On Thursday 16 January 2003 18.39, Fons Adriaensen wrote:
[...]
> 2. A poly synth. Here normally 'a new note is a new note', and
> things like the effect described above are not possible because
> the synth does not know the relations between the existing set
> of notes and any new ones. Anther exa
On Thursday 16 January 2003 12.09, Steve Harris wrote:
[...]
> > 2) continuous control - this includes things like a violin, which
> > receives streams of parameters. This gets a VVID for each new
> > voice. If you want glissando, you would tell the violin synth
> > that fact, and it would handle
On Thursday 16 January 2003 06.50, Tim Hockin wrote:
> *** From: David Olofson <[EMAIL PROTECTED]>
>
> > > This jives EXACTLY ives with what I have been saying, though I
> > > characterized it as:
> > >
> > > VOICE_INIT(vvid) -> synth gets a virtual voice, start
> > > init-latch window VOICE_SETs
The whole discussion about VVIDs has become a rather complicated
web of opinions and examples that sometimes are understood, and
sometimes not. This is how I see it.
Why we need explicit VVIDs.
With MIDI, you can have
1. A mono synth. If there is any relation between a new note
and another one,
> >David's notes were good - I hope you got them!
>
> i saw some comments from him. i'll try to merge them together. i'm not
> going to "present" XAP in any sense. i just want to be have some notes
> to help me when talking about the work that has been done, how far its
> gone, etc. it seems usefu
>> ok, there are 5 hours left till i leave for anaheim. if anyone wants
>> to make any further changes to tim's recent summary, do it very
>> soon. otherwise, i'll print out what he sent recently, and use my
>> knowledge of the ongoing discussion to supplement it.
>
>David's notes were good - I hop
--- Jack O'Quin <[EMAIL PROTECTED]> wrote: > Steve Harris
<[EMAIL PROTECTED]> writes:
>
> > > On Wed, 15 Jan 2003 18:13:35 +
> > > Steve Harris <[EMAIL PROTECTED]> wrote:
> > >
> > > > AUDIO_RATE_CONTROL. Hints than an audio control should/could be
> controlled
> > > > by a high time res. sl
> ok, there are 5 hours left till i leave for anaheim. if anyone wants
> to make any further changes to tim's recent summary, do it very
> soon. otherwise, i'll print out what he sent recently, and use my
> knowledge of the ongoing discussion to supplement it.
David's notes were good - I hope you
On Thu, Jan 16, 2003 at 10:19:38AM -0600, Jack O'Quin wrote:
> There's a syntactic ambiguity in the name AUDIO_RATE_CONTROL. Steve
> uses it to describe a Controller which runs at Audio Rate (i.e. sample
> clock speed). But, Janne understood it to mean a Controller *of* the
> Audio Rate, which is
On Thu, 16 Jan 2003 16:35:37 +
Steve Harris <[EMAIL PROTECTED]> wrote:
> On Thu, Jan 16, 2003 at 05:31:56PM +0200, janne halttunen wrote:
> > > No, I dont think so. An audio rate control is just one that has a value
> > > per sample, instead of a value per block. Its usful for things like FM
>
On Thu, 16 Jan 2003 10:58:40 -0500
Paul Davis <[EMAIL PROTECTED]> wrote:
> >On Wed, 15 Jan 2003 18:13:35 +
> >Steve Harris <[EMAIL PROTECTED]> wrote:
> >
> >> AUDIO_RATE_CONTROL. Hints than an audio control should/could be controlled
> >> by a high time res. slider or control data, but shouldn
On Thu, Jan 16, 2003 at 05:31:56PM +0200, janne halttunen wrote:
> > No, I dont think so. An audio rate control is just one that has a value
> > per sample, instead of a value per block. Its usful for things like FM
> > frequency which can be changed very quickly. Hey, I just thought of a use
> > f
Steve Harris <[EMAIL PROTECTED]> writes:
> > On Wed, 15 Jan 2003 18:13:35 +
> > Steve Harris <[EMAIL PROTECTED]> wrote:
> >
> > > AUDIO_RATE_CONTROL. Hints than an audio control should/could be controlled
> > > by a high time res. slider or control data, but shouldn't be connected to
> > > th
>On Wed, 15 Jan 2003 18:13:35 +
>Steve Harris <[EMAIL PROTECTED]> wrote:
>
>> AUDIO_RATE_CONTROL. Hints than an audio control should/could be controlled
>> by a high time res. slider or control data, but shouldn't be connected to
>> the next audio signal by default. I can't think of any simple
ok, there are 5 hours left till i leave for anaheim. if anyone wants
to make any further changes to tim's recent summary, do it very
soon. otherwise, i'll print out what he sent recently, and use my
knowledge of the ongoing discussion to supplement it.
On Thu, 16 Jan 2003 13:58:58 +
Steve Harris <[EMAIL PROTECTED]> wrote:
> On Thu, Jan 16, 2003 at 02:38:53PM +0200, janne halttunen wrote:
> > On Wed, 15 Jan 2003 18:13:35 +
> > Steve Harris <[EMAIL PROTECTED]> wrote:
> >
> > > AUDIO_RATE_CONTROL. Hints than an audio control should/could b
On Thursday 16 January 2003 01.14, Tim Hockin wrote:
[...]
> > The only problem I have with it is that it's completely
> > irrelevant to continous control synths - but they can just ignore
> > it, or not have the control at all.
>
> Does continuous control mean continuous sound?
No. A synth has to
On Thu, Jan 16, 2003 at 02:38:53PM +0200, janne halttunen wrote:
> On Wed, 15 Jan 2003 18:13:35 +
> Steve Harris <[EMAIL PROTECTED]> wrote:
>
> > AUDIO_RATE_CONTROL. Hints than an audio control should/could be controlled
> > by a high time res. slider or control data, but shouldn't be connecte
On Wed, 15 Jan 2003 18:13:35 +
Steve Harris <[EMAIL PROTECTED]> wrote:
> AUDIO_RATE_CONTROL. Hints than an audio control should/could be controlled
> by a high time res. slider or control data, but shouldn't be connected to
> the next audio signal by default. I can't think of any simple exampl
On Wed, Jan 15, 2003 at 04:14:23 -0800, Tim Hockin wrote:
> I'm breaking these into two emails for the two subjects. I'm replying to
> each subject in big reply - so you can see the evolution of my position :)
>
> *** From: David Olofson <[EMAIL PROTECTED]>
> > > The trigger is a virtual control
Hi all, I got a couple of questions regarding MIDI implementation in
Linux.
My app (that I am currently working on) will not use MIDI for
sequencing, but rather as a real-time triggering mechanism (including
continuous controllers) that will intercommunicate with other
MIDI-capable apps on the (us
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