On Sunday 28 January 2007 19:51, you wrote:
> Hi to all, anyone know where to find some tablatures of elias mertel?
> I've played only a prelude (the #93 I think)and it's very beautiful, so if
> anyone can mail me something or send me an url where i can download them,
> I'll be grateful. (is all it
I was just writing a response to your original email, but I guess you were
able to get a hold of him.
I was in touch with him a week or so ago, just received a new swan neck from
him.
Here are some pictures I just took of it:
http://www.jasonyoshida.com/photography/faria_hoffmann_14c_gallery/
jaso
Many thanks to those who helped me get in touch with L. Faria. --Jim
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Davide:
The Lute Society (UK) published a music supplement a few years back with
several attractive pieces by Elias Mertel, edited by John Robinson. This
supplement contains music attributed to Mertel, rather than music that
appeared in his enormous anthology. Hortus musicalis nov
Dear Stewart and Kate,
As Stewart rightly points out, the sign in question is indeed a breve with a
fermata ("corona" or "coronado" in Spanish, no pun intended) upon it, used
normally to indicate the end of a piece. You can find this combination of signs
in all of the six vihuela-books publishe
>
>> ... Would it be better to have a bridge with a
>> bigger area - for a stronger joint and more area to transmit sound? (But
>> early guitars have small bridges?)
>>
>
> Good question, Stuart. It all really depends on the quality of your
> instrument and how 'authentically' it's constructe
That CD that Arthur mentions below. I have copies for sale through
the LSA's CD sales project. They cost $16 plus postage, etc = $2.50
in the US, $3.50 for Canada and $6.00 for other parts of the
world. If anyone wants a copy they can call me at 925/686-5800 or
fax me at 925/680-2582 with cred
Davide,
Richard Darsie of Silver Sound Publications, produced two volumes ,one of
preludes and the second of Fantasiae and Fugues, in 1996 from Hortus
Musicalis Novus.
I have no idea whether they are still available.
best wishes
Charles
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EM
- Original Message -
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "Arthur Ness" <[EMAIL PROTECTED]>; "Lute Net"
Sent: Saturday, January 27, 2007 2:30 PM
Subject: [LUTE] Re: VERY OFF TOPIC! (political?)
> Art, the article also mentioned you!
>
> ed
>
> Edward Martin
> 2817 East 2nd Stree
Dear Anthony,
Many thanks for sending this - it's very interesting to know that
oud players use this technique. I have seen the oud player
Abdul Salam Kheir play with Juan Martin's flamenco group,
and he too used the same left hand position, although I don't
remember him actually stopping the bass
Hi to all, anyone know where to find some tablatures of elias mertel?
I've played only a prelude (the #93 I think)and it's very beautiful, so if
anyone can mail me something or send me an url where i can download them, I'll
be grateful.
(is all its music suitable for a 8 courses or does need mor
Sona Kolivisa was the son of a rich merchant who had joined
the order of monks of Buddha. Through excess of zeal he had
been walking on thorns and the path where he walked was
covered with blood. Then he thought: 'And if I were to return
to my home and use my wealth in doing good deeds?'
Buddha, t
Dear Kate,
You make an interesting observation. The sign you describe is a
breve with a pause or fermata above it. If you look further on in
the book, you will see the breve used on its own, e.g. for the last
chord of folio 6. Sometimes the breve has a fermata above it over a
chord, e.g. the last
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