Hello Bruno,
I have The Complete Works of Anthony Holborne, Vol. 1, Music for Lute &
Bandora, Harvard University Press Edited by Masakata Kanazawa. Included is
Lute Pavan No. 2. If you like I can scan and send you a copy. Since the lute
tablature alternates with staff notation, it would be 5
Hello folks,
On the weekend I recorded two pieces in a professional recording
studio. I was accompanying a singer on the theorbo. The recording
engineer aimed two mikes quite close to the body of the theorbo.
On the recording, the sound of the theorbo is very tinny and distorted,
and bea
It may depend on many things (mic type, room acoustic, sound projection
of your lute etc). So it's better to spend some time for several short
sound-tests with different mic placing.
But no close distances from mic to lute. Try somthing around 1,5-3
meters.
2012/4/3 Brad Walton <
David Tayler is someone who could offer good advice; his recordings are very
natural sounding. David . . .?
On Apr 3, 2012, at 12:05 PM, Brad Walton wrote:
> Hello folks,
>
>
> On the weekend I recorded two pieces in a professional recording studio. I
> was accompanying a singer on the theor
Hi Brad,
if you could post an excerpt somewhere I'd probably be
able to tell you what was going on with your recording.
"Tinny and Distorted" doesn't immediately give the impression
of "mic too close".
A wild guess might be that the mics were out of phase with
each other, that is one would have
I recently recorded a CD with Christmas music in a studio in Hungary and I can
tell you they get the sound of the theorbo as beautiful as possible. I really
don't know what kind of microphone they used but it was a huge one about 40 cm
from the soundboard and a smaller one about 20 cm from the f
On 3 April 2012 18:05, Brad Walton wrote:
> On the weekend I recorded two pieces in a professional recording studio. I
..
> On the recording, the sound of the theorbo is very tinny and distorted, and
> bears almost no similarity to the natural/ acoustic sound of the instrument.
So much for the '
Dear All,
In my limited experience, too-close miking leads to boomey, guttural
distortion. Some pros recommend 10 feet (or 3 meters) away, and 10 feet
up.
This, of course is based on having a good acoustic environment to
start with.
Cheers,
Jim Stimson
On 04/03/12, B
How are the timelines of these instruments
related, and what pieces include both instruments?
Thanks,
Tobiah
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I should think Ortiz' variations on chansons and madrigals would be
fair game. Dalla Cassa is a lot of fun if only because they're so
difficult for the melody instrument. Giovanni Bassano, too, but since
he comes from a family of traverso makers there are probably those who
would take is
On Apr 3, 2012, at 5:41 PM, Tobiah wrote:
> How are the timelines of these instruments
> related, and what pieces include both instruments?
Are you asking what music was originally specified by the composer for an
instrumentation that included lute and recorder?
Or what music can be done with
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