do rose designs indicate who made an instrument - are
certain designs associated with specific luthiers?
- bill
early music charango ... http://groups.google.com/group/charango
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Hello Bill,
the rose does not indicate this. It is known, that there exists rose cutting
craftsmen, who went from one lute maker to another to cut the roses.
They used their designs and according to the wishes of the lute maker
they changed them a bit or made a different diameter. Sometimes
Thank you Antonio and Manolo for your help, this clears things up quite a bit.
It's interesting since Valderrabano's vihuela intabulation is in the form of a
duo. I have the Cancionero de Palacio, and I'll check it out to see if it's a
two voice part as well. This conversational quality definitely
At his Boston MFA lecture Peter Kyvelos (mentioned on Mike's Oud page) said
rosettes were usually out-sourced. Here's more on Peter:
http://www.nea.gov/honors/heritage/Heritage01/Kyvelos.html
http://www.nea.gov/honors/heritage/Heritage01/Kyvelos2.html
The museum's recently purchased oud was
Bill,
While the outsourcing of rose cutting is certainly arguable as an option for
the historical maker, the design of the rose had more to do with the period
and attendant style than the maker himself. Numerous variations on the knot
of Leonardo, Celtic themes in medieval and early renaissance
April 29th, 2006
Dear Lutenists:
I noticed in all the photographs from the French Lute Festival, the
lute players were all wearing straps on their Lutes. Is this the usual way
to play a Lute? If so what is the button called on the other side of the
Lute? (I have one on
Hi all,
after the receipt of harsh critics I think it's better to delete the videos.
Thanks to the others for their positive input which will help to improve the
quality of videos and possibly my playing.
Best wishes
Thomas
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To get on or off this list see list information at
Thomas,
Thank you for sharing - I enjoyed them - and to hell with the critics.
Best regards,
David
Thomas Schall wrote:
Hi all,
after the receipt of harsh critics I think it's better to delete the videos.
Thanks to the others for their positive input which will help to improve the
quality of
That's too bad Thomas, I thought they were worth auditing and enjoyed them.
Having said that I would certainly like to see some of the same from the
critics. I wish you would leave them up unitil I can download them at
anyrate.
VW
- Original Message -
From: Thomas Schall [EMAIL
Chris:
This is a small fragment of a significantly longer villancico that might
have been familiar to at least some potential purchasers of
Valderrábano's book. The Cancionero de Elvas contains a slightly
longer setting with different music from that in Valderrábano.
Despososse tu amiga,
Gil
Doulce Memoire performed last night in San Diego for the San Diego Early Music
Society. Fabulous performance, complete with Renaissance dancing, though I'd
have loved to hear more solo lute. The lutenist plays with a pick/plectrum. My
line of sight was bad for getting a good look at the
Oh yes, Markus. Some Carl Weiss pieces (incl. Op. 2??) are listed in the
Breitkopf catalogue (1772, methinks).
-
Original Message -
From: Arthur Ness
To: Markus Lutz
Cc: Tim Crawford ; Douglas Smith ; Lute Net ;
I noticed on Amazon some recordings by Lautten Compagney. Does anyone know
anything about this group? Who are the lutenist(s)?
ed
Edward Martin
2817 East 2nd Street
Duluth, Minnesota 55812
e-mail: [EMAIL PROTECTED]
voice: (218) 728-1202
To get on or off this list see list information
Dear Thomas,
after the receipt of harsh critics I think it's better to delete the
videos.
Thanks to the others for their positive input which will help to
improve the quality of videos and possibly my playing.
What a pity that you deleted your videos before I had time to watch and
listen
http://www.lauttencompagney.com/
RT
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, April 29, 2006 5:22 PM
Subject: [LUTE] Lautten Compagney
I noticed on Amazon some recordings by Lautten Compagney. Does anyone know
anything about
Thanks, Roman.
ed
At 05:29 PM 4/29/2006 -0400, Roman Turovsky wrote:
http://www.lauttencompagney.com/
RT
- Original Message - From: Edward Martin [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Saturday, April 29, 2006 5:22 PM
Subject: [LUTE] Lautten Compagney
I noticed on Amazon
Arto,
I quietly enjoyed your videos. I have not yet had the opportunity to
see Thomas'. Perhaps he's going to make'em available again, will you
please, Thomas? Never mind the bollocks!
g
On 29.04.2006, at 23:28, Arto Wikla wrote:
Dear Thomas,
after the receipt of harsh critics I think
Dear all,
On Fri, 28 Apr 2006, Sean Smith wrote:
I'm glad you liked the issue, Arto. I couldn't find any lute-playing
tarantulas. ;^)
Just look to your left hand on the lute neck! Keep every finger stopping
the string/course until it is necessary to lift it - just as all the early
lute
Hello all,
I have a request from a beginning theorbo player and would like to
provide a decent description of how to use the strap to hold the
instrument.
You know - just tighten the straps and sit on the one end. But it seems
I'm not capable to formulate it in understandable english. So if
Thomas,
please upload them again, I would like to see them.
Thank you,
Manolo Laguillo
Gernot Hilger wrote:
Arto,
I quietly enjoyed your videos. I have not yet had the opportunity to
see Thomas'. Perhaps he's going to make'em available again, will you
please, Thomas? Never mind the
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