Monica's statement was originally on the Vihuela list...
BTW, Ray is wrong - we (well, some of us, not me, and probably not you) do
kill those whose beliefs we disagree with. I also doubt whether medieval man
smelt worse than one of my students...and I haven't yet met a soprano who
didn't think sh
>From the comments, by the man himself:
"... it's an arciliuto in a with single strings, which was a pretty common
practice in Italy in 17th century."
On 4/24/08, Bruno Correia <[EMAIL PROTECTED]> wrote:
>
> Does anybody knows if Luciano's lute in this piece is a single strung
> archlute? Maybe
Does anybody knows if Luciano's lute in this piece is a single strung
archlute? Maybe a liuto forte? He plays very well.
http://www.youtube.com/watch?v=f3tGbTP13XA&feature=related
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http://torban.org/sarmaticae as #46-47
RT
Does anyone know where I might find the tablature (ren 7c) for La
Mantovana (specifically the version used in the Italian song "Fugi fugi
fugi amante dilleto")?
Al
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If anyone here who is not a LSA member would like a copy of the
Quarterly with that interview in it, email me with a street address
and I will mail it out to you.
Nancy Carlin
Monica says:
I have just been reading Ed Durbrow's interview with Ray Nurse in LSA
quarterly and I particularly liked
Does anyone know where I might find the tablature (ren 7c) for La Mantovana
(specifically the version used in the Italian song "Fugi fugi fugi amante
dilleto")?
Al
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Rob MacKillop wrote:
Phew! I got off lightly there, Monica. ;-)
I'd better back out now...
Rob
PS I still agree with you
Well I disagree with Monica. As she says quite openly, she is
philosophising, and so it's not a question of her knowledge of just
about everything there is to know ab
Well
There is some doubt as to whether it would have been practical to put a high
octave string on the 3rd course - tuned a minor 3rd above the 1st - with the
kind of gut strings available in the 17th century.
And without doing a detailed analysis - I guess you could make an equally
stro
Hi Alan,
I can't get anyone to tell me what has happened to Graysteil. The company
which bought Dorian are not responding to my emails, and there is no sign of
the disc on their website. I have thought about uploading the entire disc to
my website, but the other musicians on the disc are not keen
Many thanks for this cornucopia, Rob.
I'm sorry that you have given up the vihuela, but a chap's only got so many
hands, so much time & so much space, I suppose - and these instruments
aren't cheap!
The stuff on Renaissance lute sounds lovely - any chance of the CD being
re-issued (on Magnatune
I've decided to put all my mp3 sound files on a dedicated website called
Song Of The Rose (www.songoftherose.co.uk). I have no interest anymore in
making CDs, so all my future solo files will be placed here. It currently
includes Renaissance lute pieces from my Graysteil CD, which is no longer
avai
South-Central Europe rather.
Look at http://torban.org/tanagra1b.jpg, 200+ BC.
RT
Interesting, as always, Roman. We generally read that the lute came to
Europe through Spain and Italy from North Africa, but you seem to be
saying
that northern Europe had its own tradition? Am I reading you corr
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