Having just discussed the tempo of La Cascade, with a friend who
argued that it should not be too slow or you could lose the 'mimetic'
cascading effect, I rather supposed le tocsein, as a gigue, might
contain a mimetic rhythmic element.
However, I just had a message from Jean-Daniel
hey ray
you have to have keyboard, but if you really don't, try to find an
organ realization so you can quickly figure out the chords. Look for
harmony changes in the middle of the recits when the bass is not
moving--they are often dominant chords but can be other things as well.
It is not an
- Happy New Year to all Lutefolk!
http://www.torban.org/ruthenicae/images/236.mp3
http://www.torban.org/ruthenicae/audio/236.mp3
RT
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear All,
The new piece of the month is the last in Dalza's book, published on the
last day of December 1508:
www.luteshop.co.uk/month/pieceofthemonth.htm
Happy New Year to All,
Martin
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Roman Turovsky wrote:
- Happy New Year to all Lutefolk!
http://www.torban.org/ruthenicae/images/236.mp3 (.pdf rather
than .mp3)
http://www.torban.org/ruthenicae/audio/236.mp3
RT
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I snuck in a couple of last-minuters just in case anyone puts up their
D-disco ball.
s
On Dec 31, 2008, at 7:16 AM, G. Crona wrote:
Thanks Martin! At lest YOU remembered.
Happy New 2009
G.
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The linkydo:
http://vimeo.com/2678001
Sean
On Dec 31, 2008, at 7:16 AM, G. Crona wrote:
Thanks Martin! At lest YOU remembered.
Happy New 2009
G.
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks. Standard issue iSight.
Sean
On Dec 31, 2008, at 10:48 AM, Roman Turovsky wrote:
nice, and well shot.
rt
- Original Message - From: Sean Smith lutesm...@mac.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Wednesday, December 31, 2008 1:38 PM
Subject: [LUTE] Re: Happy New Year
Does anyone know how to contact David Mitchell - he co-authored some
articles with Diana Poulton back in the early 1970s.
Nancy Carlin
Nancy Carlin Associates
P.O. Box 6499
Concord, CA 94524 USA
phone 925/686-5800 fax 925/680-2582
web site -
Hello Susanne
From the foreword of the second edition Amsterdam 1618 of the
Secretum (here Paradisus):
s'il y a deux petits traitz ainsi, c'est du second, s'il n'y en a
point, signifie du poulce...
II = second finger (guitar: m)
The same in nederlands is written in the first edition of 1615
It's a notation to use the middle finger. The [ ] is the cipher used
to signify two dots.
NV was surrounded by 9 and 10 -course lutes by that time and many
(most?) players would have been using thumb-out for the larger bridged
lutes. The 10-c doesn't make the thumb-under of older players
A lutanist by the name Dalza
got tired of just playing salsa
he saw the New Year
would just bring more fear
and went to shoot rockets in Gaza
An oud player from Palestine
was minding his own thing just fine
but in came the Jew
his homeland he blew
so now he is planting a mine
A luter from
We be the Muslims three,
newly arrived to the Western Country:
ekskuseh mooah, zhevoozomprih,
got no music or art, but packed with TNT!
RT
- Original Message -
From: Cinque Cento cinquece...@musician.org
To: lute@cs.dartmouth.edu
Sent: Wednesday, December 31, 2008 4:20 PM
Subject:
Very interesting!
Thank you, Andreas and Sean!
Susanne
- Original Message -
From: Sean Smith lutesm...@mac.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Wednesday, December 31, 2008 9:04 PM
Subject: [LUTE] Re: Vallet - thumb or middle finger?
It's a notation to use the middle
Yes, but like the scene created in real life, there are many
things going on, of which the tocsein is but one.
So the fact that the recurring 'gongs' don't occur on accented
beats doesn't mean anything. It's all part of
the structured chaos of the scene of say, a fire, where people
are running
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