The Novello is the Dart Edition, I belive, which is not too bad, but
has way too many page turns! There is, to my knowledge, no suitable
modern edition, but the Bartlett has at least most of the original marks.
And way less page turns.
I did find the missing chacony, which is a very funny story.
The museum is worth seeing, particualrly the archlute and the
harpsichords. However, the new Art Deco Bulding shows only a fraction
of the museums extraordinary collection, the remainder is warehoused.
Do visit the cafe on the top floor.
dt
At 02:58 PM 10/28/2009, you wrote:
>I rather unexpected
I rather unexpectedly ended up in northern Europe for a short trip
that starts in Amsterdam and ends in Paris. It occurred to me that the
1580 Hieber is (was?) in the museum in Brussels, which is on the way.
Does anyone know if the Hieber lute is currently in a
publicly-viewable part of the museum?
Hi all,
perhaps my "inter b-lute, r-lute" mail is worth of sending to the main lute
list, too?
Arto
Original Message
Subject: [BAROQUE-LUTE] Difference 13c.-11c. vs. 10c.-6c.?
Date: Wed, 28 Oct 2009 23:38:55 +0200
From: wikla
To: baroque-l...@cs.dartmouth.edu
Hi lute folks,
m
I love it!! Thanks for sharing it!
Regards,
Leonard Williams
/[ ]
/ \
| * |
\_=_/
On 10/26/09 5:08 PM, "Anton Birula" wrote:
> Dear Friends,
>
> here is a link to our live performance of a
> CANARIOS-BACHARIOS
>
It sounds like these compositions may have been pre-cursors to Charles
Ives!
Ned
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Mathias,
Your concept, outlined in the last paragraph of
your note, seems to make logical sense. There is
no way we will ever know the exact intent of the
clashes, but your explanation is certainly a
possibility. Everywhere in art and music, there
are often double meanings, and that is wh
I have had just mistake on copy and paste.
Link is already amended.
Thanks to Kenneth and Markus.
> -Original Message-
> From: lute-...@cs.dartmouth.edu
> [mailto:lute-...@cs.dartmouth.edu]on Behalf Of Kenneth M Berry
> Sent: Wednesday, October 28, 2009 12:59 AM
> To: T.Kakinami; lute@c
Edward,
thank you for the hints! I was lucky enough to play pieces from
Pacoloni's the past weekend, and we stumbled upon those clashes, too.
The lines of the descant IMHO seem to be carefully composed, though
(talkin' bout dis cant cos me figure yer in de know), running along with
the other parts
