Euge,
This leads me to the question of who has access to facsimiles. Certainly,
If I walk in to a museum and ask to see Bach's original works I will most
likley be turned away. But if someone else is in the bussiness of
publishing music has access, with the intention of making a profit, and
bei
Hi guys,
Just to let you know, in case Miles doesn't read his emails, ...
Miles moved out in the country this past summer, he is no longer in=20
Montreal, but in Marbleton, near Sherbrooke city in eastern Quebec.
His new address is:
615 rue des =E9rables
Marbleton, Quebec
J0B 2L0
tel: 819 887-
It seems, after posting an announcement of the Fuenllana book published by
Miles Dempster, that the e-mail address has changed. It is:
[EMAIL PROTECTED]
ed
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
p.p.s.
www.lib.lsu.edu/collserv/colldev/policies/Copyright/sec11.pdf,
says that in the USA unpublished works created before 1978
published before 1/1/2001 are copyright till 2048.
Wayne
Hi everyone -
I did a quick net search and came up with some interesting
information on *unpublished* *manuscripts*..
http://tyler.hrc.utexas.edu/ seems to say that unpulished
manuscripts in the USA came out of copyright December 31, 2002, while
http://www.bl.uk/collections/manuscriptscopy.h
Dear Chris,
I agree, in that Fuenllana is fantastic music. However there already is a
modern performing edition of this work, done by Miles Dempster, in Montreal.
The book is, "Miguel Fuenllana - Orphenica Lyra - The fantasias tientos,
and other works set in French tablature for lute or vihuel
Wayne said: "A library can make you sign a contract that restricts
you from publishing the material or making the material available to others
when you request access to it. You would then be liable for breach of
contract if you violated the agreement that you signed."
Chris asked, :"can I create
>
> If I get a facsimile or manuscript of a public domain work, can I create a
> modern tab edition without licensing the rights (not copyright) from the work
> holder?
I think there may be legal (as opposed to civil)
restrictions on manuscripts, especially those that
have not beem published.
I think I'll restate my original question since the discussion has ranged a
bit. If I get a facsimile or manuscript of a public domain work, can I create a
modern tab edition without licensing the rights (not copyright) from the work
holder? If I wanted to resell an exact reproduction (printed scan
>
> No, no library--nobody--can hold rights to public domain material. Once
> you've done whatever the holder requires to lay hands to the facsimile
> (fees, proper use of your library card, whatever), it's yours to do with as
> you please.
>
Well, not exactly. A library can make you sign a
At 03:00 PM 11/29/03 -0800, Christopher Schaub wrote:
>Good point, and I wasn't trying to suggest that you could go and just make
>copies and re-distribute them! I believe most publishers enhance their
>facsimiles and manuscripts with some "clean up" to protect them under the
>various copyright law
At 02:28 PM 11/29/03 -0800, Christopher Schaub wrote:
>You would have to check with Tree Editions to be sure. It's very possible that
>there are edits and formatting that you are unaware of -- many publishers
>"clean up" the facsimiles and manuscripts before they publish them. Removing
>player's no
Good point, and I wasn't trying to suggest that you could go and just make
copies and re-distribute them! I believe most publishers enhance their
facsimiles and manuscripts with some "clean up" to protect them under the
various copyright laws. In the past, I spoke with a publisher about this who
di
Hello everyone,
I've just finished drawing up the Berr lute. The experience has =
left me with more questions than answers.
It seems the common assumption is, that during the Baroque time, ren. =
lutes were converted over to 11 course lutes, from 6 course lutes, first =
by the French, and
On Saturday, November 29, 2003, at 05:24 PM, Howard Posner wrote:
> When I started playing lute, my teacher told me to spend a few weeks
> playing
> thumb-in simply to make my lute hand distinct from my guitar hand, to
> impart
> a physical understanding that the instruments were different and
You would have to check with Tree Editions to be sure. It's very possible that
there are edits and formatting that you are unaware of -- many publishers
"clean up" the facsimiles and manuscripts before they publish them. Removing
player's notes etc. Also, any cover pages and additional text would b
Christopher Schaub at [EMAIL PROTECTED] wrote:
> You'll notice in many facisimile editions there is no
> copyright notice for this very reason!
In most jurisdictions, including the United States, there is no requirement
of a copyright notice to secure copyright protection. This has been the
case
[EMAIL PROTECTED] wrote, like so many before him, dating back to time
immemorial, or at least the late 1970's:
> I tried, as recommended, placing the little finger of the
> right hand on the soundboard, playing with the thumb inside the hand. But
> frankly, I fail to see the advantage of doing any
The reason for my inquire is that I have a tablature facsimile of Bach
BWV 995, 997, 1000 for Baroque lute by tree editions. There is no mention
of any copy rights, and obviously no edits, just photos. So, I assume the
only money they made on this, was to sell it to me.
I assume I'm free t
>
>When I started, I tried, as recommended, placing the little finger of the
>right hand on the soundboard, playing with the thumb inside the hand. But
>frankly, I fail to see the advantage of doing any of this. Keeping
>the little finger
>on the soundboard simply limits the scope of the right han
At 13:11 29-11-2003 EST, [EMAIL PROTECTED] wrote:
>Greetings one and all, from the UK (just outside Bath)! I am new here, and
>also new to the lute. I come from the guitar, and began playing the lute
about
>two months ago.
Dear Richard,
welcome aboard!
Since you have been playing so much se
Greetings one and all, from the UK (just outside Bath)! I am new here, and
also new to the lute. I come from the guitar, and began playing the lute about
two months ago. I had to retire early from the world of academic music (most
serial, I fear) due to tendonitis in my left hand, didn't play fo
This is correct. You'll notice in many facisimile editions there is no
copyright notice for this very reason! I wonder how many facsimile publishers
are getting the reproduction license rights from the libraries that hold the
original. I question this because -- according to my faulty math -- you'd
At 08:48 AM 11/29/03 -0600, Michael Thames wrote:
>What about a Facsimile from say a publisher, who simply photgraghed the
>original facsimile with no edits, just the photograph and sold it. Do they
>have any copyright protection, once it's sold and out of their hands?
>Michael Thames
Nope. As
What about a Facsimile from say a publisher, who simply photgraghed the
original facsimile with no edits, just the photograph and sold it. Do they
have any copyright protection, once it's sold and out of their hands?
Michael Thames
Luthier
www.ThamesClassicalGuitars.com
Site design by Natalina Cal
Seth wrote:
>Scott Lemire and I have just released our first CD- The leaves be
>green: English Lute duets.
The two samples are very nice. Good work indeed.
Regards,
Craig
Dear Lute list
Scott Lemire and I have just released our first CD- The leaves be
green: English Lute duets. Recorded last winter here in Portland,
Maine (at "The Studio" of all places) this disc surveys the music from
around the time of Queen Elizabeth that survives
Hello Chris et al.,
I recently discussed some of these same topics with a friend of mine who
happens to be a copyright researcher in the Copyright Office of the US
Library of Congress.
At 05:58 AM 11/29/03 -0800, Christopher Schaub wrote:
>We both agreed that there probably aren't any
>copyrigh
Hello all. I just got back from a wonderful Thanksgiving visiting my family in
Ohio. My uncle is a patent/trademark attorney, and I cornered him to discuss
the use of facsimiles and derived works. I mentioned the fees that libraries
charge to get a "license" to use or redistribute reproductions of
> Jon, Islamic music really is non-harmonic in the sense that it is
> more-or-less modal melody plus percussion. Even when two or more tones
> sound simultaneously, as in the use of a drone, it's non-harmonic in the
> technical sense of functional harmonies.
I concur, I used the term harmonic in t
Ariel,
A rational and reasoned response. We disagree only on some of the details of
the sources of the problems. I agree that if the internal trading in
protected substances (i.e., retail sales of the products derived) in the
advanced economies were better controlled there would be less demand. Bu
Rainer,
It may be that Francesco's account is fine, but that his server is having
difficulty or yours is - or one of the "translation nodes" on the route is
screwed up. "Permanent error" merely means that the system has tried to
deliver a number of times over a specified time period. Temporary pro
I sit corrected Stewart, but how did you count them?
I guess I am reluctant to do my pontifications without a caveat saying that
I don't know the lute. My lady says "ask Murphy the time and he'll tell you
how to build a watch". I am an inveterate analyst, even on topics I don't
know.
Best, Jon
>
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