One week on and there are twenty pieces from the Balcarres manuscript
to listen to: [1]http://scottishlute.com/balcarres/
I'm pleased to announce that Glasgow University has agreed to house the
wav files for posterity, and for use by students and staff. This is
exactly what I
Thanks Rock M.!
I try to find your Kremberg example in Vihuela Ning. I don't know if I can
get in there.
What I had in mind is the Tree edition:
-
MANUSCRIPT SCHWERIN 640
Music for Angélique, transposed for Baroque Lute by Michael Treder
See http://www.accordsnouveaux.ch/de/Instrumente/Angelique/Angelique.html
Scroll down until Musikquellen (musical sources), 1. Prints, 2. Manuscripts.
There are two editions that I'm aware of, with music from these sources in
staff notation for the guitar:
1. Adalbert Quadt (ed.):
Hi Chaps!
Can anyone put me in touch with Juan Carlos de Mulder? His group El
Ayre Español is coming thru Singapore next weekend and I'd like to get
a lesson with him. I've emailed El Ayre Español at the email listed on
their website but had no response, possibly because I emailed in
Subject: RE: [LUTE] Re: diatessaron/diapente
To those of you who were discussing this - I had the following reply from
Wilfred which I think clarifies pretty well what he means in the context of
the Bach piece..
The use of diatessaron and diapente in this context relates to the
So he put it in D because he thinks it sounds better.
Rob
www.robmackillop.net
On 4 Nov 2011, at 19:14, Monica Hall mjlh...@tiscali.co.uk wrote:
Subject: RE: [LUTE] Re: diatessaron/diapente
To those of you who were discussing this - I had the following reply from
Wilfred which I
In a nutshell - yes. It lies more conveniently on the instrument.
Monica
- Original Message -
From: Rob MacKillop robmackil...@gmail.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Friday, November 04, 2011 7:50 PM
Subject: Re: [LUTE] Re:
Ah! The gift of brevity! Wasn't it Pascal who wrote Sorry this letter
is so long - I didn't have time to make it shorter.
Bill
From: Rob MacKillop robmackil...@gmail.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Friday, 4 November 2011,
Not Pascal but good old George Bernard Shaw, who also reviewed concerts with a c
ertain measure of wit.
RA
Date: Fri, 4 Nov 2011 21:29:40 +
To: robmackil...@gmail.com; mjlh...@tiscali.co.uk
CC: lute@cs.dartmouth.edu
From: willsam...@yahoo.co.uk
Subject: [LUTE] Re:
On Nov 4, 2011, at 2:29 PM, William Samson wrote:
Wasn't it Pascal who wrote Sorry this letter
is so long - I didn't have time to make it shorter.
Reverend fathers, my letters were not wont either to be so prolix,
or to follow so closely on one another. Want of time must plead my
excuse
You did ask for _any_ music...
There is one example of Angelique music in my Kremberg edition on my
Early Guitar and Vihuela Ning page. Page 29 of the PDF.
Krembergs tuning chart shows 16 (if I've counted correctly), but the
music for the sample piece uses (only) 13.
Have fun with your
So GBS was either independently original, or shamelessly nicked
Pascal's quote. Here are two versions from the web:
I have made this letter longer than usual, because I lack the time to
make it short.
Blaise Pascal
The present letter is a very long one, simply because I had no
On Nov 4, 2011, at 2:58 PM, Ron Andrico wrote:
Not Pascal but good old George Bernard Shaw, who also reviewed concerts with
a certain measure of wit.
I've seen it attributed to Shaw, Mark Twain and Oliver Wendell Holmes, not very
specifically or reliably.
The Provincial Letters were a
13 matches
Mail list logo
