by Francois Dufault
>
> Thank you for your help.
> MOnica
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Jorge Torres
Music Department
Williams Center for the Arts
Lafayette College
Easton, PA 18042
(610)330-5365
torr...@lafayette.edu
--
You can find a translation of the Gallot, alongside the French, with musical
examples in my article for JLSA:
Torres, George. âPerformance Practice Technique for the French Baroque Lute:
An Examination of Introductory Avertissements from Seventeenth-Century
Sources.â Journal of the Lute S
on Dart, "Miss Mary Burwell's Instruction Book for the Lute." The
> > Galpin Society Journal, Vol. 11, (May, 1958), p. 62.
> >
> > Cheers,
> > Jorge Torres
> >
> >
> >
> > --
> >
> > To get on or off this list see list information at
> > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
s all."
Thurston Dart, "Miss Mary Burwell's Instruction Book for the Lute." The Galpin
Society Journal, Vol. 11, (May, 1958), p. 62.
Cheers,
Jorge Torres
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Tom,
Sometimes it is listed as the 3rd quartet in E minor, G. 415. Kalmus
has a cheaper edition but it is listed as 415., I believe. It's the
one Bream and Yepes have recorded, among others.
Best,
Jorge Torres
On Feb 1, 2011, at 10:56 PM, t...@heartistrymusic.com wrote:
OK, th
Members of the Lute Society of America may rent the source on microfilm.
You may access their catalog here:
http://www.cs.dartmouth.edu/~lsa/publications/LSA_Lib_Catalog.txt
Best,
Jorge Torres
On Sep 21, 2009, at 11:39 AM, Franz Mechsner wrote:
Jane Pickeringe's Lute Book (c.1616
ay about it all.
Best wishes,
Stewart McCoy.
-Original Message-
From: Jorge Torres [mailto:[EMAIL PROTECTED]
Sent: 20 August 2008 15:49
To: Stephen Arndt
Cc: Markus Lutz; baroque lute list
Subject: [BAROQUE-LUTE] Re: a very basic question
The comma is in baroque lute tablatures is a Fr
rtmouth.edu/~wbc/lute-admin/index.html
Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
[EMAIL PROTECTED]
:
gt;>>> 10. You are right about the language, lots to investigate there.
>>>>>> 11. Listen to a few recordings of unmeasured preludes for
>>>>>> harpsichord, then arrange them for lute. A new take on stile
>>>>>> brise.
>>>&g
espread
among practicing lutenists than has been previously recognized.
jorge torres
On Jan 14, 2008, at 4:02 PM, Roland Hayes wrote:
> I think Michel Lambert, Sebastien le Camus and otherrs take up the
> torch
> for airs de cour but with theorbo and figured bass. A little earlier
>
Because as we know from the video, Stravinsky was into the lute.
On Jun 12, 2007, at 11:28 AM, Lindberg Richard-MGIA0539 wrote:
> If he wanted to charm Stravinsky into writing something for him on the
> guitar, why did he bring his lute?
>
> -Original Message-----
> Fro
nd a Lute
>
> "LGS-Europe" <[EMAIL PROTECTED]> schrieb:
>>
>> http://www.youtube.com/watch?v=vuoBpNz6fD8
>
> I'm touched by this short movie. Thank you, David.
> --
> Mathias
>
>
>
> To get on or off this list see list information at
Does anyone have an address (snail mail) for Doug Smith?
Thanks,
Jorge Torres
Associate Professor of Music
237 Williams Center
Lafayette College
Easton, PA 18042
(610)330-5365
[EMAIL PROTECTED]
:
--
To get on or off this list see list information at
http
top strings if a _faint_ sound from a string makes a
> dissonance?
> For the transcription you have to take a choice how you do it, so I
> wanted
> to ask you how you do it. What traiteases explain that more detailed?
>
> Kind regards,
> Hermann
>
>
>
> To get on or o
The dissertation is also available at the following libraries:
UNIV OF PENNSYLVANIA
STANFORD UNIV LIBR
DUKE UNIV LIBR
WESTERN WASHINGTON UNIV
UNIV OF CALGARY LIBR
If you are at a college or university in the States, it is probably
available to you via interlibrary loan. Ask your reference
How can I help?
> Sandy
> - Original Message -
> From: "adS" <[EMAIL PROTECTED]>
> To: "Lutelist"
> Sent: Wednesday, October 25, 2006 6:10 PM
> Subject: [LUTE] Re: Gerwig text
>
>
>> I think I have Heft 1.
>>
>> What do
. Alte und neue Musik für
das Solospiel.
Best,
Jorge Torres
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
List:
Early music, or any music, is not a dead deposit. It has a past, a present,
and a future, all of which may reside in the same work(s), whether played by
Dowland, , Segovia, Bream, O'Dette, or Sting. And within each if these
spheres of influence there is contestation and debate over how wel
lieve that this is pop music, as is Roger Norrington's recordings of
Beethoven and the lot.
Jorge Torres
On 9/27/06 3:29 AM, "LGS-Europe" <[EMAIL PROTECTED]> wrote:
> Yesterday music school: guitar pupil of 14 years old. Started on the lute at
> the age of 7, switched to
dedications (e.g., L'infidele)...all
genres and practices that were cultivated first by the French.
Baron and Weiss contra Baron? They do so in defense of the French.
Jorge Torres
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ch a grace
> and strength, that it is a great wonder.
> Also all Instrumentes with freats are full of harmony, because
> the tunes of them are very perfect, and with ease a man may doe
> many thinges upon them that fill the mind with sweetnesse
> of musicke.
> And the musicke with a
Dear List:
In a previous post, David van Ooijen provided the passage in Italian, which
I paste below. He also provided us with a link to the following
Sono ancor armoniosi tutti gli instrumenti da tasti, perche hanno le
consonanzie molto perfette e con facilit=E0 vi si possono far molte cose
che
An WorldCat citation (OCLC: 25019159) of an arrangement of his works gives
his dates as 1702-1776.
Jorge Torres
On 8/2/06 4:14 PM, "David Rastall" <[EMAIL PROTECTED]> wrote:
> Hi luters,
>
> Can someone direct me to biographical information on Johann Gottfried
>
Dear List:
In Castiglione's Il Cortegiano (1528), there is a passage where he states
that suitable instruments for the courtier are:
"all fretted instruments...because they produce perfect consonances...,"
but I have also seen the passage translated as:
"all keyed instruments..."
Finally, th
I'm curious about the "standard scholarship" to which you refer. Are you
referring to standard lute studies, iconography studies, or genre painting
studies? As a student of social gesture myself, I find this notion of
signification fascinating, albeit understudied. Please let me (us) know
where
Dear List:
I recently ran across something interesting from Cesare Negri's Le Gratie
d'Amore, 1602/04.
At the end of his description of =B3Balletto a Quattro Dell=B9Auttore detto Il
bianco fiore ballando due Caualieri, & due dame,=B2 the author states =B3La
Musica della sonata con l'intavolatura
Dear List:
Does anyone know if Goebel ever directed a performance of "Komm, süßes
Kreuz" from the St. Matthew Passion, and if so does he opt for viola da
gamba over the original lute obligato? (Or the arioso for St. John's for
that matter.) If there is a general disdain for plucked chordophones
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