Chris, what you say about learning to perform in a way suitable for
varying contexts, I agree with entirely; and aso with what David
replies to you How does one amplify the subtleties of lute playing?.
Nevertheless, I am serious when I say that lutes are among the most
difficult
Also, it doesn't appear to work for MAC, or am I wrong there?
Anthony
Le 10 oct. 07 à 12:50, Henk Pakker a écrit :
Hello all,
I have sent this earlier, but do not see it posted, so again:
This reader could be of use for this and other forums?
http://www.snapfiles.com/get/wfreaderlite.html
On Wednesday 10 October 2007 14:34, Anthony Hind rattled on the keyboard:
Also, it doesn't appear to work for MAC, or am I wrong there?
Anthony
No, it's intended for people still using this stupid microsoft outlook which
has not the capabilities of a modern client application which combines
No I don't think so:
Version: 1.01 for Windows 98/ME/2000/NT/XP/2003 and Vista
Henk
- Original Message -
From: Anthony Hind [EMAIL PROTECTED]
To: Henk Pakker [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Wednesday, October 10, 2007 2:34 PM
Subject: Re: [BAROQUE-LUTE] reader
Also,
Dear Lutenists,
This discussion comes right in time:)
I am absolutely not a soft player, but to be honest I
am already putting money aside to buy a good
emplification system which can be used in concerts and
especially vor theorbo
in big groups with modern instruments. It is
absolutely sad to
sorry my writing got twisted letters missing etc...
something with comp fonts
--- Anton Birula [EMAIL PROTECTED] wrote:
Dear Lutenists,
This discussion comes right in time:)
I am absolutely not a soft player, but to be honest
I
am already putting money aside to buy a good
Dear Anton:
I have not contributed much to this thread but I will say that I am in complete
sympathy with you. There is nothing quite like the unaltered sound of the
lute. I actually believe that requiring an audience to shut out all internal
and external noise and focusing on the delicate
One pretty good solution is to not use Microsoft Outlook. It is
not-for-nothing that we call it LookOut!! around here.
And under no circumstances other than that you like to see crashes and
system degradation should you consider using Outlook Express.
ray
On 10/10/07, Henk Pakker [EMAIL
Another useful trick that I learned from Tom is to stay close to your
speaker (line of sight from the audience is the key factor, not the actual
distance). Otherwise, you have sound coming from two distinct sources, and
the use of amplification is going to be obvious and distracting.
I must have just missed the previous message and was shocked by this message
from Anthony...
Well you are closer to the reality than you can possibly
imagine. The thing is more than alive, and is growing daily. Could it be
considered a target for immediate obliteration.
Is this lute
Two important points:
Don't panic.
42
Guy
-Original Message-
From: Ron Fletcher [mailto:[EMAIL PROTECTED]
Sent: Wednesday, October 10, 2007 9:19 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Amps or no amps
I must have just missed the previous message and was shocked by this
42 is the answer to Life, the Universe, and Everything (according to
the supercomputer in Douglas Adams' The Hitchhiker's Guide to the
Galaxy) - but what's the question...
Andrew
On 10 Oct 2007, at 19:12, Ron Fletcher wrote:
P-p-p-panic?
And what is 42? ...
1) The number of previous
http://en.wikipedia.org/wiki/The_Hitchhiker's_Guide_to_the_Galaxy
-Original Message-
From: Andrew Gibbs [mailto:[EMAIL PROTECTED]
Sent: Wednesday, October 10, 2007 11:22 AM
To: Ron Fletcher
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Amps or no amps
42 is the answer to Life, the
Dear Markus, Mathias, and Arthur,
Thanks so much for your information - even if it only confirms that I can
get no closer to a legible version of this sonata from the Dresden ms! That
said, I shall certainly be checking up on this in Neeman, which is how I
assume Bob was ultimately able to do
the cister certainly used capo, see the holes in the fingerboard in many
historical instruments like the Tribschen museum in Luzerne (CH).
Greet
-Oorspronkelijk bericht-
Van: Craig Allen [mailto:[EMAIL PROTECTED]
Verzonden: woensdag 10 oktober 2007 22:17
Aan: lute@cs.dartmouth.edu
Ron
Never fear, all is almost under control, and although not
immediately lute related (and slightly off topic, but see below),
just like the military yew-wood for bows turned into lutes, these
resonance-inert military quality components: American, English,
French and Russian, military
At 04:17 PM 10/10/2007, Craig Allen wrote:
I don't recall if this has been discussed here before, but is there any
evidence that the capo was ever used on lutes in period. I was discussing
differently tuned instruments with someone and mentioned how easy it is
with a guitar to play different
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