Very beautiful.
Rob
On 20/04/2008, Roman Turovsky [EMAIL PROTECTED] wrote:
I decided (against my better judgement) to run the recorder during the
rehearsal on Friday, and this is what came of that:
http://torban.org/audio/bida1.mp3
RT
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Anthony
Susato was born in Cologne
I read he was born is Soest (The Netherlands), hence his name.
We were both right, but I was wrong in assuming Soest in The Netherlands,
there is another Soest. This is what the New Grove has to say:
Susato, Tylman [Tielman]
(b c1510-1515, Soest, nr
I read in Gérold's book on L'art du chant that Honoré d'Ambruys is the
first or one of the first to list in his Airs printed signs for ornaments
with their definition:
Ce n'est que vers la fin du siècle que nous rencontrons des signes
imprimés, avec leur définition exacte, comme dans les
Thanks Wayne for your help which seems to have clarified the issue. I
am sure this article would be of interest to Stephen K. also.
David, there seems to have been much scholarly discussion on the
issue of his birth place, so there is good reason for there to have
been doubts.
Your
dc écrit:
I read in Gérold's book on L'art du chant that Honoré d'Ambruys is the
first or one of the first to list in his Airs printed signs for
ornaments with their definition:
Ce n'est que vers la fin du siècle que nous rencontrons des signes
imprimés, avec leur définition exacte, comme
Hello Anthony,
My rather intemperate comments weren't specifically about Susato, which I
would imagine doesn't have a lute part anyway, but about the way in which
the lute part has been simply left out from the many pieces which *do* have
one - Dowland songs, Lachrimae etc - which I find a huge
Hello Martin
You are obviously correct. I did not look at any other pieces except
the Susato which I chanced upon with a Google search.
I sent the actual PDF piece to Stephen, but could not do the same for
the whole list, so I just sent the link to the page itself.
I am glad that you were
On Fri, Apr 18, 2008, Anthony Hind [EMAIL PROTECTED] said:
I wasn't sure there was a lute part in the original, although there
are recordings in which lutes appear, this is not always the case.
Susato, Tielman (c.1500-c.1561): Dances from Danserye (1551),Pavane,
Gaillarde, et Ronde
On Apr 19, 2008, at 2:02 AM, Peter Martin wrote:
I don't know who the SCA are,
There's your problem. Had you known you were dealing with the
Society for Creative Anachronism, you'd have known pretty much what
you needed to know.
--
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Susato, Tielman (c.1500-c.1561): Dances from Danserye (1551),Pavane,
Gaillarde, et Ronde Mille ducas
Grey-bearded windband players are highly familiar with the venerable
Schott edition in two small booklets of this work with small print and
other faults,
Alamire has very affordable facsimiles
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