Benny, David:
I have to say the repeat is very important in terms of the
architectural proportion of the piece. It's a pavan, and I think too
many people miss the intent of the essential 'winding-down' effect in
the third section of pavans.
The first time we attempted to record '
An interesting question and one that can be answered in a number of
different ways.
Basically, your answer is "as you please". Any other answer will have
problems, since in this time period repeats were basically optional.
Morley's comment about ficta here is on point, where the right of the
pe
Hi, everyone! I may be taking my life in my hands (in the sense of
inviting a deluge of emails), but what the heck. What are people's
opinions regarding a repeat in performance of the third section of
Dowland's "Flow My Tears"; yes, no, and why?
To get on or off this list see list informa
I think blogs are very important to get people to tune in to Early Music
dt
At 07:46 AM 4/29/2011, you wrote:
>Count me as another who looks forward to your blogs. It is
>encouraging to see musicians involved with the issue of their
>recorded sound. There are very few lute recordings I can l
Count me as another who looks forward to your blogs. It is encouraging to see
musicians involved with the issue of their recorded sound. There are very few
lute recordings I can listen to with a sense of realism. Wonderful playing,
perhaps, but not with a natural lute sound (at least as I'm f
Hello David:
Thanks for your kind words and for sending the link featuring the sexy
photos of the Neumann mics. We have consciously stripped down to the
simplest configuration with a mic setup and the KM86s seem to be an
ideal match with the room and our sound, resulting in a surpri
