- Original Message -
From: David Tayler [EMAIL PROTECTED]
Date: Tuesday, July 17, 2007 1:46 am
Subject: [LUTE] Re: Nigel on YouTube
I think it is interesting that when we actually hear someone
playing historically, we wonder if it is.
Of course, no matter how scholarly the effort,
David, what I meant by bending of the last joint is exactly what you said.
The finger does not remain bended but rather in a flexible state when in
touch with the strings. In classical guitar it is maintained straight when
plucking, however, I've seen people bending it ocasionally.
2007/7/17,
From the Goess ms, a piece most likely for viol, but much cuddled by Dutch
lute players: Allemande Mr. Zuilekom, presumably by Duch
composer/statesman/poet/whatnot Constantijn Huygens, as he lived at 'Castle'
Zuilekom. Here inapproriately played on renaissance lute.
I've found more reverb in my
It seems to me that a lot of the controversy over this set of recordings is
centered around how good Mr. North plays; which seems to imply that no one
can play this good using historical methods. I know, no one has said that
specifically, but there seems to be an undertow to that effect; thumb
Dear all,
there is a nice version of Dowland's Suzanna/Lisle's/Bucton's Galliard in an
anthology of 5-
part instrumental dances by Füllsack und Hildebrandt, Hamburg 1607. See:
http://www.icking-music-archive.org/ByComposer/Fullsack.php
Ward (A Dowland miscellany) doesn't mention the setting,
The concordance appears in my database - so it can't be new :)
Source Page/No.Title in source
Dd.2.11 52r/1 Susanna Galliard
Musical Banquet B1rThe Right Honourable the Lord Viscount Lisle,
Lord Chamberlaine to the Queenes most excellent Maiestie,
