Hello Everyone,
I'm working on some Vallet preludes (CNRS edition) and I'm quite undecided
on the tempo to play number 11. I'm liking it at both m.m quarter note = 80
and also at 92. Suggestions please!
Thanks.
Ken Brodkey
Luthier
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RT
s.walsh asked about the computer program called Tune!It (or any other, I
assume):
>
> How do you use the program to tune your Baroque guitar?
>
> Do you take one string - maybe the first or fifth? and go up fret by fret
with the program, shifting the frets around?
>
I tune each of the strings indi
>
> I have been using a very nifty computer program called Tune!It. Go to
> http://www.zeta.org.au/~dvolkmer/tuneit.html to learn about the program. I
> also keep it on my small laptop which I carry when travelling. Alas, it is
> not really a stand-alone box but it has every imaginable tuning. I
Richard and Howard - thank you for the copious amount
of information you have dug up for this debate. I am
glad I asked the question.
What it essentially boils down to is this. In a
4-note chord pattern, Kapsberger did not use his
ring-finger, as he himself seems to point out.
So, if the chor
> Sorry for ruining your argument with mere empiricism, but I'm looking at
the
> facsimile of Toccata Prima as I write. Every chord with a arpeggio symbol
> has exactly four notes.
You must be looking in a different place. In Libro Quarto, 1640, Toccata
Prima begins in the middle of page 6. The s
Paulo should be reachable at <[EMAIL PROTECTED]>
RT
--
http://polyhymnion.org/adc
Piccinini essentially gives the same instructions as Kapsberger does in his
Book 3 (3, 4, 5, & 6 note chords) but always ends on the highest note even if
the arpeggio is not strictly ascending..
But he also has a sign for a different arpeggio pattern. For a 4 note
arpeggio pattern he puts the n
In a message dated 8/1/04 10:28:08 PM, [EMAIL PROTECTED] writes:
<< Sorry for ruining your argument with mere empiricism, but I'm looking at
the
facsimile of Toccata Prima as I write. Every chord with a arpeggio symbol
has exactly four notes. Four shalt thou play, and the number of the
countin
