Dear list members,
I wonder if anybody can help with translation from 16th century Portuguese
text (Do Regimento dos Violeiros of Lisbon 1572)? Please contact me directly
off list.
Many thanks in advance,
Alexander Batov
www.vihuelademano.com
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Hi all,
I just browsed the Pinel edition of CNRS and found that
the "Gigue" (No.81) [taken from Schwerin 641]
is called an Allemande in all of the 6 concordances.
Hm. What could have been the reason for the editors to
accept the "minority vote"?
In fact, the piece, played slowly, makes a rather al
in correspondence relating to the vihuela, someone
(vance?) mentioned that they encountered some
difficulty playing with a reduced number of courses.
recently i removed the 6th course from my oud and
found it much easier, more spontaneous to play - as if
it were a hinderance instead of an opti
> I just browsed the Pinel edition of CNRS and found that
I suppose that "CNRS edition of Pinel" is better English...?.
..sigh...
:-) B.
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WIWO wrote:
> hi all,
> some days ago i played a little bit through attaignant 1529 and discovered
> the wonderful intabulation of "destre amoureux". a real ear candy. i
> remember, i heard
> something very close to this on an old tape of the king singers: antoine
> mornable "je ne scay" with robe
There were different kinds of gigues in France, and a popular type was
referred to as the "Allemande Gigue", usually in duple time. A fascinating
thing is that the same piece can be interpreted in a very different manner.
So, both labels are correct.
ed
At 10:36 PM 10/3/2004 +0200, Bernd Ha
Greetings,
Has anyone typeset the following the print in Fronimo?
Joachim van den Hove: Delitiae Musicae sive cantiones (Utrecht, 1612)
I'm looking for a clear copy of the following pieces:
fos. 55v56, VNe Ieune Fillette. | Mr Iacques Pollonis. [index: Vne Ieune
Fillette]
fo
>recently i removed the 6th course from my oud and
>found it much easier, more spontaneous to play - as if
>it were a hinderance instead of an option.
>
>i wonder if anyone else has noticed this when playing
>an instrument with either less or more than their
>accustomed number of courses.
Yes. I h