Does anyone know what this exactly is?
http://de.youtube.com/watch?v=u0dHmUORzEk
I didn't know that we have a composition by Johann Christian Weyrauch. Meyer
doesn't list
anything. Hm...
Regards,
Stephan
To get on or off this list see list information at
Nigel North plays Holborne for Naxos
http://www.youtube.com/watch?v=p05HevyLmk4
Enjoy...
Valéry
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Oups Johnson, not Holborne...
-Message d'origine-
De : V. Sauvage [mailto:[EMAIL PROTECTED]
Envoyé : lundi 29 septembre 2008 08:26
À : lute@cs.dartmouth.edu
Objet : [LUTE] North in Holborne
Nigel North plays Holborne for Naxos
http://www.youtube.com/watch?v=p05HevyLmk4
Enjoy...
Valéry
Just out of curiosity, I listened to to samples from various
recordings, especially concert recordings, since breaths are edited
in recordings, using a pair of headphones that I use for editing.
Without mentioning specifics, I can say for the majority breathing is
pretty random and does not
On Friday 26 September 2008 17:16, Arthur Ness rattled on the keyboard:
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Paul Pleijsier [EMAIL PROTECTED]; Arthur Ness
[EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Friday, September 26, 2008 10:26 AM
howard posner [EMAIL PROTECTED] schrieb:
might argue that there _was_ kinda ideal sound. On my way through
the
museum of musical instruments in Vienna, I learned that in the 16th
century it was Spaltklang.
The obvious question would be who said that?
MGG 1st edition, that is,
- Original Message -
From: Taco Walstra [EMAIL PROTECTED]
To: Arthur Ness [EMAIL PROTECTED]
Cc: lutelist lute@cs.dartmouth.edu
Sent: Monday, September 29, 2008 3:53 AM
Subject: Re: [LUTE] Re: Respighi
| On Friday 26 September 2008 17:16, Arthur Ness rattled on the keyboard:
| -
On Sep 29, 2008, at 4:40 PM, David Tayler wrote:
Plenty of subvocalization as well, which of course is also edited out.
How do you edit that out?
Glen Gould wants to know.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
To get on or off this list see list
Cedar
dt
At 02:54 AM 9/29/2008, you wrote:
On Sep 29, 2008, at 4:40 PM, David Tayler wrote:
Plenty of subvocalization as well, which of course is also edited out.
How do you edit that out?
Glen Gould wants to know.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
howard posner [EMAIL PROTECTED] schrieb:
might argue that there _was_ kinda ideal sound. On my way through
the
museum of musical instruments in Vienna, I learned that in the 16th
century it was Spaltklang.
The obvious question would be who said that?
1.) Die Verwendung der Instrumente war im
howard posner [EMAIL PROTECTED] schrieb:
might argue that there _was_ kinda ideal sound. On my way through
the
museum of musical instruments in Vienna, I learned that in the 16th
century it was Spaltklang.
The obvious question would be who said that?
1.) Die Verwendung der Instrumente war im
On Sep 29, 2008, at 4:22 AM, Mathias Rösel wrote:
Hope that helps so far, as for chapters and verses.
So if I understand correctly, the answer to my question about who
mentioned Spaltklang is that it was 20th-century German
musicologists interpreting the intent of earlier musicians without
At 03:40 AM 9/29/2008, David Tayler wrote:
Just out of curiosity, I listened to to samples from various
recordings, especially concert recordings, since breaths are edited
in recordings, using a pair of headphones that I use for editing.
Without mentioning specifics, I can say for the majority
Maria Gerasimenko-Golota, a friend of mine.
RT
- Original Message -
From: Jean-Marie Poirier [EMAIL PROTECTED]
To: lute lute@cs.dartmouth.edu
Sent: Monday, September 29, 2008 10:30 AM
Subject: [LUTE] Re: Lute sound / split sound
BTW, what does MGG stand for?
Die Musik in Geschichte
But he is a regular guitarist, with all its goods and bads… Probably
thinks we are silly fools ;-))
But the video is OK, if you like anything played efficiently.
J
___
On 2008-09-29, at 14:35, Stephan Olbertz wrote:
Does anyone know what this exactly is?
Mathias,
So, is Spaltklang the equivalent of other 20th
century ideas about older music, such as terraced
dynamics?
Chris
--- Mathias Rösel [EMAIL PROTECTED]
wrote:
howard posner [EMAIL PROTECTED] schrieb:
So if I understand correctly, the answer to my
question about who
- Original Message -
From: [EMAIL PROTECTED]
To: Arthur Ness [EMAIL PROTECTED]; Paul Pleijsier
[EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, September 28, 2008 5:53 PM
Subject: [LUTE] Re: Respighi
| Arthur,
|
| --- Arthur Ness [EMAIL PROTECTED] wrote:
|
| ConcerTINO
Cedar is what professional audio engineers use to remove unwanted
noises, such as creaking, coughing, sneezing, cell phones, candy, fans,
fridges etc.
You can make a good living removing squeaks from guitar recordings (I
prefer leaving them in, but the customers usually don't)
Again, without going in to names, even the edited
CDs have irregular breathing and other noises,
which of course raises the interesting question
as to why the students are asked to breathe
differently than the teachers. But maybe it is a
good idea, I have tried it over the years, but it
19 matches
Mail list logo
