Hello Robert
Well I hope you will record it. It would probably need two or three
baroque guitars to do it justice but I am not about to try.
Best wishes
Monica
From: Robert Gallagher [mailto:rob...@icloud.com]
Sent: 14 March 2016 19:58
To: M Hall
Subject: Re: [LUTE
It would love to hear you play it. It is quite appropriate for lute
really with its ground bass. I wonder if it would fit on the baroque
guitar.
Monica
From: Robert Gallagher [mailto:rob...@icloud.com]
Sent: 14 March 2016 17:51
To: John Mardinly
Cc: M Hall; jo.lued...@t
Thank you. That's a nice version.
Monica
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of John Mardinly
Sent: 14 March 2016 17:42
To: M Hall
Cc: jo.lued...@t-online.de; Lutelist
Subject: [LUTE] Re: Breaking news
There is a very
Yes - I think you should - and post it on Youtube if you can. It would be a
nice tribute to him.
Monica
-Original Message-
From: jo.lued...@t-online.de [mailto:jo.lued...@t-online.de]
Sent: 14 March 2016 15:33
To: M Hall; lute@cs.dartmouth.edu
Subject: AW: [LUTE] Breaking news
Dear
The English composer Peter Maxwell Davies has died. I don't think he
wrote any lute music (pity - it would have been interesting if he did)
- but he was into early music at least in his youth.
R.I.P.
Monica
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Zac said " While most people in the
wider classical music community think about this development as having
been spearheaded by the keyboard instruments (J.S. Bachs The
Well-Tempered Clavier collection greatly contributed to it), I wanted
to emphasize that the lute and lutenists were
Thanks for a very interesting list. Most of them I didn't seem to be able
to play - perhaps because they are from commercially produced CDs? There is
a very nice version of the song on Richard Savino's lstest CD - What
Artemisia heard (Sono Luminus). I liked the first version with Anne Dennis
I think he is not really concerned with tying frets. What he is
illustrating is Rules of perspective when drawing frets on the fingerboard.
He starts off by saying that the distance between the bridge and the nut is
divided into 16 parts starting from point E on the drawing. It is not very
easy
A new book about Joan Carles Amat - the author of the earliest
treatise about the 5-course guitar - has recently been published.
It's
Quintana I Segal`a, Joan-Xavier and others
L'emprenta del monistrolenc Joan Carles Amat.
L'Ajuntament de Monistrol de Monserrat, 2014.
Does anyone have an e-mail address for Francois Pierre Goy. I had it
but lost it when my old computer died.
Monica
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Many thanks to those of you who have sent me Mr. Goy's e-mail.
Monica
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Many thanks to all of you who sent me your e-mail addresses. I have
another query which perhaps some of you may be able to answer.
I was using Ghostview to convert my Django and Capella music files to
pdfs. The version I had seems to be an old one and there are newer
versions
I am not sure if it is catalogued separately. If you go to www.ram.ac.uk ,
click on Museums & Collections there is a page for the Spencer Collection.
If you work your way through the menu you should get to "Search our
collections" and you can check for individual items. Hope that helps.
Monica
inals
> to Lute Society meetings, and they would be passed round the room.
> That could never happen now.
A 'bit of a gift' at a million pounds in 1998?
>
> Stewart.
>
> -Original Message- From: M Hall
> Sent: Tuesday, October 27, 2015 3:14 PM
> To: 'WALSH STUA
I'm not sure what the arrangements were. Presumably it wasn't given to the
RAM free, gratis and for nothing. Probably other organizations would have
liked to get their hands on it. To be honest I don't think the RAM was a
suitable location for it. They don't or didn't have the facilities for
, and they would be
passed round the room. That could never happen now.
Stewart.
-Original Message-
From: M Hall
Sent: Tuesday, October 27, 2015 3:14 PM
To: 'WALSH STUART'
Cc: Lutelist
Subject: [LUTE] Re: Spencer Collection, Royal Academy of Music, London
I'm not sure what the arrangements were
It is probably Spanish in origin although a bit obscure. It is in triple
time, related to the Mariona, but faster and the stress falls on alternate
groups of 5 and 7 beats. The name possibly is derived from the term "capon"
because these walk in a funny way but may also refer to castrati
Sorry to bother you all but I have just acquired a new computer but
lost my address book in the process. I would be grateful if anyone
who is in regular contact with me would send me their current e-mail
address.
Thank you. Monica
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