Bruno Correia wrote:
> Is this a baroque lute?
It is, but probably not what you mean by "baroque lute." It's
probably best described as a liuto attiorbato. It's configured as a
single-strung archlute in A.
> http://www.youtube.com/watch?v=lF4GKIILF_U
>
> Seems to be single strung through o
I think we are looking at a short scale single strung archlute tone
transposing. Ed astutely pegs the tuning.
You could call it attiorbato I supposethough that word may just
mean theorbo.
Having played this piece quite often, that is the easiest solution
(down a step), though I prefer the m
On Nov 12, 2007, at 6:15 PM, Bruno Correia wrote:
> The neck looks a bit short
Not for a liuto attiorbato.
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No, it is a single-strung archlute.
Interestingly enough, the ensemble (and the archlutenist) are playing in a
= 440, instead of 415. As well, if you notice his tuning, he is playing
as though it were in the key of C major, instead of D major! Therefore,
he is tuned with the top string in a
Well, that a possibility! The neck looks a bit short, did you noticed that?
A liuto forte maybe?
>
> DR
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>
>
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On Nov 12, 2007, at 8:30 PM, Bruno Correia wrote:
> Is this a baroque lute?
> http://www.youtube.com/watch?v=lF4GKIILF_U
>
> Seems to be single strung through out...
A liuto forte maybe?
DR
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Is this a baroque lute?
http://www.youtube.com/watch?v=lF4GKIILF_U
Seems to be single strung through out...
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I'm shifting the topic cause has nothing to do with my double
meantone system with its superlow thirds
(the thirds are too low to print, but if you add them to your cart
they will show up in cents)
now fetchingly called
*drumroll*
tiorba cromatica
*end drumroll*
Back to our show.
Galile
Unless he meant it ironically/sarcastically. Take David vO. He is a
"universally known, skillful man"
Leaving his skills out of it, he certainly isn't universally known.
Not like David Beckham or Osama bin Laden or Paris Hilton. Or Sting.
Or Paul O'Dette.
He is certainly known lutelistwide, with
On Nov 12, 2007, at 12:04 PM, Roman Turovsky wrote:
> Unless he meant it ironically/sarcastically. Take David vO. He is a
> "universally known, skillful man"
Leaving his skills out of it, he certainly isn't universally known.
Not like David Beckham or Osama bin Laden or Paris Hilton. Or Stin
On Nov 12, 2007, at 12:52 PM, Daniel Winheld wrote:
> "The music will sound much more lute-like at that pitch." This
> statement is misleading. Why would a Terz guitar (guitars scaled to
> "G", built in the early 19th century and also sometimes seen in
> Mariachi bands) or a capoed E instrument so
a.. Eumatius [the student]: ... Also, how does it happen that you
do not use frets that are spaced by unusual inequality of
intervals, and some other little frets that take away the sharpness
from the major third and tenth, as I have seen used by some
universally known, skilful men, from whom I un
On Nov 12, 2007, at 11:28 AM, Roman Turovsky wrote:
> a.. Eumatius [the student]: ... Also, how does it happen that you
> do not use frets that are spaced by unusual inequality of
> intervals, and some other little frets that take away the sharpness
> from the major third and tenth, as I hav
Via Arto:
a.. Eumatius [the student]: ... Also, how does it happen that you do not
use frets that are spaced by unusual inequality of intervals, and some other
little frets that take away the sharpness from the major third and tenth, as
I have seen used by some universally known, skilful men,
Yes Markus, you are right!:
http://koelnklavier.de/quellen/matth-orch1/_titel.html
Vielen Dank,
Henk Pakker
PS Do you know of Lutz Kirchoff is still performing? The last time I saw him
(2001/2) was at Steffan Millbradts lauten wirkstaette in Meissen (who build
my Tielke lute)...
- Orig
Hello Henk,
as far as I know Michel Cardin uses the "Tonartencharakteristik" from
Johann Mattheson: Das Neu-eröffnete Orchester. Hamburg 1713.
Best regards
Markus
H.L. Pakker schrieb:
Hi there,
I'am looking for the/a title and/or book of Johann Mattheson (1681-1764). In his document
"The Lo
The only really compelling reason to put a capo on is if you are playing
something like a lute song or consort part, where you have to have the
instrument at a specific pitch to make the tab match the parts that are
written in staff notation (although singers typically don't mind if the
pitch is a
I don't mean to be unduly negative here, but that remark hit an old
sore spot- I started out on a classical guitar back in the 1960's
and people used to tell me- "Put a capo on your guitar- NOW you have
a lute!" Sorry, but I sure as hell did not. And then it took years
just to get a bad lute,
"The music will sound much more lute-like at that pitch." This
statement is misleading. Why would a Terz guitar (guitars scaled to
"G", built in the early 19th century and also sometimes seen in
Mariachi bands) or a capoed E instrument sound more "lute-" like than
my old E bass lute? Even a "G"
This was meant for the LUTE site, not the LUTE BUILDER site - I've now
forwarded it accordingly.
MH
Martyn Hodgson <[EMAIL PROTECTED]> wrote:
Date: Mon, 12 Nov 2007 15:27:56 + (GMT)
To: LGS-Europe <[EMAIL PROTECTED]>,
Lute builder Net <[EMAIL PROTECTED]>
From: Martyn Hodgson <[EMAIL P
Martyn Hodgson <[EMAIL PROTECTED]> wrote: Date: Mon, 12 Nov 2007 15:27:56
+ (GMT)
From: Martyn Hodgson <[EMAIL PROTECTED]>
Subject: Re: [LUTE] Re: Double Meantone
To: LGS-Europe <[EMAIL PROTECTED]>,
Lute builder Net <[EMAIL PROTECTED]>
I'm afraid you don't appear to
I'm afraid you don't appear to grasp the essentials (as the opening sentence
and indeed paragraph of your reply [below] also demonstrates): in short, (and
yet again) because the open strings of the 'renaissance' lute are tuned to
different notes (except of course the double octave betw
A lot of lute music is written for 6c lutes so after tuning down the 3rd
guitar string to F# you have the same relative tuning as a 'g' lute albeit
lower by a third. There is a very large corpus of 6c lute music. If you want
to play later lute music on a 6 stringed instrument there are problems of
Is a lot of the archived lute tabs on the LSA page Renaissance?
--
Joshua E. Horn
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hi all,
i am looking for a facsimile of bakfarks "ultimi mei sospiri".
thanks for help
wolfgang w.
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The point about modulation is that since you acknowlege your frets (including
'tastini') are necessarily straight, then the change of some notes from
diatonic to chromatic intervals, consequent on the modulation, requires such a
change since the modulation will very rarely (if ever in pr
Martyn Hodgson <[EMAIL PROTECTED]> wrote:Date: Mon, 12 Nov 2007 08:21:50
+ (GMT)
From: Martyn Hodgson <[EMAIL PROTECTED]>
Subject: Re: [LUTE] Re: Double Meantone
To: LGS-Europe [EMAIL PROTECTED]
So when you modulate I suppose you must stop and move your frets.
What is your
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