http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
the link is extremely interesting. I wonder whether the examples here were
used just to construct a piece on a base or to accompany. I listened to some
lessons of Christensen, and
http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
the link is extremely interesting. I wonder whether the examples here were
used just to construct a piece on a base or to accompany.
The forword explains quite extensively. A worthwhile
Donatella
If we mean the same page, that's the reason of my doubt. I think they
learned to compose and to accompany, so it didn't make a great difference,
as it came as part of their musical vocabulary
Indeed, think music, breath music, be music. Very zen. ;-) With an education
like that
I thought parallel octaves and fifths were okay as long as they
happen in the inner voices rather than the outer. And what about
octave stringing, especially on the harpsichord?
On Aug 2, 2007, at 11:20 AM, Rob wrote:
Here is another interesting continuo link. I've uploaded for a few
If we mean the same page, that's the reason of my doubt. I think they
learned to compose and to accompany, so it didn't make a great difference,
as it came as part of their musical vocabulary
Donatella
- Original Message -
From: LGS-Europe [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Here is another interesting continuo link. I've uploaded for a few days only
the article by John Walter Hill on 'Realised Continuo Accompaniments from
Florence, c.1600' (Early Music April 1983).
www.rmguitar.info/temp.htm
It is a large file, over 7 megabites, but the main point can be extracted
Here is another fast and easy dish that you can cook on a day when you are
in a Spinachino mood.
Spinacino à la Fiorentina
Marinate thin filets of fish (preferably of the flounder category) in lemon
juice, salt and pepper for around 20 minutes, until fish goes whitish.
Stir fry 1 medium big
Fundamenta der Lauten musique, a tutor for the 11c lute with many
musical examples (Latin text, translated into German and English and
republished by the German Lute society - pls excuse the ad) encourages
its readers to write out accompaniments in form of partimenti and
teaches how to do that.
Dear lutenists,
nothing important this time (like those potatoes... ;).
I just want to say that my lesser theorbo, the French theorbo,
76cm:8x1/140cm:6x1 by Stephen Barber, 1986, is a really nice axe
when tuned to the high d -tuning - 4th above the normal theorbo in
a. The re-entrant tuning on
Dear [EMAIL PROTECTED] (cc to the List and Roman)
On 8/2/2007, Roman Turovsky [EMAIL PROTECTED] wrote:
On behalf a friend who is not a lutenetter-
He has a 58cm lute that needs to be restrung at 440 preferably in nylon, or
carbon.
I'd appreciate a gauge list for either Savarez or Pyramid
In lieu of the terrible bridge disaster in Minneapolis, Minnesota
yesterday, I am relieved to say that none of the Minnesota lute people were
in the horrific bridge collapse. I am OK, as is Dan Larson, Phil Rukavina,
Tom Walker, and Paul Berget.
ed
Edward Martin
2817 East 2nd Street
Duluth,
In lieu of the terrible bridge disaster in Minneapolis, Minnesota
yesterday, I am relieved to say that none of the Minnesota lute people were
in the horrific bridge collapse. I am OK, as is Dan Larson, Phil Rukavina,
Tom Walker, and Paul Berget.
ed
Edward Martin
2817 East 2nd Street
Duluth,
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