Anthony,
Jaroslaw
Just one question, first, did you receive my message from the lute
list, or was it quite empty.
I have been told that some people received a blank message (probably
with some relief).
Yes, I received your message. Sorry for not replying straight
The LSA started a small rental program in the San Francisco area about
a year ago. We were given 3 instruments: a vihuela, a baroque lute and
a renaissance lute to start with. After getting advice from Chris
Goodwin (Lute Society) and some US people running rental programs for
folk h
Do any of you rent out instruments? I am going to rent an instrument from
someone, and he wants to know how you do it with regard to warranty or
security.
Henning Holen
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I was determined to see the Tafelmusic performance at 8PM on Wednesday Feb 3
"The Galileo Project" after I spotted its ad in the LA Times Sunday edition a
week earlier. Had taken days off to bring my wife 75 miles to UCLA radiology
for 2-year follow up scans, but had to appear at 7AM for her CT
When I went to hear the Los Angeles Philharmonic on Sunday, I had the singular
delight of getting handed Performances magazine, the publication containing
programs and whatnot for the Los Angeles Music Center, and seeing the cover
occupied mostly with a picture of Lucas Harris playing his 13-cou
And the lautenverse owes you another hearty "Thank you" - I have been
considering how to get some of my students into a graceful way to
start reading pitch notation; you know, "music". This is good.
Dan
>Every Tuesday I have the pleasure of playing through the two-part
>inventions of
"but I await word from the experts..."
And the experts have spoken! When the rubber of canon meets the road
of practice, things seem to get a little muddy. DvO "I hear the
third on the 4th quarter being held into the fifth." and Stewart
"but the treble moves to b flat (d1)before moving to the
> J.S.BACH LUTE DUO BOOK
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>
> The newly revised transcriptions for two 13-course baroque
> lutes can be ordered form our web
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> please go here to get to the order form:
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> J.S. BACH Baroque Lute Duo Book:
Dear Dan,
I can't see any parallel fifths. The passage in outline (treble and bass
only) is as follows:
|\ |\ |\ |\ |
| |\ | |\ |
|. |\ | | |
__a___d_d__c__a
__d__b___a|_
Every Tuesday I have the pleasure of playing through the two-part
inventions of Bach with a pupil on a 6-course vihuela. Over the months
I have arranged all 15 of the inventions to fit on two 6-course
instruments in g'. I had to transpose, make changes in octaves, and
think of which
I agree with David van Ooijen, If the b-flat is not held over there is a fifth
indeed. However I cannot make coffee out of what David Taylor writes. Surely
the b-flat has to be kept sounding untill the high c in the second measure. It
needs a bit of practice but it can be done easily.
Lex van
On Tue, Feb 23, 2010 at 1:04 AM, Daniel Winheld/dt wrote:
>>somehow I have a blind spot: I still dont see the fifths!).
>
> I think going from the last chord in the first measure (low open G,
> still providing bass note from 3rd beat with open 2nd course d)
> -moving to first chor
I may have asked this before, but I don't think anyone was able to
provide an answer.
In the Introduction to Arthur Ness's edition of Francesco da Milano, he
refers to:
"the microfilmed critical notes, which the reader is urged to consult".
Are these notes accessible anywhere?
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