>I just got Dowland A Dream by Hoppy Smith and find it >to be qually
>well-played and interesting to Paul O'Dette's recording, >but
>different. Anyone who is interested in Dowland's lute >music should hear
>both Paul's and Hoppy's CDs.
>Nancy Carlin
No Comment!
Michael
- Original Messa
>Nails give speed? What would the physical principle >involved be? IIRC,
>there is a fairly well-known flamenco player that does >NOT have nails,
>but does have the speed (I'll have to dig around to find >out who this
>was, but I remember David Schramm mentioning him >some time back on
>RMCG). Pic
>By the way, has anybody noticed that there is a version >for lute of a
>piece by
>Bull (for keyboard - of course).
>Rainer adS
Not mention an "original" piece written in grand staff for lute by
Mozart. Variations on the " Champagne Lied". For some strange reason
Scheidler intabulated
Michael Thames wrote:
> "Christopher Schaub" <[EMAIL PROTECTED]> schrieb:
>
>
>>>I haven't heard anyone play
>>>thumb-under faster than top rate classical or flamenco guitarists whose
>>>technique is not that different from thumb-out, especially in regards to
>>>
>>>
>>imim
>>
>>
>
>
I just got Dowland A Dream by Hoppy Smith and find it to be qually
well-played and interesting to Paul O'Dette's recording, but
different. Anyone who is interested in Dowland's lute music should hear
both Paul's and Hoppy's CDs.
Nancy Carlin
Michael Thames says:
Personally, I think Paul Odette
Dear David,
Many thanks for making your article and the
transcription of this piece available - it's most
interesting and helpful. I feel that there is a lot
to be said for expanding the lute's repertoire
by reworking choral music, and there could be
no better way to learn how to do this than by
st
"Christopher Schaub" <[EMAIL PROTECTED]> schrieb:
> > I haven't heard anyone play
> > thumb-under faster than top rate classical or flamenco guitarists whose
> > technique is not that different from thumb-out, especially in regards to
> imim
The kind of speed flamenco guitarists have wit
Ockeghem? I knew the song was by Martini or Malcort, and to the best of my
knowledge, Ockeghem never wrote a Missa Malheur, whereas Obrecht and Josquin
did it
>From Goldberg "Malheur me bat is the song by Malcort or Martini (a matter of
>dispute) on which Obrecht based a mass already recorded
