On Jun 14, 2007, at 6:06 PM, Anthony Hind wrote:
> Any internal mike will
> pick up noise from the component, and of course there is no way of
> placing the mikes in relation to the player.
I thought David was using one of the new recorders that records
directly to memory cards. I have an Edi
Ed
Surely there must be some preamplification. I was thinking of
electronic noise (or grain), not motor noise.
If there is no such preamplification, you could be right.
Regards
Anthony
Le 15 juin 07 à 13:01, Ed Durbrow a écrit :
>
> On Jun 14, 2007, at 6:06 PM, Anthony Hind wrote:
>
>>
They do a good business, as I have ordered from them in the past.
ed
At 01:24 PM 6/15/2007 +0200, G. Crona wrote:
>Many rare books here!
>
>http://www.lacg.net/books_early_music_.htm
>
>G.
>
>
>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index
It should henceforth be known as the "Chimneypot Cantata."
On Jun 14, 2007, at 11:52 PM, Roman Turovsky wrote:
> And this is quite interesting too, by a Russian aacquaintance of mine:
> http://www.youtube.com/watch?v=-OPA8vdZSK8
> RT
>
>
>
>
> - Original Message -
> From: "David Rastall"
Greetings,
Well I'm now utterly confused with regards to chords on the lute. Can
someone recommend where I can get hold of a definitive book of chord
shapes for 6 course lute or possibly 8 course or a decent link. The
confusion has arisen out of looking at a website that gives full barre
chords,
Narad wrote:
>
>Well I'm now utterly confused with regards to chords on the lute. Can
>someone recommend where I can get hold of a definitive book of chord
>shapes for 6 course lute or possibly 8 course or a decent link. The
>confusion has arisen out of looking at a website that gives full barre
>c
Neil
It is interesting that lute manuals do not usually give chord
shapes, whereas this is often
basic to guitar text-books. I think this may be because, it is felt
that although Renaissance lute players
may have used what we would recognize as chords, perhaps if they came
from a poly
At 10:31 AM 6/15/2007, Narada wrote:
>Greetings,
>
>Well I'm now utterly confused with regards to chords on the lute. Can
>someone recommend where I can get hold of a definitive book of chord
>shapes for 6 course lute or possibly 8 course or a decent link. The
>confusion has arisen out of looking a
Chords on lutes are often approached from the viewpoint of playing basso
continuo, so a good place to look is in books teaching just that. For
example Nigel North's Continuo Playing on the Lute ... (Faber) or the tutor
published by the French Lute Society. Both give some chord charts before
goi
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My personal opinion...
You have to learn all the notes on the fingerboard before even trying to
write something for lute, and this depends on the tuning of your lute. I
personally lear
David,
The first para of your answer is useful.
The second para I feel is uncalled for. I am fully aware of how to tune
a 'guitar' to lute tuning, thank you. I'm forming the opinion that there
are certain 'members' on this list who have adopted a rather arrogant
and elitist attitude towards guit
On Jun 15, 2007, at 11:28 AM, LGS-Europe wrote:
> Chords on lutes are often approached from the viewpoint of playing
> basso
> continuo, so a good place to look is in books teaching just that. For
> example Nigel North's Continuo Playing on the Lute ... (Faber) or
> the tutor
> published by th
> The second para I feel is uncalled for. I am fully aware of how to tune
> a 'guitar' to lute tuning, thank you. I'm forming the opinion that there
> are certain 'members' on this list who have adopted a rather arrogant
> and elitist attitude towards guitarists for whom the lute is a second
> ins
On Jun 15, 2007, at 12:13 PM, Narada wrote:
> I have over the months received a great deal of help from people here
> which I greatly appreciate, but to be truthful flippant comments
> such as
> your second paragraph and some of the sarcasm I've been subjected to
> makes me wonder whether this i
Thank you Stewart
I must admit I hadn't read Besard, but the texts I had read did not
include chord patterns, and when I looked at Renaissance manuals such
as Damiani's that seemd quite detailed, but did not talk about
chords, I thought perhaps that the polyphonic origin of much
Ren
You are basically correct for things like intabulations of vocal polyphony
or a lot of the ricercar literature, which is written much like vocal
polyphony. However, there are a lot of pieces based on standard ground bass
patterns (bergamasca, passo mezzo, romanesca, la Folia, Conde Claros...)
which
On Friday, Jun 15, 2007, at 09:13 America/Los_Angeles, Narada wrote:
> I'm forming the opinion that there
> are certain 'members' on this list who have adopted a rather arrogant
> and elitist attitude towards guitarists for whom the lute is a second
> instrument.
Obviously, you formed such an op
This reminds me...does anybody have or know of for sale a copy of the
Ness da Milano edition (eg secondhand, not the on-demand reprints that
are available)?
Stephen
G. Crona wrote:
>Many rare books here!
>
>http://www.lacg.net/books_early_music_.htm
>
To get on or off this list see list
Yes, I do realise that some types are directly are written very much
like vocal polyphony, and that these can only by fleeting chance
develop into chordal patterns. For the music types you mention, these
obviously can be described in terms of chordal shapes, but does it
necessarily follow t
As I understand it, they thought in terms of the bass line, but chords are
typically implied by that line, much like they are with continuo bass.
Hopefully, someone with a much better understanding of music theory of that
period can explain it in more detail.
-Original Message-
From: Antho
Whoa, let's all cool it for a moment...
I don't know that anyone was trying to be snobby
here, but I suppose I can see where the disconnect
was. A lot of the Europeans on the list assume a
certain level of basic general music theory knowledge.
They are in the right to do so. Sadly, however
Dear fellow netters,
I would very much like to contact, by e-mail, Mr. Rivera. I recently
purchased his CD of Valderrabano, and I would very much like to contact
him. On his web site, he has a contact e-mail address of
: [EMAIL PROTECTED] . I wrote to this address twice, and it
bounced
On Jun 15, 2007, at 3:37 PM, Howard Posner wrote:
> ...please don't tell us you're "utterly confused" and
> ask very basic questions, then tell us how offended you are when you
> get basic answers that don't acknowledge your advanced state of
> knowledge. Unless you're more interested in impressi
On Jun 15, 2007, at 10:10 PM, Anthony Hind wrote:
> Surely there must be some preamplification. I was thinking of
> electronic noise (or grain), not motor noise.
Oh, I see. I thought you meant mechanical noise. I assume every
electronic device has a certain amount of self noise.
Ed Durbrow
Sai
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