Awesome!
Thanks, Andreas
Juan F.
2010/3/4 Andreas Schlegel [1]lute.cor...@sunrise.ch
Hello
Here's a link to a reproduction of B-Bc FA VI 10 including the
research work of Franc,ois-Pierre Goy and me on this manuscript. The
text is written in Netherlands,
My best compliments for your recording and for giving us such
comparison possibility. Apologies for being in the incorrect side*,
but I prefer the Rutherford version. I found on it a natural
reverberation I like so much, not present at Tomlinson one in my
opinion. And yes, -sorry
Feliz aA+-o nuevo
A
Juan Francisco.
2010/1/1 Christopher Stetson [1]cstet...@smith.edu
Indeed, a happy new year to all.
Chris.
Donatella Galletti [2]do...@tiscali.it 01/01/10 11:43 AM
7th
auguri di felice anno nuovo!
Donatella
- Original Message
Thanks a lot, Peter.
Juan Fco. Prieto.
2009/3/15, Peter Jones [1]pjones...@toucansurf.com:
By popular demand, here are some more Gerwig recordings, digitized
from the vinyl by Nick Morgan.
The Neusidler and da Parma recording (Archiv AP 13031):
[2]http
the reason?
I believe that I'm playing baroque lute now thanks to his Weiss
Infidele, from the 70's. Hearing in those days at this beautiful
music went me to the lute, and now I'd like to know a little more about
this awesome musician. Thanks.
Greetings,
Juan Fco. Prieto
(about 11 mm. between strings at bridge) than for the lute.
I want to encourage you to keep enjoying the lute and the music for a very
long time.
My best regards,
Juan Fco. Prieto.
P.S.: Jon, I'm also playing a 10c. lute I built from a kit in 1980. This was
a very funny adventure that ended happily
of pianists' hand sizes you
might like this wonderful take on it!
http://www.youtube.com/watch?v=ifKKlhYF53w
Best wishes,
David
At 13:34 +0200 28/5/07, Juan Fco. Prieto wrote:
Thanks also for your contribution, Jon. I agree mainly with you but I
think
that pianists, fortunately, have
to the right of the former position, as we can see in the
image linked below. Note the previous nut marks and the real position of the
octave. That's probably trying to minimize the *slapping effect?*)
http://www.lute.net/instruments/blute0606/pegf.jpg
My best regards for you,
Juan Fco. Prieto
is 23 cm. long (End of thumb to end of pinkie, hand extended) A
brief poll about your lute string spacing may help me.
Thanks all the people in advance. And specially thanks to Roman Turovsky for
this -above mentioned- awesome web page.
Greetings from Spain.
--
Juan Fco. Prieto.
--
To get on or off
Hi Benjamin:
I *love* a version by the french theorbist Pascal Monteilhet of the Visee
work, playing a Mathias Durvie theorbe. I'm speaking of a double CD at
low/mid price, including three Bach's cello suites arranged for theorbe.
Greetings,
Juan Fco.
2007/1/17, Benjamin Stehr [EMAIL
Merry Christmas, Donatella and all the lute people here.
Juan Fco. Prieto.
2006/12/25, Donatella Galletti [EMAIL PROTECTED]:
I've become just a lurker on the list, lately, but I want to send a Merry
Christmas wish to you all!
Donatella
http://web.tiscali.it/awebd
To get on or off
Dear lute friends:
Excuse me in case I'm boring you with too much newcomer questions, probably
over-answered in the past. Well, let's go to the matter. It's said all
around that the ideal lute to play S.L. Weiss is the know as swan neck or
theorboed model and, really, the most of the recordings
:
would anyone recognize a work originally composed for lute when transposed
up a
fourth or fifth and included in a keyboard collection?
Regards,
Stephan
Am 5 May 2006 um 9:34 hat Juan Fco. Prieto geschrieben:
Dear lutenists:
I'm posting these two images containing the tuning used by Narciso
Dear lutenists:
I'm posting these two images containing the tuning used by Narciso Yepes to
play Bach lute works.
http://personales.ya.com/jfppal/Afinaciones_Bach_Yepes_01.jpg
http://personales.ya.com/jfppal/Afinaciones_Bach_Yepes_02.jpg
This is hard to find and comes from the vinyl version
on the right hip bone. I have used it
myself
this way. However, the shape of the lute does not commend itself to this
method!
Nick
-Original Message-
From: Juan Fco. Prieto [mailto:[EMAIL PROTECTED]
Sent: 02 May 2006 18:03
To: Katherine Davies; lutelist
Subject: [LUTE] Re: lute
Believe or not, Katherine, even today there is some Spanish flamenco
guitarists that play guitar standing up without any strap (rather for
playing while singing). I used renaissance lute in this way, but I must to
recognise that the strap is more confortable... but not indispensable. I
have strap
Thanks, Garry. Now I know. It's clear.
Greetings,
Juan Fco.
2006/5/1, Garry Bryan [EMAIL PROTECTED]:
Greetings Juan!
Re-entrant tuning is typically described as a lower course being higher
pitched than one or more courses above it. Baroque guitar and the
ukulele use re-entrant tuning. If
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