s
> that are derived from harp playing.
>
> I know that new tunings in England are called "harp-way" or something,
> but what about earlier times?
>
> And does anyone know genuine Irish music for Lute?
>
>
>> On 21.07.20 21:04, David Brown wrote:
>>
Hello Martyn and luters...
As my mail client and VPN seem to insist on arguing, Iâll take my
chances of getting this outâ¦.
Since Mudarra and Spanish harp was brought up and I was re-reading
Peter Holmanâs 1987 article in Early Music, Holman mentions the
possibility that
e and I'll sweat by it...
Cheers,
David
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
[mailto:lute-...@new-old-mail.cs.dartmouth.edu] On Behalf Of Martyn Hodgson
Sent: Tuesday, July 21, 2020 4:48 AM
To: 'Monica Hall'; lute@cs.dartmouth.edu; David Brow
or the four performers are
> here reduced to the few essentials (oddly the booklet photo shows five
> people) and the notes are both scholarly and very readable and well set
> the background to the development of the harp consort and lyra viol
> forms in the context of early seven
.
Baltimore, MD 21218
410-366-4865
-Original Message-
From: lute-...@new-old-mail.cs.dartmouth.edu
[mailto:lute-...@new-old-mail.cs.dartmouth.edu] On Behalf Of David Brown
Sent: Tuesday, July 21, 2020 3:51 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Weird instrument depiction in
Yes, I forgot to mention the Lawes consorts for harp. It has been a bit
up in the air as to what kind of harp was used, a wire stung harp or a
gut strung arpa doppia.
Cormacke McDermott was the Irish harpist at court, followed by Charles
Evans playing a triple harp
Did my
Yes, I forgot to mention the Lawes consorts for harp. It has been a bit up in
the air as to what kind of harp was used, a wire stung harp or a gut strung
arpa doppia.
Cormacke McDermott was the Irish harpist at court, followed by Charles Evans
playing a triple harp
David B. Brown
The instrument depicted is a large mid-high headed wire string harp of Celtic
design or origin typical of the time period of the painting and second quarter
of the 17th century.
The painting depicts a harp with the column warped from the tension of the
strings. I have been keenly aware of this
Hello,
In the late 70's, I was involved with development and production of a lute kit.
The rosettes were cut into the soundboards using a laser by a company in
California. The result was much better than the plastic insert rosette that was
used by the competing kit. It was not an inexpensive pr
Hello Timothy and Alexandros,
I would tend to disagree that steamed Swiss pear is more dense and harder
than hard maple. I would describe it as closer to a softer maple but with
different qualities and specifications support this.
I would describe it as a very "creamy" wood with a very fine grai
glue is a nightmare for the owner...
This is purely a note on the practical aspect regardless of HIP and
sound reasons.
Respectfully,
David
David Brown, Luthier
3811 Ellerslie Ave.
Baltimore, MD 21218
410-366-4865
arpali...@att.net
--
To get on or off this list see
Sent from my device
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
the less-is-more
side.
Well, I must go back into the "digital" domain and get back to bracing a
lute top...
sincerely,
David Brown, Luthier
13 matches
Mail list logo
