Thanks Joseph. Much appreciated.
Rob
www.rmguitar.info
-Original Message-
From: Joseph Mayes [mailto:[EMAIL PROTECTED]
Sent: 12 December 2007 19:57
To: [EMAIL PROTECTED]; 'Anthony Hind'; lute@cs.dartmouth.edu
Subject: [LUTE] Re: new 11c!
Rob
What a great instrument!! I have lut
Rob
What a great instrument!! I have lute-envy. May you play for many happy
years.
Joseph
On 12/12/07 1:08 PM, "Rob" <[EMAIL PROTECTED]> wrote:
> Anthony,
>
> You can't see it? http://www.rmguitar.info/Maler.htm - scroll to the bottom
> of the page.
>
> I can see it. Can't anyone else?
Dear List,
I know, the Christian MEYER catalogue of sources, both on paper and on
the net is a splendid tool for searching through music in tablature,
..but it doesn't mention (the www part) what is for lute and what is
for a theorbo. In case of Italian chitarrone music there is Kevin Mason
b
Dear Rob,
Congratulations on your new lute. I also have an 11-course lute by Martin
Shepherd, so I can imagine a bit how you feel. It will get even better with
age. I am sure you will have a lot of pleasure playing it.
All the best,
Stewart McCoy.
- Original Message -
From: "Rob" <
Anthony,
You can't see it? http://www.rmguitar.info/Maler.htm - scroll to the bottom
of the page.
I can see it. Can't anyone else? Am I going insane? I must be - I'm a lute
player gain!
Rob
BTW Anthony, yet again you have replied to the Lute List from a letter on
the baroque lute list. It's no
Rob
Your message beat my second one. However, I don't seem to find the
new photos, or the sound file, perhaps I have misunderstood. I see
the lute is 69 cms and strung in gut, sorry for asking you about this
previously, when the information was obviously already there (I am
becoming a lit
Gosh Rob
I'm sorry, but I don't remember saying anything about you at all.
Joseph
On 12/12/07 10:17 AM, "Rob" <[EMAIL PROTECTED]> wrote:
> Very clever, Joseph, but I never once said that 'Weiss hints that he used
> nails'. I see no evidence for that in Weiss' or my own comments.
>
> This o
Dear all:
Since Are Vidar Boye Hansen mentioned my name and the possibility for
some information about Comte Bergen, I
paste into this e-mail the information given in my dissertation. I
hope there is more information on Comte Bergen out there, and I would
appreciate any new information on t
How do I download from there? I haven't seen any means on that page...
thanks,
Peter
---Original Message---
From: David Tayler
Date: 06/12/2007 20.19.54
To: lute-cs.dartmouth.edu
Subject: [LUTE] HDV In a Garden So Green
I've uploaded the High Definition version video in DIVX for
Oh yes, dust extractor. I use a shop vac but recently purchased a
small extractor at Harbor Freight (top of the line, all the way,
right?). I have yet to hook it up and run ducting, but I think that
should be a project for the winter. The extractor is sitting in a
heated crawl space nex
Not only in Vienna ms 1078, but also in:
Go=EBss Huber - G=F6ttweig II - Rostock 65.6 - Warsaw2004 - Warsaw2008 - Warsaw
2009 (don't remember their present designation). One of these has been used
in Giesbert's Method for the Lute.
Peter Steur
---Original Message---
From: David Ras
I have just checked: a citation from Tim Crawford is given without further
info about him. Curiously, the original editor of 'Das Erbe Deutscher Musik'
if I'm not mistaken (1920s or so) attributed him an age of over 120 years!
Peter
---Original Message---
From: Are Vidar Boye Hanse
Very clever, Joseph, but I never once said that 'Weiss hints that he used
nails'. I see no evidence for that in Weiss' or my own comments.
This one could run and run...I'm off to practice my new 11c...
Rob
=
I think this might be a case of "front-end loading." That is: looking at
data
Might just be a good idea to make the tittle a little closer to the
topic.
Don't forget people later search for such topics, before opening a
new thread.
When, I alter the orientation of a topic, I just add a word to
indicate that;
but here the topic has clearly moved on.
This last message
I think this might be a case of "front-end loading." That is: looking at
data from an established point of view - to whit:
Weiss hints that he used nails - that's inconclusive. If Weiss hinted that
he didn't use nails - that would be evidence.
Joseph Mayes
On 12/12/07 8:43 AM, "Mathias Rösel" <
From what Weiss writes (and thanks for the quote Mathias - is it complete?),
I infer that he's saying he is obliged to use nails on the theorbo to produce
the volume/edge required but, because he doesn't mention doing so on the lute,
he didn't on the lute. Incidentally. I suspect (again pu
"Rob" <[EMAIL PROTECTED]> schrieb:
> Whether Stephen Stubbs or anyone else gets a good sound with nails on a
> baroque lute is neither here nor there.
His was intended to serve as an example of an accomplished continuo
player, using nails, who also is an accomplished soloist.
Weiss was an accompli
Whether Stephen Stubbs or anyone else gets a good sound with nails on a
baroque lute is neither here nor there. The question is whether Weiss used
nails, and I maintain that the comments he made are inconclusive.
Rob
www.rmguitar.info
-Original Message-
From: "Mathias Rösel" [mailto:[
"Rob" <[EMAIL PROTECTED]> schrieb:
> Mathias, I don't think we can definitely conclude from his statement
no, of course, not def.
> that
> Weiss himself used nails. He might have implied it was common practice, but
> he doesn't say for sure that he used nails.
As for the theorbo that is probab
Mathias, I don't think we can definitely conclude from his statement that
Weiss himself used nails. He might have implied it was common practice, but
he doesn't say for sure that he used nails. Certainly he was employed as a
continuo player, but clearly was also regarded as a special case, one whos
"Martyn Hodgson" <[EMAIL PROTECTED]> schrieb:
> Weiss does mention that playing with nails is acceptable on the theorbo but
> not on the lute (I don't have the exact quote to hand)
In his letter to Mattheson he said that the theorbo yielded a somewhat
rude sound as it was ordinairement (usually,
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