Am 14.02.2013 17:21, schrieb Joseph Rushton Wakeling:
On 02/14/2013 04:44 PM, Urs Liska wrote:
While it may not seem to be intuitive you can actually write
extremely robust
house style sheets (or rather libraries which I find much more
reliable than
any preset templates or whatever you could
Am 14.02.2013 17:50, schrieb Joseph Rushton Wakeling:
On 02/14/2013 05:32 PM, Urs Liska wrote:
Maybe I'll get in touch with you before. I already intended to
present the
outline of the presentation here and ask for feedback - I think it's
an issue
that concerns many of us
Am 14.02.2013 18:05, schrieb Janek Warchoł:
Hi all,
On Thu, Feb 14, 2013 at 4:44 PM, Urs Liska li...@ursliska.de wrote:
I will soon pick up on that communication, and then I'll surely raise the
engraving issue, showing them some of my 'raw' scores, Janek's beautiful
final versions and maybe
Am 14.02.2013 20:47, schrieb Aleksandr Andreev:
Hello list members!
I noticed from the documentation that analysis brackets cannot
overlap. Is there some other way one could produce a graphic such as
this one?
http://www.ponomar.net/files/arnoldt.png
I didn't check this, but I assume that if
Hi list,
maybe it's an academic question, but maybe it also triggers the
curiosity of some Scheme-hackers ;-)
Is it possible to write something (probably a Scheme function) that lets
LilyPond compile a file twice with a different file included or a
different command line option?
Or is it
,
On 14.02.2013 20:50, Urs Liska wrote:
Hi list,
maybe it's an academic question, but maybe it also triggers the
curiosity of some Scheme-hackers ;-)
I wouldn't call it academic - if want to build some kind of workflow,
you will face the need for creating several pdfs from one ly-file.
Is it possible to write
15.02.2013 09:37, schrieb Jan-Peter Voigt:
Hello Urs,
On 14.02.2013 20:50, Urs Liska wrote:
Hi list,
maybe it's an academic question, but maybe it also triggers the
curiosity of some Scheme-hackers ;-)
I wouldn't call it academic - if want to build some kind of workflow,
you will face
Am 15.02.2013 12:18, schrieb Jan-Peter Voigt:
Am 15.02.2013 11:40, schrieb Urs Liska:
You can create an adhoc-book in scheme with a #{-#} construct:
writeScoreOddEven =
#(define-void-function (parser location score)
(ly:score?)
(let ((book #{ \book { \score { $score } } #}))
; process
Am 15.02.2013 12:39, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
Am 15.02.2013 12:18, schrieb Jan-Peter Voigt:
Am 15.02.2013 11:40, schrieb Urs Liska:
You can create an adhoc-book in scheme with a #{-#} construct:
writeScoreOddEven =
#(define
Am 15.02.2013 13:24, schrieb Jan-Peter Voigt:
o dear, thunderbirds always destroys any formatting done in
frescobaldi ...
here my working example as an attachment.
;-)
Just for the record: Attached is my final version of the function (that
will go into openLilyLib ...).
I (re-)added a
/OLLincludes/compilationTools/writeScoreOddEven-UsageTest.ly:13:4
1: Wrong type to apply: #unspecified
Exited with return code 1
Is there something wrong with my calling syntax?
Best
Urs
Am 15.02.2013 13:30, schrieb Urs Liska:
Am 15.02.2013 13:24, schrieb Jan-Peter Voigt:
o dear, thunderbirds
Am 15.02.2013 13:01, schrieb Jan-Peter Voigt:
OK, copypaste lost a paren ... but not in the let-line, but in the
end of the whole function.
Ah, OK. And since I 'corrected' the non-matching brackets in the line
itself, Frescobaldi's syntax highlighting led me to believe everything
was alright
Am 19.02.2013 18:58, schrieb Luca Rossetto Casel:
Il 19/02/2013 15:13, Urs Liska ha scritto:
But OTOH it is impossible to make a perfect edition. [...]
Again, in cases of similar complexity I find quite necessary to
acclude a critical report to the score.
Yes, but it really isn't possible
Am 20.02.2013 11:22, schrieb Nick Payne:
On 20/02/13 20:33, Urs Liska wrote:
[...]
There actually _are_ such ideas and attempts.
At least the Reger Edition has already started publishing digital
editions. And there is more research going on.
I also once read about a huge project (sponsored
http://blog.steinberg.net/2013/02/welcome/
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Am 22.02.2013 11:18, schrieb Jim Long:
On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
Jim Long lilyp...@umpquanet.com writes:
I will say that the merging of noteheads onto stems is probably
the weak spot in my knowledge.
[...]
The piece also generates several warnings about
Am 22.02.2013 11:27, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
I was trying to reproduce the example .png given in the blog,
accessible at http://felixrosch.com/example.png.
That example shows two grouped staves, each with two horn parts
written on the same stem, as though
Am 22.02.2013 11:33, schrieb Noeck:
Am 22.02.2013 04:41, schrieb Jim Long:
1) label a staffgroup with a centered instrument name, instead of
only being able to label each separate staff of the group;
2) splitting out separate instrument parts whilst also being able
to flexibly combine parts
Hi all,
thanks to answers on this list I managed to set up a 'compilation
engine' that works somewhat like in the attached minimal example. (The
actually used function compileScore is more complex and creates
different output based on several conditions.)
\compileScore takes a \score {},
Am 22.02.2013 17:14, schrieb Nels Daily:
How do you change the relative size of all text
(titles, bar numbers, marks, page numbers, etc.) in a document?
#(set-global-staff-size X) as a toplevel expression.
X is the staff-size, I think 20 is normal.
Am 23.02.2013 17:58, schrieb Noeck:
Hi,
I have some pieces (vocal scores of 3 chorals of Bach's Christmas
Oratorio and in future some more) that I would like to share.
I got no response from the mutopiaproject. Is there anything new since:
I can't do that right now, but:
This seems like a kind of FAQ. It's all in the manuals, but newcomers
regularely seem to have difficulties to bring the pieces together.
So if somebody would be willing to contribute a (rather short, I'd estimate 3-4
pages) tutorial on that topic I'd be happy o
On Fri, 22 Feb 2013 19:16:30 +0100
Joseph Rushton Wakeling joseph.wakel...@webdrake.net wrote:
(Apologies to David, I hit Reply instead of Reply List when first writing
this response.)
On 02/22/2013 12:10 AM, David Kastrup wrote:
If the file format describes exactly how the finished score
Am 23.02.2013 22:47, schrieb Mark Stephen Mrotek:
Hello:
Within a piano staff
1)For what term/command do I search the on-line manual for directions
to print a bracket, [ , indicating one hand to play pitches on both
staves, and
From my library files:
%{ \chordBracket
Use an
Am 24.02.2013 00:00, schrieb Nathan:
Nathan
Oops, sorry for the duplicate answer. Somehow I missed the others...
At least our answers are consistent :-)
Regards,
Nathan
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Am 25.02.2013 07:37, schrieb Derek:
Hi there,
I was just wondering if there are any options for doing cross voice slurs
like in this silly example
The usual way to accomplish what you are looking for is adding a hidden
voice (where everything is hidden except the slur/tie/phrasingSlur).
I
Hi,
did anybody do some functional analysis with LilyPond (I'm talking about
printing the results of course, not the act of analysis itself)?
The attached image is done with an ancient version of Finale, where I
had bought an analysis font extension then.
Any ideas how to approach this with
Hi,
Yes, probably that's the way to go.
I'm just somewhat afraid of it, because it looks like it'll become quite
complex. So I'd hoped someone else has already implemented something ...
Best
Urs
Janek Warchoł janek.lilyp...@gmail.com schrieb:
Hi,
On Mon, Feb 25, 2013 at 2:43 PM, Urs Liska
Am 26.02.2013 03:50, schrieb Antonio Gervasoni:
Paul wrote:
Hi Antonio, You might find this interesting:
http://lilypond.org/schikkers-list/
The basic idea is to have LilyPond render only a small bit of the music:
the bit that changed.
Excellent!!!
Antonio
But isn't that far from being
On Tue, 26 Feb 2013 13:20:11 +0100
li...@gabriel-striewe.de wrote:
On Feb 26, 2013, at 10:03 AM, Jan Nieuwenhuizen wrote:
Francois Planiol writes:
No idea... I just begun to use the last realease of frescobaldi under
[a freedom-limiting operating system] and this is just
/25, Urs Liska li...@ursliska.de:
Hi,
Yes, probably that's the way to go.
I'm just somewhat afraid of it, because it looks like it'll become quite
complex. So I'd hoped someone else has already implemented something ...
Best
Urs
Janek Warchoł janek.lilyp...@gmail.com schrieb
Nalesnik david.nales...@gmail.com wrote:
Hi Urs,
On Tue, Feb 26, 2013 at 6:49 AM, Urs Liska li...@ursliska.de wrote:
On Mon, 25 Feb 2013 19:07:42 -0500
Francois Planiol alicuota...@gmail.com wrote:
I had send a post about it.
I would like also a solution.
Thanks for your
On Thu, 28 Feb 2013 07:14:31 +0100
David Kastrup d...@gnu.org wrote:
SoundsFromSound soundsfromso...@gmail.com writes:
Just incredible. This LilyPond community is simply untouchable -
/unmatched /anywhere else on the web, in my experience.
LaTeX community (the plain TeX community, in
Hello,
would you please be more specific about what you actually need?
Is your question about how to set up the Lilypond score, about which
instruments you should use for the task or about how to determine the music by
ear?
Best
Urs
Sarah k Alawami marri...@gmail.com schrieb:
Hello. I
Am 01.03.2013 12:27, schrieb David Kastrup:
An ex of mine studied Romance Language and Literature with a minor in
...
I'm probably pissed a lot more than she was that this was likely a smart
choice for her to make.
That would be a wonderful story if it wasn't so sad :-(
Am 01.03.2013 17:05, schrieb PMA:
bobr...@centrum.is wrote:
An optimist believes that we are living in the best of all conceivable
worlds. A pessimist _knows_ it.
--
David Kastrup
NICE!
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then what would be the easiest
and less stressful way of doing this? I want this score to look as
good as I can get it.
Thanks.
On Feb 28, 2013, at 10:09 PM, Urs Liska li...@ursliska.de
mailto:li...@ursliska.de wrote:
Hello,
would you please be more specific about what you actually need
\new Staff \global \viola
\new Staff \global \cello
\new Staff \global \bass
\layout { }
\midi { }
}
Am 01.03.2013 19:32, schrieb Urs Liska:
I'm still not 100% sure if I understand you fully.
Is it correct that you found the template here:
http://www.lilypond.org
Am 01.03.2013 21:29, schrieb Jethro Van Thuyne:
If you want to force the display of an accidental, you can append
an exclamation mark to your note, like this:
e4 f e4. des8 c4 | d!4 e
You can also put the natural (or sharp or flat) sign between brackets,
by using the question mark:
e4 f
Am 01.03.2013 21:23, schrieb Sarah k Alawami:
Ok. I know how to notate the sharps and flats but I might have missed in the
big manual how to notate naturals and there are a lot of them in this piece.
For anyone familiar with the chopin prelude in c minor right hand and possibly
left hand
Am 01.03.2013 23:29, schrieb Sarah k Alawami:
k. I think it's starting to click a bit. but for the naturals and stuff do I
still mark them? I don't' want this piece to sound a mess if I ever get a
chance to hear it lol!
Ok so how will lily pond know the difference between the 3 minors? There
Am 01.03.2013 23:44, schrieb Sarah k Alawami:
Hey thanks for your explanation. it is helping a bit. how ever I think it is
still complaining about this measure
d4 e! g4. f8 e
If I recall though it is
d, e natural, g, f, e flat. so Do I need to mark it as an e flat at the end of
that measure
Am 02.03.2013 15:57, schrieb Eby Mani:
http://img214.imageshack.us/img214/2672/waltz29rw.jpg
Not sure if this can be done on lilypond as the output on the example is crazy and have
no respect for the paper ;-) . But it is a problematic score as per engraving standards
and there are more crazy
Am 02.03.2013 17:36, schrieb Noeck:
Am 02.03.2013 17:21, schrieb Urs Liska:
Am 02.03.2013 15:57, schrieb Eby Mani:
http://img214.imageshack.us/img214/2672/waltz29rw.jpg
Not sure if this can be done on lilypond as the output on the example
is crazy and have no respect for the paper
Am 02.03.2013 15:57, schrieb Eby Mani:
http://img214.imageshack.us/img214/2672/waltz29rw.jpg
Not sure if this can be done on lilypond as the output on the example is crazy and have
no respect for the paper ;-) . But it is a problematic score as per engraving standards
and there are more crazy
Am 02.03.2013 17:50, schrieb Jethro Van Thuyne:
Urs Liska (02 Mar 2013 @ 17:39)
If the original poster of the example could tell us what this is
actually?
It's a score created by John Stump, see here
http://classicalconvert.com/2008/01/faeries-aire-and-death-waltz/
and here
http
Am 02.03.2013 18:27, schrieb Brett McCoy:
On Sat, Mar 2, 2013 at 11:51 AM, Urs Liska li...@ursliska.de wrote:
Am 02.03.2013 15:57, schrieb Eby Mani:
http://img214.imageshack.us/img214/2672/waltz29rw.jpg
Not sure if this can be done on lilypond as the output on the example is
crazy and have
Am 02.03.2013 18:27, schrieb Joseph Rushton Wakeling:
On 03/02/2013 06:22 PM, Urs Liska wrote:
OTH we might take this as an opportunity to do something else as a
showcase project.
I wouldn't suggest Goldberg Variations but rather something complex
from the end
of the 19th century (i.e. just
Am 02.03.2013 18:30, schrieb Urs Liska:
Am 02.03.2013 18:27, schrieb Joseph Rushton Wakeling:
On 03/02/2013 06:22 PM, Urs Liska wrote:
OTH we might take this as an opportunity to do something else as a
showcase project.
I wouldn't suggest Goldberg Variations but rather something complex
from
Am 02.03.2013 19:41, schrieb Joseph Rushton Wakeling:
On 03/02/2013 06:43 PM, Jethro Van Thuyne wrote:
Renewed copyright 1952 by Helene Berg. How long did/does such a
renewal run?
Well, this is the discussion on the subject on IMSLP's forums:
http://imslpforums.org/viewtopic.php?f=13t=3503
I
Am 02.03.2013 19:09, schrieb Joseph Rushton Wakeling:
On 03/02/2013 06:30 PM, Urs Liska wrote:
I also thought of Berg already. Maybe also his songs? (could prove
useful for me
when having to play transpositions ...)
But the Clarinet Pieces are beautiful too. Good point.
Well, tell you what
Am 02.03.2013 21:20, schrieb Sarah k Alawami:
Well I'm getting fewer errors lol! Here is the score attached
I got some errors but the pdf still produced. here is the log
Processing `/Users/SA/Desktop/second violin part.ly'
Parsing...
/Users/SA/Desktop/second violin part.ly:7:11: error:
On Sun, 03 Mar 2013 13:02:44 +0100
Luca Rossetto Casel luca.rosse...@email.it wrote:
Il 20/02/2013 10:33, Urs Liska ha scritto:
Yes, but it really isn't possible to make it perfect in the sense that
it suits every possible use case.
Dear Urs, please forgive me for replying so late - I
[mailto:joseph.wakel...@webdrake.net]
Sent: Friday, January 11, 2013 6:43 AM
To: lilypond-user@gnu.org
Subject: Re: Guide to Writing Orchestral Scores with Lilypond?
On 01/11/2013 12:44 AM, Urs Liska wrote:
I doubt very much that they care about you showing how to re-implement
these few bars in a notation
Am 04.03.2013 15:16, schrieb Janek Warchoł:
On Sat, Mar 2, 2013 at 6:51 PM, m...@mikesolomon.org
m...@mikesolomon.org wrote:
This is a great idea. What'd I'd recommend is doing a natural version and a
version with lots of tweaks.
If you define all the tweaks in a separate file, then all you
On Wed, 6 Mar 2013 23:24:15 +0100
Janek Warchoł janek.lilyp...@gmail.com wrote:
Similarly to Marc i'd very much like to see LilyPond automatically end
pieces with final barline.
I understand David's concern, but i think that it can be quite easily
addressed. For example, we could have a
Please send such requests to bug-lilyp...@gnu.org in future (I forwarded
it this time)
Am 07.03.2013 06:55, schrieb Guy Stalnaker:
I've just spent an entire evening trying to figure out how to add some
lyric text to one voice of a three-measure two-voice section of a
score. I used as my basis
Am 09.03.2013 12:50, schrieb David Kastrup:
james james.lilyp...@googlemail.com writes:
On Mar 8, 2013, at 6:33 PM, Tim Slattery wrote:
Mike Blackstock blackstock.m...@gmail.com wrote:
This paper might be of interest to anyone typesetting public domain
music from so-called copyrighted
Am 09.03.2013 15:25, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
Am 09.03.2013 12:50, schrieb David Kastrup:
james james.lilyp...@googlemail.com writes:
On Mar 8, 2013, at 6:33 PM, Tim Slattery wrote:
Mike Blackstock blackstock.m...@gmail.com wrote:
This paper might
Am 08.03.2013 14:18, schrieb Mike Blackstock:
This paper might be of interest to anyone typesetting public domain
music from so-called copyrighted scores:
http://papers.ssrn.com/sol3/papers.cfm?abstract_id=787244
Abstract:
Copyfraud is everywhere. False copyright notices appear on modern
Hi Torsten,
thank you very much for your work. This is great!
While I probably won't use it ever for myself, I find that an extremely
useful addition to LilyPond, and I hope you will get enough assistance
to get it into LilyPond's default distribution.
Best
Urs
Am 14.03.2013 11:36,
Am 15.03.2013 16:38, schrieb Tim McNamara:
On Mar 15, 2013, at 4:52 AM, Robert Schmaus robert.schm...@web.de wrote:
Hi Torsten,
first of all: This looks just amazing! Thanks for sharing it!
Even though I like LilyPond's original typesetting a lot, I noticed that
sheets get more difficult to
Am 15.03.2013 16:49, schrieb Kieren MacMillan:
Hi all,
On 2013-Mar-15, at 11:42, Urs Liska li...@ursliska.de wrote:
AFAIK the only way (except creating a pango-font-ree) is to redefine
booktitlemarkup and/or scoretitlemarkup from scratch to be able to access the
font settings for these items
Am 15.03.2013 15:07, schrieb James Harkins:
Hi,
I'm working on a piece now where most of it is modal, but one section
will be free-chromatic. I would like to use one of the more modern
accidental styles, but only in that section.
I read the section of the manual about automatic
On Tue, 19 Mar 2013 19:38:10 -0400
Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
Hi Shane,
one would think that might cause more difficult
programming necessitating the keeping tracking of various R values
through out the piece as defined by a time signature as opposed to us
Am 20.03.2013 16:25, schrieb James Harkins:
On Wed, Mar 20, 2013 at 11:17 PM, Werner LEMBERG w...@gnu.org wrote:
- Old: R2 == a full measure rest in 2/4 time
- New: R2 == *two* full measure rests in any time signature
Actually, I like this. This would also help in situations like
Hi Janek,
thanks for these explanations.
If the feedback doesn't give you a sufficiently clear idea where to put
the material, you know what I'd suggest? ;-)
Best
Urs
Am 23.03.2013 15:05, schrieb Janek Warcho?:
Hi,
here's an explanation of what's happening when we're using XY-offset,
Am 24.03.2013 23:56, schrieb Janek Warchoł:
Hi all,
...
On Sun, Mar 24, 2013 at 3:02 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
this is great!!
I've never read a better explanation of x_aligned_on_self and
aligned_on_x_parent.
thanks! :)
Could i ask you to write a function that
Am 25.03.2013 14:11, schrieb Jeremy Boor:
I'm trying to wrestle lilypond-book into making a songbook (while
realizing that's in intended [and better] for musicological
documents).
Can someone direct me to a list of default lilypond values for
margins? My goal is to tweak the margins in the
I have to admit that I don't fully understand the implications of that
exposé yet, but it might be interesting to think about Complete Editions.
I know that it is a current discussion to enhance the idea of editions
by digital media.
For example the Reger Edition has started to provide DVDs
edited from the original prints by Urs Liska and Alexander
Gurdon (m...@ursliska.de, alexander.gur...@tu-dortmund.de)
%}
%{TYPE:
This file is part of the global configuration
%}
%{FILE:
This file globally switches on the display of control-points
To achieve this, just
Am 26.03.2013 10:16, schrieb Urs Liska:
I have to admit that I don't fully understand the implications of that
exposé yet, but it might be interesting to think about Complete
Editions.
I know that it is a current discussion to enhance the idea of editions
by digital media.
For example
Am 26.03.2013 12:20, schrieb David Nalesnik:
Hi all,
On Tue, Mar 26, 2013 at 4:29 AM, Urs Liska li...@ursliska.de
mailto:li...@ursliska.de wrote:
Wow, cool!
Can you give a quick hint why this isn't possible to implement as
an \override?
Attached you'll find a function
Am 26.03.2013 12:46, schrieb Richard Shann:
Dear LilyPonders,
When a tied note with accidental ties across a line boundary the
accidental is repeated in the next bar. If there is a further note with
the same accidental, the accidental is repeated, which looks very odd,
as the accidental has
Am 26.03.2013 13:12, schrieb Janek Warchoł:
On Tue, Mar 26, 2013 at 12:46 PM, Richard Shann
richard.sh...@virgin.net wrote:
Dear LilyPonders,
When a tied note with accidental ties across a line boundary the
accidental is repeated in the next bar. If there is a further note with
the same
Now that's what I call a good investment :-)
I spent very little time on your case, and in return we get a very
valuable resource!
I will send you a few comments with private mail later, but thank you
for writing this.
Best
Urs
Am 26.03.2013 17:10, schrieb Jeremy Boor:
I wrote a blog post
First of all, I think we have quite a consensus on what we intend - which is a
good start.
On Fri, 29 Mar 2013 09:43:59 -0500
Tim McNamara tim...@bitstream.net wrote:
On Mar 29, 2013, at 4:42 AM, Joseph Rushton Wakeling wrote:
On 03/28/2013 08:28 PM, Tim McNamara wrote:
My understanding is
No, it can't.
There are also strange errors when a transposition would result in triple
accidentals.
Urs
Nick Payne nick.pa...@internode.on.net schrieb:
On 31/03/13 01:00, Thomas Morley wrote:
2013/3/30 Thomas Morley thomasmorle...@googlemail.com
mailto:thomasmorle...@googlemail.com
Is it possible to refer to a staff relative to the current staff and not
by its name?
So, is it possible to write something like
\change Staff = previous/next or higher/lower
instead of
\change Staff = Explicit-name-of-staff
inside a PianoStaff?
I'd be interested in creating a generic
Eluze elu...@gmail.com schrieb:
Urs Liska-4 wrote
Is it possible to refer to a staff relative to the current staff and
not
by its name?
So, is it possible to write something like
\change Staff = previous/next or higher/lower
instead of
\change Staff = Explicit-name-of-staff
Thanks for the idea, but I'm looking for a generic solution tha doesn't rely on
given staff names.
Best
Urs
Vaughan McAlley vaug...@mcalley.net.au schrieb:
On 31 March 2013 22:36, Urs Liska li...@ursliska.de wrote:
Is it possible to refer to a staff relative to the current staff
OK, thanks for the information.
And does anybody know how/if one can retrieve information about the existing
(staff) context? Some property accible by Scheme?
Eluze elu...@gmail.com schrieb:
Urs Liska-4 wrote
Of course I'm also talking about PianoStaves with more than two
staves
I'm sorry to tell you that this isn't possible yet.
It seems it wouldn't be too complicated to get at least the basic content
(without LilyPond's superior layout quality) to xml. But it hasn't been done
yet.
Urs
lorenzo bianchi lorenzo.bian...@lorbi.info schrieb:
hi all
i'm really sorry if
Hi harm,
Thank you for this.
I'll try to understand it as soon as I have access to a non-deficient* computer
again.
Best
Urs
* i.e. lilypond-equipped ;-)
Thomas Morley thomasmorle...@googlemail.com schrieb:
2013/4/1 Urs Liska li...@ursliska.de
OK, thanks for the information.
And does
Joseph Rushton Wakeling joseph.wakel...@webdrake.net schrieb:
Anyway, back to the key issue -- would you like me to draft an email to
the
Software Freedom Law Center? The fact that this issue is of concern
also to
people in the TeX community makes me feel that it's something they
should
If you don't find a lilypond-wise solution (which I'm afraid) yo'll probably
have to define a 1/16th paper size with suitably small margins and use an
external tool (suggestions depending on your OS and output format) to arrange
them on the full paper.
HTH
Urs
Hanns Holger Rutz
Eduardo Silva eduardo.su...@hotmail.com schrieb:
From: Janek Warchoł
Sent: April 4, 2013 11:55 AM
To: Eduardo Silva
Subject: Re: My return to Lilypond
Hi,
i was absent when you wrote this email, and i've read it just now.
How did you fare?
Unfortunately i cannot do much to
Janek Warchoł janek.lilyp...@gmail.com schrieb:
Hi Werner,
i'm performing some archeological research on emails that were sent
during my absence and i found this one:
2013/1/20 Werner LEMBERG w...@gnu.org:
what must I write to shorten an unbeamed stem by, say, one unit? A
naive approach
we're ready for that.
Best
Urs
2013/4/5 Urs Liska li...@ursliska.de:
Janek Warchoł janek.lilyp...@gmail.com schrieb:
Hi Werner,
i'm performing some archeological research on emails that were sent
during my absence and i found this one:
2013/1/20 Werner LEMBERG w...@gnu.org:
what
On Fri, 5 Apr 2013 22:05:24 +0200
Janek Warchoł janek.lilyp...@gmail.com wrote:
2013/4/5 Urs Liska li...@ursliska.de:
Janek Warchoł janek.lilyp...@gmail.com schrieb:
hmm, i think that your email body got eaten.
Janek
Oops, you're right.
But before that happened I had asked whether
Fried is a private edition project Janek and I are working on, so these
references are spurious and don't mean anything.
OpenLilyLib is a project with a family of resources for LilyPond and LaTeX. It
is currently in a pre-release state, therefore there _are_ references but
rather unclear ones
You may put your \header in a separate file and \include it where you
want it to appear.
Does that help you?
Urs
Am 06.04.2013 17:02, schrieb bobr...@centrum.is:
I think I've probably answered my own question already.
I want to define a header block and then use the definition later.
What
couldn't make it work anyway.
When you say:
You may put your \header in a separate file and \include it where you
want it to appear.
Do you mean:
\score {
\definedScoreStuff
\header {
\include headerFile.ly
}
}
-David
- Original Message -
From: Urs Liska li
manually for each chorale?
Or do you have a default block that you include?
Urs
On Sat, 06 Apr 2013 20:08:05 +0200
Urs Liska li...@ursliska.de wrote:
Sorry,
a closer look showed me that your request was quite the opposite of what
my suggestion could provide :-(
Really a \header block
Hi Harm,
thanks for that suggestion.
Unfortunately it doesn't quite do what I need, and I don't really understand it.
But fortunately it gives quite a good clue how to ask more concretely.
It seems that functions/properties like
ly:context-id
ly:context-name
provide information on the current
On Mon, 8 Apr 2013 18:28:39 +0200
Carlo Stemberger carlo.stember...@gmail.com wrote:
2013/4/8 Phil Holmes m...@philholmes.net
**
Use spacer rests in the staff where you want the hand-written answer.
Thank you!
However in this way I have to calculate the number of empty staves.
Am 09.04.2013 08:49, schrieb David Kastrup:
Jacques Menu jacques.m...@tvtmail.ch writes:
Hello folks,
I've been experimenting with Sibelius 7.1.3 as a front-end to Lily,
i.e. as a note input engine.
This lead me to fix some issues in musicxml2ly:
- the comment bar number at the end
Am 09.04.2013 11:38, schrieb Werner LEMBERG:
Putting the bar number at the start of the line would require
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
instead.
I like that. It's tedious to type manually, but a computer program
doesn't know that word :-)
Werner
Would something like
%@5 a,4 (
Am 09.04.2013 13:19, schrieb Janek Warchoł:
2013/4/9 Werner LEMBERG w...@gnu.org:
Putting the bar number at the start of the line would require
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
instead.
I like that. It's tedious to type manually, but a computer program
doesn't know that word :-)
Indeed,
I never used Sibelius, and the last version of Finale I actually worked
with was 2001.
Therefore I'd like to ask here before writing something inappropriately
negative about them ;-)
Is it possible to output cropped output in .png or .pdf format from
them, just like -dpreview or lilypond-book
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