the next step is to try to find this callback function
in the
Am 17.03.2014 01:45, schrieb Jim Long:
I understand the Cmi7, too, but when sketching
some chords on paper during a Jazz session, a simple - is
way faster to write than mi all the way.
So it's rather a matter of personal taste IMHO.
Just my 2 cents
Marc
With great respect, I beg to add,
Am 24.03.2014 03:39, schrieb Mike Dean:
(1) how can I get a certain field to break across two (or more) lines?
example:
\version 2.18.0
\header {
copyright = Copyright © 2003 by composer-name. For all countries.
All rights reserved.
}
copyright = \markup \right-column { Copyright by
Am 24.03.2014 15:45, schrieb Mike Dean:
Hi Marc:
Thanks for the feedback!
Hi Mike,
please don't forget to reply to all, so that others can join the
discussion.
I have a further question lining up the two marks in question 5
having implemented your suggestion has resulted in the
Am 29.03.2014 15:45, schrieb Alberto Simões:
Hi.
I have a music that starts with
fis4.^\ d\!
But lilypond complains when generating the MIDI file:
piano+voz.ly:28:14: warning: (De)crescendo with unspecified starting
volume in MIDI.
Some way to shut him? :-)
You may use tags to
Am 05.04.2014 13:43, schrieb Urs Liska:
It wasn't but has been added today :-)
Huh? Issue 1444 is dated Dec 10, 2010 ... or am I missing something?
Marc
Peter Toye lilyp...@ptoye.com schrieb am 05.04.2014:
Thanks Phil,
I'd not realised it was already in the issue list.
As I'm
Am 10.04.2014 15:30, schrieb Mike Solomon:
Hey LilyPonders,
Hi Mike,
did you have a look at
http://code.google.com/p/lilypond/issues/detail?id=687
There were some files posted in the comments that may be of some use.
HTH,
Marc
___
Am 21.04.2014 17:01, schrieb Paul Morris:
Paul Morris wrote
And another one, now with dot-positions supplied as an argument.
Submitted to the LSR, with a second example added:
http://lsr.di.unimi.it/LSR/Item?id=913
Looks nice, thanks for submitting!
Marc
Am 22.04.2014 20:15, schrieb Knute Snortum:
I may have found a bug in LilyPond 2.18.2 but since I'm new to
typesetting I want to run it past the list first.
I think this is
http://code.google.com/p/lilypond/issues/detail?id=34
the probably oldest and most annoying bug in the pond ;-)
HTH,
Am 28.04.2014 00:08, schrieb Rutger Hofman:
Good evening list,
I want to include a title page w/ an \epsfile image in a number of files
(score, parts), where the point size for the files may differ: score has
smaller font than parts, basically. Now I want to write one include file
that makes
Am 30.04.2014 13:35, schrieb Francisco Vila:
[...]
We are fairly satisfied with the results.
Yes, it looks very nice indeed!
Marc
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Hi list,
I have some fret diagrams where one dot is placed and removed according
to the underlying rhythm, so it would be great to either change its
color or put it in parentheses.
In the example below, I want to change the appearance of the dot created
by (place-fret 4 5 3).
Is that
Am 06.06.2014 12:13, schrieb Knute Snortum:
I don't have an answer for you, but I do want to mention that you should
be careful to post working examples.
Oops, sorry, copypaste error.
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Am 07.06.2014 10:02, schrieb Pierre Perol-Schneider:
2014-06-06 9:59 GMT+02:00 Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de:
I have some fret diagrams where one dot is placed and removed according
to the underlying rhythm, so it would be great to either change its
color or put
Am 08.06.2014 02:49, schrieb Thomas Morley:
2014-06-07 17:33 GMT+02:00 Marc Hohl m...@hohlart.de:
Am 07.06.2014 10:02, schrieb Pierre Perol-Schneider:
2014-06-06 9:59 GMT+02:00 Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de:
I have some fret diagrams where one dot is placed
Am 19.06.2014 11:11, schrieb David Kastrup:
[...]
Maybe something like
If I compile your snippet, I get
GNU LilyPond 2.19.9
»tsp.ly« wird verarbeitet
Analysieren...
Interpretation der Musik...[8][16][24][32][40]
Vorverarbeitung der grafischen Elemente...lilypond:
Am 19.06.2014 11:22, schrieb Marc Hohl:
Am 19.06.2014 11:11, schrieb David Kastrup:
[...]
Maybe something like
If I compile your snippet, I get
GNU LilyPond 2.19.9
»tsp.ly« wird verarbeitet
Analysieren...
Interpretation der Musik...[8][16][24][32][40]
Vorverarbeitung der grafischen Elemente
[sorry, forgot to reply to list]
Am 26.06.2014 18:22, schrieb Patrick or Cynthia Karl:
In lilypond-user Digest, Vol 139, Issue 98 Message: 6, Jay Anderson wrote:
Date: Thu, 26 Jun 2014 08:53:23 -0700
From: Jay Anderson horndud...@gmail.com
To: Patrick or Cynthia Karl pck...@mac.com
Subject:
[...]
Sorry, that doesn't work for me, result is the same. I assume you're saying to replace the \bar
|| with \bar .|:-||.
Typo?
\version 2.18.2
music = \relative b' {
a1 a a a
\bar .|:-||
\break
\repeat volta 2 { a4 b c d }
}
\score {
\new Staff { \music }
}
compiles
Hi list,
in the following example, I want to align the FretBoards to the
bar lines. Now they are centered over the first beat in each measure.
TIA,
Marc
---
\version 2.19.0
\paper {
indent = 0
ragged-right = ##f
}
frets = {
d'\3 g'\2 b'\1 1 | g\4 cis'\3 e'\2 | cis'\3 fis'\2 a'\1
Am 04.07.2014 15:54, schrieb David Nalesnik:
Hi Marc,
On Fri, Jul 4, 2014 at 2:46 AM, Marc Hohl m...@hohlart.de
mailto:m...@hohlart.de wrote:
Hi list,
in the following example, I want to align the FretBoards to the
bar lines. Now they are centered over the first beat in each
Am 09.07.2014 07:43, schrieb tisimst:
Greetings, All!
I have worked out a very nice way to switch between notation fonts in
LilyPond, both on a global document level and a local usage level. Up until
now, there were only a couple of music fonts available that were really
usable on a
Am 10.07.2014 10:54, schrieb Thomas Morley-2:
[...]
OT: I'm replying via the nabble-interface, because your post didn't appear
in my mails til now. Currently it seems I miss several mails.
Some of them I notice, when they are quoted.
Others with the same experience?
Yes, some messages are
[forgot to reply-to-all]
Am 12.07.2014 14:44, schrieb Janek Warchoł:
Hi all,
[...]
Unfortunately i'm busy on that weekend :(
Is there noone else interested?
Basically, I am interested as well, but I have a concert on August 30th :-(
Marc
Janek
Am 13.07.2014 18:45, schrieb Richard Shann:
On Sat, 2014-07-12 at 13:15 +0100, Richard Shann wrote:
[...]
\version 2.18.0
\defineBarLine ] #'(:|| || ||)
{
c2 \bar ] c2 \bar ]
\break
\bar ]
d
}
This I read as saying that \bar ] should show as a double bar when
mid-line (my
Am 14.07.2014 10:55, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
There was some discussion about making the interface more user-friendly
and allow for aliases, but there is no final consensus yet IIRC.
Moreover, the problem with repeat sections, for example
c4 c c c \bar
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