Jens M Andreasen ([EMAIL PROTECTED]):
> On Thu, 2005-04-28 at 12:46 +0200, Jens M Andreasen wrote:
>
> > What is even "funnier" is that mouse behaviour seems to take a
> > different route with next to no overhead.
>
> Correction:
>
> Mouse-wheeling shows a similar (over-the-top cycle consuming)
Benjamin Flaming ([EMAIL PROTECTED]):
> On Friday 28 November 2003 11:54 am, David Olofson wrote:
> > On Friday 28 November 2003 15.07, Stonekeeper wrote:
>
> [...]
>
> > However, I think the proper solution is to install things so that
> > you never have dependencies in the wrong direction. It
Thomas Webb ([EMAIL PROTECTED]):
> --Lea:
> > Generally, musicians don't give a toss whether something is
> > free(Opensource) or not (let the flaming begin).
>
> Exactly. I think programmers need to stop being elitists. It is
> hurting the adoption of Linux.
Is it elitist for a programmer to
Benjamin Flaming ([EMAIL PROTECTED]):
> > Because I agree that these politics make Linux awkward for a new
> > developer who may be wary or unable to release source code. I am
> > not sure how best to approach this.
>
> [...] but I'm puzzled by your mention of authors being "unable" to
> release
Hi Lea,
Stonekeeper ([EMAIL PROTECTED]):
> On Thu, 2003-11-27 at 19:01, Juan Linietsky wrote:
> > It's not bad, but it's not really free (OpenSource),
>
> Generally, musicians don't give a toss whether something is
> free(Opensource) or not (let the flaming begin). Seriously, I've not
> met a
ver tears like mad even fullscreen.
Michel Danzer has just donne a patch to export an ioctl for the retrace
interrupt on the Radeons though, but that's a new development.
For video overlay surfaces it's a bit easier: most cards can page flip
their overlay surfaces easily. So, you won&#
I have to trust the MIDI
clock for audio too, or my drumroll will stutter when I turn the tempo
knob while playing.
--
Billy Biggs
[EMAIL PROTECTED]
output correct on both MIDI and audio in sync with constant latency,
using my drum machine or hard disk recorder as the clock source.
--
Billy Biggs
[EMAIL PROTECTED]
velopment community has an obligation to write any
software beyond what we feel like at the time.
Suggesting reasons why people should work on an app is fine, but
implying that if we don't we'll all be burned at the stake ...
--
Billy Biggs
[EMAIL PROTECTED]
h. I'm on his side against open source
bigotry.
One last thought, I bet his 'kickass app' will still include the 303
emulation and the drum machines, so you need not worry so much about
losing all those precious lines of source code.
--
Billy Biggs
[EMAIL PROTECTED]
Bob Ham ([EMAIL PROTECTED]):
> On Thu, 2002-08-15 at 12:48, Billy Biggs wrote:
>
> > We still don't know if he's using gsynth code under a different
> > license.
>
> He is.
Woohoo, so we have no right to complain every post about not releasing
source.
I
alf of one remaining ear could do a better
> 303 emulation given the Gsynth code.
Please send me your attempt then, I'd like to hear it.
--
Billy Biggs
[EMAIL PROTECTED]
h engine use that. Filter still
sounds sterile though.
--
Billy Biggs
[EMAIL PROTECTED]
Frank Barknecht ([EMAIL PROTECTED]):
> > A good start though. My biggest complaint is totally on getting the
> > 303 to sound authentic.
> > [...]
>
> OTOH the 303 code is based on gsynth, [...]
Ah ok, I'll take my snobby ain't-no-303 comments over there.
--
Billy Biggs
[EMAIL PROTECTED]
rt though. My biggest complaint is totally on getting the
303 to sound authentic.
Oh, and then the whole licensing thing. Clearly the author has no
intention of releasing this under a free license, as commercial
reselling is denied explicitly even for this binary release.
--
Billy Biggs
[EMAIL PROTECTED]
On Thu, 13 Jun 2002, Fred Gleason wrote:
> On Wednesday 12 June 2002 16:37, Billy Biggs wrote:
>
> > I see only two options: Go all the way, ask all users to pay, lose
> > personal ownership of the project and turn it into a product, or ask
> > nothing and expect nothi
obligated to contribute even though they have
no guarentee of getting anything for it, or the author might feel
obligated to continue working even though the financial reward is
insufficient and charity rather than market driven.
--
Billy Biggs [EMAIL PROTECTED]
http://www.div8.net/billy [EMAIL PROTECTED]
't see the large number of hobbyist programmers
becoming product manager hobbyists any time soon, despite how badly the
linux userbase wants that. :)
--
Billy Biggs [EMAIL PROTECTED]
http://www.div8.net/billy [EMAIL PROTECTED]
al_ that I be able to edit the music as it's playing: start
looping one pattern and tweak it until I like it.
Different styles for different types of music really. I also think it's
because when I started writing music, it was using either a tracker or a
hardware sequencer (at the time
e to hear that, many thanks!!
--
Billy Biggs [EMAIL PROTECTED]
http://www.div8.net/billy [EMAIL PROTECTED]
self), and pretty much no
interest from the open-source community, the project hasn't gone
anywhere else. But I'm quite happy with it. :)
--
Billy Biggs [EMAIL PROTECTED]
http://www.div8.net/billy [EMAIL PROTECTED]
d written, and
the documentation seems to indicate that too. It's also not too difficult
once you get the hang of it. :)
But having compilers that can use it where appropriate (like icc
can) can also be helpful.
--
Billy Biggs [EMAIL PROTECTED]
http://www.div8.net
chine was a P3.
There's lots of code floating around to detect cpu type in the
code. See mm_accel() and friends, and ask [EMAIL PROTECTED] for his
work on speciallib.
Plugins shouldn't be any different than programs, they can just as
easily determine CPU type.
--
Billy Biggs
coding other projects though. Right
now I do all my sweeps live since, well, it makes a cool show. :)
I totally agree with your rant about interfaces. I wanted a sequencer
as reliable and simple as a hardware sequencer.
--
Billy Biggs [EMAIL PROTECTED]
http://www
rk? I
don't get much comments on it. I should probably put it on sourceforge or
something. Do you know of any bugs?
--
Billy Biggs [EMAIL PROTECTED]
http://www.div8.net/billy [EMAIL PROTECTED]
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