You go to the Preferences and click on Fonts then Tablature notes.
On Nov 18, 2007, at 11:38 PM, Eric Crouch wrote:
How do you change the tablature font? I've only got Melody,
admittedly, but I think it's behaviour is the same as that of
Harmony and all I can seem to change is text fonts.
Ah, thanks, I hadn't spotted that.
Eric Crouch
PS Apologies, that last email was meant to go to the list, but I seem
to have sent it direct instead!
On 19 Nov 2007, at 08:13, Ed Durbrow wrote:
You go to the Preferences and click on Fonts then Tablature notes.
On Nov 18, 2007, at 11:38 PM,
Hi,
after a lot of server downtimes, moving to different servers,
incompatibilities with newer versions of asp.net and so on my online
string calculator is working again. You can find it at:
http://calc.lauten.com/en/strcal_en.htm
the manual is at:
http://www.resoldo-milare.de/calc.htm
I hope
Red Bear Trading (http://www.redbeartrading.com/) make picks out of a
synthetic tortoise shell (I believe it's made from animal protein, so
there's that...). I have several, and they're pretty convincing.
I also believe it's the same material John Greven has been using for
pickguards and
Dear David,
The temperament known as Valotti was presumably invented by the eponymous
Valotti.
If keyboards are tuned to Valotti, one should tune one's theorbo to 6th
comma meantone, which will mean that all the white notes sound well
together, but the black notes won't sound so good on the
Ever try just tuning down a semitone and playing a G instrument?
On Nov 19, 2007, at 10:03 AM, Stewart McCoy wrote:
My theorbo is tuned at A=415, and is not designed to go up to
A=440. However, if I need to play at A=440, I get round the problem
by turning the 14th course (G) down to
Dear Howard,
Yes. I tuned the theorbo down to G in 1995 for Purcell concerts involving
music in flat keys. However, to be safe, I resorted to copying the music out
in tablature. I can happily read figured bass on a G lute and an A theorbo,
but when I swap the tunings around, mistakes start to
I know the feeling. For me, every now and then a correct chord creeps
in. It's very gratifying when that happens.
On Nov 19, 2007, at 3:29 PM, Stewart McCoy wrote:
I can happily read figured bass on a G lute and an A theorbo, but
when I swap the tunings around, mistakes start to creep in.
In case someone doesn't know it, there's an enjoyable paper by Ross Duffin
online:
Why I hate Valotti (or is it Young?):
http://music.cwru.edu/duffin/
Regards,
Stephan
Am 19 Nov 2007 um 18:03 hat Stewart McCoy geschrieben:
Dear David,
The temperament known as Valotti was presumably
Hi Rebecca- love to help, but we need to know the string length. I
don't know the extreme limit for a D [EMAIL PROTECTED], but when I had a
short scale bass for solo work, I could get up to E @A=440 on 72 cm.
w/nylon before the instrument's response pooped out. I usually kept
it at 415 to 420
10 matches
Mail list logo
