There is such divergent policy when it comes to lute manuscripts
nowadays. One has only to look at
[1]Facsimile-Links
to see how the different libraries measure out their generosity. And
how easily accessible they make their manuscripts. (Easy full PDF
download at a click, or
The Herb of Cherb lute book seems to be available in PDF format from the
Fitzwilliam against a small-ish fee:
http://www.fitzmuseum.cam.ac.uk/aboutus/imagelibrary/products
Anybody got it and can tell us more about that digital copy?
Alain
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I play an 8-course, 59 cm lute, nominally in G (A c. 430), with 0.42 mm
treble gut from Gamut. The strings may last a while, but fraying and the
resulting compromised tone can occur early on. In some cases I can turn the
(unshortened) string around and avoid bad patches near the nut
Hi Ed,
Happy New Year old friend, all the best to you and Colleen.
Nice to hear from you on this subject. I like Ed have played for many
years with gut, I have only been using nylgut in the las 4 years or so,
only because I now have so many lutes ( and I only have 8... don't know
Thanks to Alain for spotting a new one!
As I see it, there should be a chromatic theme that is
considerable within the piece, not just a chromatic
modulation or two. The Doni lute book recently
mentioned seems to have potential entries. :)
G.
On Fri, Jan 19, 2018 at 10:48 PM,
I just looked, it's a transposed version of the Gostena Fantasy 25.
Sounds good though.
Am 19.01.2018 um 21:10 schrieb Alain Veylit:
Goran,
I think you could add: Fantasia Diomedes - [Cherbury lute book fol.
38/1] to that list. Apologies if this was already in your list.
That's funny. I played just today from the Cherbury Book (and failed
mostly, these pieces are quite tricky). I didn't get to this piece.
Thanks! I had looked at it once, but didn't remember.
One question:
What do you people consider "chromatic"? Do you mean with a chromatic
theme or just with
Hello Leonard and others,
This is a topic of great interest to me, as I have played mostly gut strings
for 30 + years. There is nothing as beautiful as the sound of a gut strung lute
tuned well. Some have tried oils, resins, even crazy glue with mixed
effectiveness of making trebles last long.
Goran,
I think you could add: Fantasia Diomedes - [Cherbury lute book fol.
38/1] to that list. Apologies if this was already in your list.
http://fandango.musickshandmade.com/files/images/cherbury/Cherbury_78.jpg
Alain
On 12/19/2017 02:37 PM, G. C. wrote:
A quick online archive search
Ok, so this is merely a stylistic argument, which is no hard evidence -
imagine someone dating Marco Dall'Aquila's Ricercar 33 only by style...
Also, Falconieri could be the guitar expert as far as I know, he died
1656. So we can safely assume the minuet is quite early indeed.
I didn't find
Oil applied before installation? Let it soak into the string? Glue, perhaps,
after installation, when fraying has begun?
Leonard
> On Jan 19, 2018, at 12:52 PM, Mathias Rösel
> wrote:
>
> Almond oil, rather.
>
> Mathias
>
>
>
> -Ursprüngliche
1. Hang the string from a hook or door handle, attach an object on the other
end which weighs approximately the same as the tension when tuned up on the
lute.
2. Take a rag or paper towel (folded up) and squeeze a bit of Crazy Glue on it.
3. Quickly pass the ‘moistened’ part of the rag down
Almond oil, rather.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Bruno Cognyl-Fournier
Gesendet: Freitag, 19. Januar 2018 18:50
An: Leonard Williams
Cc: Lute List
Betreff: [LUTE] Re: String tech
I believe some
I believe some people put a dab of glue and quickly run their fingers
on the string to glue the stray fibres onto the string
2018-01-19 12:45 GMT-05:00 Leonard Williams <[1]arc...@verizon.net>:
Has anyone come up with a technique to increase the life of gut
trebles? (besides
Has anyone come up with a technique to increase the life of gut trebles?
(besides switching to synthetics!) I get stray fibers very shortly after
installing one—still playable but the tone and intonation suffer.
Thanks!
Leonard Williams
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Fabris writes that the music entered by mano B now (as opposed to the earlier
pieces of mano A) shows traits characteristic of music for the guitar
technically and stylistically. That's why dopo il 1650.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu
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