Dear collective wisdom, please weigh in with your favorite Purcell
song for the tenor range for my fall set. There are so many, I would
appreciate some insight.
So far I have
Sweeter than roses
If music be the food of love (version 1)
Fairest Isle
Lord what is man
Evening hymn
I attempt from love
Obviously I'm not a lawyer, but my understanding is that if the copy
was made before a certain date, that there are different rules as far
as public domain. It also depends on what rights were reserved at the
time you made the copy and so on.
The downside is always the hassle, not the copyright.
Thank you so much to all who have watched and commented. I saw the
kids today, and they were _very_ proud.
David - one happy teacher
On 5 April 2011 12:21, David van Ooijen wrote:
> Three of my guitar kids are competing in the ensemble competition of
> my Music School. Here's one of their pieces
Dear Lutefolk
In a recent Lute Society email there was an announcement of a lute-song
course taking place in Oxfordshire this summer. I don't know if the
information has reached this forum, but I include it below, in case it
hasn't.
Best wishes
Helen
-
So go ahead, put it online for God's sake ;-)) !
Jean-Marie
=
== En réponse au message du 11-04-2011, 20:32:05 ==
> You would need permission from the National Library of Scotland, George
> IV Bridge, Edinburgh. But don't bother, they will say no.
>
> Ro
You would need permission from the National Library of Scotland, George
IV Bridge, Edinburgh. But don't bother, they will say no.
Rob
On 11 April 2011 19:21, <[1]theoj89...@aol.com> wrote:
Does anyone know the status of the Wemyss manuscript.
[2]http://www.cs.dartmouth.edu/~
Does anyone know the status of the Wemyss manuscript.
http://www.cs.dartmouth.edu/~wbc/julia/ap1/Wemyss.htm
If memory served. the manuscript was privately owned but held by in the
Edinburgh library(?). I have an old photocopy, and was wondering, if I scanned
it electronically, if it would be
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing conce
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing conce
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing conce
Further to this below, it also occurs to me that one of the string
composers at the time Andrea Falconiero (c.1586 -1656), did in fact
often put little flourishes on final chords as generally found with
plucked instruments but unlike the majority of his contemporaries
writing conce
Thanks, Dan.
Normally I tune these lutes (67cm)in F (you can think of it, as I
usually do, as g' at a'=392) - but I find they are often just as happy a
semitone lower (i.e. top string e' at modern pitch).
This particular lute has gone, but I will be playing some pieces on my
old 7c lute - th
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