. 2017 à 20:40, G. C. a Ãécrit :
> Ã Ã Ã >
> Ã Ã Ã > So did Denis pass on works of Ennemond as being his own, and
> not
> Ã Ã Ã only
> Ã Ã Ã > transcribing them from vieil tone and getting huge credit
> from D.
> Ã Ã Ã A.
> Ã Ã Ã > Smith 40 years ago for that?
> Ã Ã Ã >
> Ã Ã Ã > --
> Ã Ã Ã >
> Ã Ã Ã >
>
> References
>
> 1. http://gallica.bnf.fr/ark:/12148/btv1b90632544/f89.item)
> 2. http://msl.cat/revista/56 Goy.pdf
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Jorge Torres
Music Department
Williams Center for the Arts
Lafayette College
Easton, PA 18042
(610)330-5365
torr...@lafayette.edu
--
y Francois Dufault
>
> Thank you for your help.
> MOnica
>
>
>
> To get on or off this list see list information at
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Jorge Torres
Music Department
Williams Center for the Arts
Lafayette College
Easton, PA 18042
(610)330-5365
torr...@lafayette.edu
--
You can find a translation of the Gallot, alongside the French, with musical
examples in my article for JLSA:
Torres, George. âPerformance Practice Technique for the French Baroque Lute:
An Examination of Introductory Avertissements from Seventeenth-Century
Sources.â Journal of the Lute
with the lute it is improper; it is true that a young
lady may dance the saraband with her lute, and that is all.
Thurston Dart, Miss Mary Burwell's Instruction Book for the Lute. The
Galpin Society Journal, Vol. 11, (May, 1958), p. 62.
Cheers,
Jorge Torres
--
To get
.
Thurston Dart, Miss Mary Burwell's Instruction Book for the Lute. The Galpin
Society Journal, Vol. 11, (May, 1958), p. 62.
Cheers,
Jorge Torres
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It figures that it would be a Spanish king! =)
Would anyone have a source for this fact?
Jorge
On Aug 29, 2012, at 12:30 PM, Mathias Rösel wrote:
Dear friends,
I seem to remember having read somewhere a story about a French lutenist
(Vieux Gautier perhaps) playing before some king: the
, then no permission is
required. The latter is indeed in the PD. Nevertheless, it is always polite
for scholars to ask for permission and acknowledge the library with the
original.
Jorge Torres
On May 16, 2012, at 7:50 AM, Roman Turovsky wrote:
Not in the US. The image remains PD here.
RT
. The last prelude, entitled Prelude sur tous les tons modulates
through all of the keys presented in the 17 preceding preludes. A pretty
remarkable display of pedagogy.
Best,
Jorge Torres
On Oct 31, 2011, at 8:34 AM, Christopher Wilke wrote:
Arthur,
--- On Sun, 10/30/11, A. J. Ness
UMI.
Jorge Torres
On May 3, 2011, at 9:57 AM, Grzegorz Joachimiak wrote:
Dear friends,
I'm looking for books by Wallace J. Rave:
1st: A Baroque Lute Tablature: Jacob Bittner #8216;Pieces de
Lut#8217;, 1682. Diss., U. of Illinois, 1965.
and
2nd: Some Manuscripts of French
could have used the version in Gaultie's Livre de
tablature:
Jorge Torres
On Mar 24, 2011, at 1:21 PM, Bernd Haegemann wrote:
Thank you for the link, Luca!
On the same page is also Vallet I II, and works by Hagen.
best regards
B.
- Original Message - From: Luca Manassero
him and/or his books?
Nicolas
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Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
[3]torr
Tom,
Sometimes it is listed as the 3rd quartet in E minor, G. 415. Kalmus
has a cheaper edition but it is listed as 415., I believe. It's the
one Bream and Yepes have recorded, among others.
Best,
Jorge Torres
On Feb 1, 2011, at 10:56 PM, t...@heartistrymusic.com wrote:
OK
of
chord shapes for the baroque lute, similar to the chord charts of
Gaspar Sanz and others for the baroque guitar. Can anyone help?
Stewart McCoy.
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Jorge Torres
Associate Professor
theorbo, and
they do have a lutenist at the University, but no instrument. Is
there any similar service to the VDGS's that will rent instruments?
Best,
Jorge
Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
torr...@lafayette.edu
Actually, the Broude Edition in NOT Pièces de luth, but rather, Livre
de tablature, which was printed posthumously by Gaultier's widow.
Jorge Torres
On Apr 22, 2010, at 11:29 AM, David van Ooijen wrote:
2010/4/22 Luca Manassero l...@manassero.net:
I am looking for Denis (et Ennemond
Members of the Lute Society of America may rent the source on microfilm.
You may access their catalog here:
http://www.cs.dartmouth.edu/~lsa/publications/LSA_Lib_Catalog.txt
Best,
Jorge Torres
On Sep 21, 2009, at 11:39 AM, Franz Mechsner wrote:
Jane Pickeringe's Lute Book (c.1616-1650
. Instead, he simply states that the first of two notes
within a beat should be longer than the one that follows. I believe
that he is being intentionally vague.
Best,
Jorge
Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
torr
in order to change the
rhythm to something that sounds more like 6/8 or 12/8 seems pedantic
to me.
All the best,
Jorge Torres
On Dec 28, 2008, at 12:51 PM, Mathias Rösel wrote:
I would imagine it could be binary.
Both Tocxin by Denis Gaultier and Toxin by Charles Mouton are gigues
in
4
.
-Original Message-
From: Jorge Torres [mailto:[EMAIL PROTECTED]
Sent: 20 August 2008 15:49
To: Stephen Arndt
Cc: Markus Lutz; baroque lute list
Subject: [BAROQUE-LUTE] Re: a very basic question
The comma is in baroque lute tablatures is a French ornament, and the
French did not cal
__
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Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
[EMAIL PROTECTED]
:
--
practicing lutenists than has been previously recognized.
jorge torres
On Jan 14, 2008, at 4:02 PM, Roland Hayes wrote:
I think Michel Lambert, Sebastien le Camus and otherrs take up the
torch
for airs de cour but with theorbo and figured bass. A little earlier
Etienne Moulenie may have
?v=vuoBpNz6fD8
I'm touched by this short movie. Thank you, David.
--
Mathias
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Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610
Because as we know from the video, Stravinsky was into the lute.
On Jun 12, 2007, at 11:28 AM, Lindberg Richard-MGIA0539 wrote:
If he wanted to charm Stravinsky into writing something for him on the
guitar, why did he bring his lute?
-Original Message-
From: Jorge Torres [mailto
Does anyone have an address (snail mail) for Doug Smith?
Thanks,
Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
[EMAIL PROTECTED]
:
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http
to take a choice how you do it, so I
wanted
to ask you how you do it. What traiteases explain that more detailed?
Kind regards,
Hermann
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Jorge Torres
Associate Professor of Music
237
In the 17th century LeSage de Richee (1695), a self-proclaimed student of
Mouton, uses three dots to indicate the right hand ring finger, but that's
a 13-course instrument. None of the printed French sources prior to 1700
(Gault I and II, Gallot, Perinne, or Mouton) use the ring finger.
Jorge
Sorry, the designation I mentioned is from a MS for 13 course with
instructions by LeSage, noted in Doug Smith and Peter Danner's article How
Beginners...Should Proceed, JLSA, 1976.
Jorge
On 1/5/07 12:14 PM, Mathias Rösel [EMAIL PROTECTED] wrote:
Jorge Torres [EMAIL PROTECTED] schrieb
List:
The Burwell informant makes it clear that the ring finger is not used:
For the forefinger of the right hand we mark one dot; for the second
finger, two dots. The two other fingers we do not use. (Dart, 31)
This is in line with the printed French sources prior to 1700 (Gault I and
II,
The dissertation is also available at the following libraries:
UNIV OF PENNSYLVANIA
STANFORD UNIV LIBR
DUKE UNIV LIBR
WESTERN WASHINGTON UNIV
UNIV OF CALGARY LIBR
If you are at a college or university in the States, it is probably
available to you via interlibrary loan. Ask your reference
- Original Message -
From: adS [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Wednesday, October 25, 2006 6:10 PM
Subject: [LUTE] Re: Gerwig text
I think I have Heft 1.
What do you want to know?
Rainer aus dem Spring
Jorge Torres wrote:
Dear List:
Does anybody have
. Alte und neue Musik für
das Solospiel.
Best,
Jorge Torres
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List:
Early music, or any music, is not a dead deposit. It has a past, a present,
and a future, all of which may reside in the same work(s), whether played by
Dowland, , Segovia, Bream, O'Dette, or Sting. And within each if these
spheres of influence there is contestation and debate over how
that this is pop music, as is Roger Norrington's recordings of
Beethoven and the lot.
Jorge Torres
On 9/27/06 3:29 AM, LGS-Europe [EMAIL PROTECTED] wrote:
Yesterday music school: guitar pupil of 14 years old. Started on the lute at
the age of 7, switched to guitar some 2 years ago. Mainly
sources
with pieces in E major.
Jorge Torres
On 9/22/06 1:16 PM, Edward Martin [EMAIL PROTECTED] wrote:
Danny,
Good question. The French baroque lutenists do use F# minor a lot
Gaultiers, Gallot, deVissee, DuBut, Emond, Pinel, de St.Luc, and Mouton use
it a great deal. Also
This isn't just restricted to the lute...there aren't many pieces for bowed
strings in c#m, and not many for keyboard either. While there may be some
exceptional works here and there, the majority of string writing remains in
the idiomatic keys for those instruments. In manuscript collections we
)...all
genres and practices that were cultivated first by the French.
Baron and Weiss contra Baron? They do so in defense of the French.
Jorge Torres
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.
Baldassare Castiglioni, The Book of the Courtier, Sir Thomas Hoby's
translation (1516)
(Dent, London, 1974) p.101
- Original Message -
From: Jorge Torres [EMAIL PROTECTED]
To: bill kilpatrick [EMAIL PROTECTED]; lute list
lute@cs.dartmouth.edu
Sent: Thursday, August 03
Dear List:
In a previous post, David van Ooijen provided the passage in Italian, which
I paste below. He also provided us with a link to the following
Sono ancor armoniosi tutti gli instrumenti da tasti, perche hanno le
consonanzie molto perfette e con facilit=E0 vi si possono far molte cose
Dear List:
In Castiglione's Il Cortegiano (1528), there is a passage where he states
that suitable instruments for the courtier are:
all fretted instruments...because they produce perfect consonances...,
but I have also seen the passage translated as:
all keyed instruments...
Finally, there
An WorldCat citation (OCLC: 25019159) of an arrangement of his works gives
his dates as 1702-1776.
Jorge Torres
On 8/2/06 4:14 PM, David Rastall [EMAIL PROTECTED] wrote:
Hi luters,
Can someone direct me to biographical information on Johann Gottfried
Conradi? I looked in Groves
I'm curious about the standard scholarship to which you refer. Are you
referring to standard lute studies, iconography studies, or genre painting
studies? As a student of social gesture myself, I find this notion of
signification fascinating, albeit understudied. Please let me (us) know
where
Dear List:
I recently ran across something interesting from Cesare Negri's Le Gratie
d'Amore, 1602/04.
At the end of his description of =B3Balletto a Quattro Dell=B9Auttore detto Il
bianco fiore ballando due Caualieri, due dame,=B2 the author states =B3La
Musica della sonata con l'intavolatura
Dear List:
Does anyone know if Goebel ever directed a performance of Komm, süßes
Kreuz from the St. Matthew Passion, and if so does he opt for viola da
gamba over the original lute obligato? (Or the arioso for St. John's for
that matter.) If there is a general disdain for plucked chordophones
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