you very much!
Saludos from Barcelona,
Manolo Laguillo
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),
there is a rhythm sign missing, a one-flag on the second half of the
measure.
Mathias
-Original Message-
From: Manolo Laguillo [mailto:[EMAIL PROTECTED]
Sent: 19 May 2008 22:31
To: Lute Net
Subject: [LUTE] two intabulations
Dear lutelisters,
I have the photocopies of two pieces
In the DICCIONARIO DE INSTRUMENTOS MUSICALES, Barcelona 2001, under
'tiorba', the author of it, Ramón Andrés, after mentioning an inventar
of possesions of Felipe II, the king of Spain, where two theorbos
figure, he tells that culteran poets employed it in its poems because it
was considered
hi, Herbert,
'berbante'...
for me, with modern ears, it sounds as a sort of mixture between
'bribón' (= rascal) and 'bergante' (= someone very lazy and also crook,
like the Lazarillo, that famous character in the spanish novel from the
XVI Cent.).
Saludos,
Manolo
Herbert Ward wrote:
Dear
to abandon Spain in 1492... a very sad
part of Spain's history.
Saludos from Barcelona
Manolo Laguillo
Herbert Ward wrote:
Here is some text from an old Sephardic song in the Ladino
language. It looks like Spanish, but the on-line
Spanish-to-English translators (and my high school
Spanish skills
thank you very much, Elly, that's it!
Manolo
[EMAIL PROTECTED] wrote:
I think this is the video you mean ...
http://www.youtube.com/watch?v=ifKKlhYF53w
Elly
Quoting Manolo Laguillo [EMAIL PROTECTED]:
Hi,
can't find that funny video, pointed at by someone in this list time
ago, where
Hi,
can't find that funny video, pointed at by someone in this list time
ago, where one piano player was using sort of wood sticks (which another
guy gave to him) to play impossible chords...
Does somebody have the link?
Thank you very much in advance,
Manolo Laguillo
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Barcelona,
Manolo Laguillo
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Dear all,
I'm sure this has been a subject before, but can't remember when.
In intabulations, why is the 'v' sign used instead of the 'c' ?
Actually, I am asking two questions:
- why 'c' is not used ?
- what letter is that 'v' ? 'V' as in velvet ? Is it a greek 'n' ?
Yesterday I did explain
Rob,
that's exactly my problem with your emails to this list: I must recover
them from the trash, and of course I did not block you, on the contrary...
I have a Mac, and therefore no such a big need for virus protection.
Manolo Laguillo
Omer katzir wrote:
I don't have any problem
Rob,
this one went through, no problem!
Manolo
Rob Lute wrote:
I've created a different email account with google. Please let me know if
this gets sent your spam folder, or otherwise.
Sorry about all this, but I'm not the only one having problems with this
list.
Rob MacKillop
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My 10 courses was built by Ray Nurse nearly 30 years ago, back in 1979.
And my baroque 13 courses, recently acquired, was made by Michael Lowe
in 1985.
Both are very light, and of course have a beautiful sound.
Old can mean good.
Saludos from Barcelona,
Manolo Laguillo
Nigel Solomon wrote
will apreciate any indication.
Saludos from Barcelona,
Manolo Laguillo
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, published by
Vianello Photobooks.
It is also available in English.
Enjoy!
Manolo Laguillo
[EMAIL PROTECTED] wrote:
Hello lutenists,
I am looking forward to my upcoming autumn holiday in Venice, Italy.
Tips on concerts, music shops (with lute strings at reasonable prices),
museums etc would
thank you, Bill and David, for the advice!
Manolo
bill kilpatrick wrote:
manolo - far-far from music but interesting from the
point of view of an american living in europe, is the
europeans. it's a short novel, less dense than some
of his monster novels - the best of which (imho) is
the
they are received in same - and do nothing to diminish
my respect for you all.
try reading henry james - bill
--- Manolo Laguillo [EMAIL PROTECTED] wrote:
I really would like to have a deeper knowledge of
the english language
when one of your messages arrive, dear Bill, because
sometimes
interest in what you say.
I am perfectly aware that what you say is deeply connected with how you
say it, and that it is perhaps impossible to simplify the how, but,
anyway, I wanted to express my frustration...
Saludos from Barcelona,
Manolo Laguillo
bill kilpatrick wrote:
i know you'll say it's
double stave transcription those errors appear amended! It is
highly useful, therefore, consulting your edition, the HUP one.
Saludos from Barcelona,
Manolo Laguillo
Arthur Ness wrote:
Dear Manolo,
That's No. 14 in the HUP edition. (begins: I:1
II:4/III:4 II:1 |) A different version.
I
the right finger combination
from that 'tablatura napolitana' than from the regular one.
And now to my question: which item is it in the Ness edition? I really
can't find it there...
Thank you very much, and saludos from Barcelona,
Manolo Laguillo
PS It is a beautiful piece, BTW...
--
To get
This is a message I received today from the yahoo recorder group.
Be patient, and read it 'till the end...
Saludos from Barcelona,
Manolo Laguillo
You know, it's next to impossible to find a decent CD here in
Anchorage with period music on period instruments. I end up ordering
what a beautiful story!
Thank you for telling it!
Manolo
Arthur Ness wrote:
http://www.musikschulen-sh.de/feriennote/BigBand.php?sessionid
scroll down to the bottom picture. That's where they
went. But a general (Russian? German?) made the castle
into his headquarters. A junior office
I bought that 2 cd's set one week ago, here in Barcelona, at the FNAC,
for about 7 euros.
Players: Luciano Còntini, Francesca Torelli
it is a licence from Tactus (Italy)
www.brillantclassics.com
Manolo Laguillo
Gernot Hilger wrote:
Hi Göran,
search for piccinini lute music
g
Zitat von G.R
than 30 years.
Saludos from Barcelona,
Manolo Laguillo
Andreas Schlegel wrote:
Dear Josh
It's not usual to make advertising, but in this case, it could be
helpful for you:
I wrote and published a book (end of December 2006) with the title
The Lute in Europe. A History to Delight. It's just
as a beginner definetely I would go to a 6 course lute, perhaps a 7
course if there is one available...
and try to buy the very best lute you can afford, because 'the less you
play, the better should be the instrument'.
saludos from Barcelona,
Manolo Laguillo
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' are not that far away...)? If so, the
rime of plough and tough is there, available...
'Wacker' is also 'anstaendig' or 'brav', perhaps 'decent' in english.
Saludos from Barcelona,
Manolo Laguillo
PS Yesterday arrived the new CD of french XVII music, played by Claire
Antonini (a SFL (French Lute Society
thank's, Roman, but what shall I do with that URL? It is a generic
domain hosting site. I don't know how to proceed.
Manolo Laguillo
Roman Turovsky wrote:
It is removed. The registered page has moved to
http://musickshandmade.com/
RT
- Original Message -
From: stephen arndt [EMAIL
://musickshandmade.com/cake/users/login
Tony
- Original Message - From: Manolo Laguillo
[EMAIL PROTECTED]
To: LUTELIST lute@cs.dartmouth.edu
Sent: Sunday, April 01, 2007 11:17 AM
Subject: [LUTE] Re: django unavailable
thank's, Roman, but what shall I do with that URL
Dear friends,
I'm trying to load the Django page (electric lute forgery),
but nothing happens...
Are you encountering the same problem?
Manolo Laguillo
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Hello, friends,
this is a message from a clarinet player I received today.
Regards from Barcelona
Manolo Laguillo
Stolen Clarinets
On the 10th of March, 2007 my set of three classical clarinets was
stolen in the Thalys train from Paris to Koln at the Bruxelles-Midi
station. Here follows
, but perhaps there is an answer...
Saludos from Barcelona,
Manolo Laguillo
Anthony Hind wrote:
To all who do not find this too off topic
Choice of strings and choice of recording equipment (microphones,
etc) are clearly IN topics; but I am not sure that CD play-back is
(even
between
them and music.
I would recommend it without hesitation.
Saludos from Barcelona,
Manolo Laguillo
PS The Lute Society published not long ago the talk Judy Tarling gave on
this very same subject in a meeting of the LS.
PPS There is also a very nice book on the relation between rhetoric
to
survive 'till 40-50, that meant you were tough enough to arrive 'till
the seventh decade...
Saludos from Barcelona,
Manolo Laguillo
[EMAIL PROTECTED] wrote:
Dear Ron and dear Tony,
I think you are both right in pointing to these aspects of stigmatism
(the german word for four eyes during my
if the sound is better when you go down to 415, then perhaps you must
reconsider the stringing and tensions with 440. I mean (just asking):
could it be that the lute is suffering from too high a tension now?
Manolo Laguillo
David Rastall wrote:
On Nov 27, 2006, at 11:04 AM, Herbert Ward wrote
, very, very, very sll..
I hope I have explained myself correctly.
Saludos from Barcelona,
Manolo Laguillo
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Thank you very much, Stewart!!!
Manolo Laguillo
Stewart McCoy wrote:
Dear Kay,
The discussion has been about time signatures in the music of Dalza.
Dalza's _Libro Quarto_ was the fourth book of lute music ever
printed, and was published by Petrucci in 1508.
Instead of a time signature of 4/4
(or is it 5 years?), and the quantity
and quality of things learned, being in itself immense, are less
important than the friends I have made through it.
Thank you very much, Wayne, for making it possible!
Saludos from Barcelona,
Manolo Laguillo
Arto Wikla wrote:
Hi lutenists,
my Lully
it directly, through the web page of the Centre Nationale
de la Recherche Scientifique (Paris).
Saludos from Barcelona,
Manolo Laguillo
Denys Stephens wrote:
Dear Bernd,
Thanks! I think your explanation is very probably
the correct one. As you say, much depends on which
interpretation of the rules
, for this sloppy answer.
Saludos,
Manolo
PS It's in the second, the one edited by Vaccaro.
Peter Nightingale wrote:
On Thu, 26 Oct 2006, Manolo Laguillo wrote:
Hi, Denys, Bernd, all,
do you know the contribution by Paul O'Dette to the 1980 Colloquium 'La
lute et sa musique', published
William Waters
Xavier Díaz-Latorre
Andrea Damiani
Alfred Fernández
On Oct 19, 2006, at 2:48 PM, Andreas Schlegel wrote:
Dear all
I'm writing a book on the European lute for non specialists. It's one
with many colour photos of historic instruments, in two languages
(german - english).
Now
from Barcelona,
Manolo Laguillo
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wrote:
According to the liner notes of the recording, the prelude is an
unattributed copy penned by Vaudry de Saizenay. I'd look in that
manuscript. Good luck.
- Original Message - From: Manolo Laguillo
[EMAIL PROTECTED]
To: baroque-lute@cs.dartmouth.edu
Sent: Wednesday, October 18
Three truths:
1. the worst the playing, the better the lute_must_be.
2. the better the playing, the worst the lute_can_be.
3. but... the best lutes are very difficult to find second hand, just
because when you find the best lute you can afford, you don't sell it,
you keep it...
saludos,
guide!
Saludos from Barcelona,
Manolo Laguillo
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that, if teached, can save many headaches to the student. The
teacher must teach how to tune; a book can't explain the little gestures
and arrangements that make the difference.
Saludos from Barcelona,
Manolo Laguillo
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Dear bernd,
Renatus Lechner, the luthier, has an explanation about adjusting an
hygrometer here:
http://www.renatus-lechner.de/tipps.htm
Perhaps you can find it useful...
Saludos 1000 from Barcelona,
Manolo Laguillo
Herbert Ward wrote:
who would share his/her experience with hygrometers
of GG I love very much is the one where he plays Byrd,
Gibbons and Sweelinck. Days ago Ariel and I talked about this record...
Saludos from Barcelona,
Manolo Laguillo
Roman Turovsky wrote:
IN fact GG is a lot closer to JSBach's spirit than the entire 200 years that
preceeded him.
One could
frets, of course.
I have a question for you: why do you doubt? :-)
saludos from Barcelona,
Manolo Laguillo
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Hi,
Am I wrong thinking that 8 courses is for having both F and D in the
bass register, using one_or_the other in a given piece, but rarely_both_?
What is the string length of your 8-course lute, Luca?
Saludos from Barcelona,
Manolo Laguillo
Luca Manassero wrote:
Dear all
Thank you very much for telling the history of your monumental FCdM edition!
How much time (months, years) took it? Was it during that time your one
and only occupation?
Pardon for so many questions, but I'm always curious regarding how
others work...
Saludos,
Manolo Laguillo
Arthur Ness
I would love to hear your analysis of Madonna.
taco
me too...!
Manolo Laguillo
To please him even more I inserted in my final presentation of my work an
analysis of Madonna's 'True Blue'. But that's another story. ;-)
David - agreeing with my teacher about Bach btw. Obviously, he's God
from Barcelona,
Manolo Laguillo
Arthur Ness wrote:
Dear Manollo,
I did not realize that the book was available in
translation. Paul Henry Lang was a much admired
musicologist and member of the music facuilty at
Columnbia University. His Music in Western Civilization
(1941) is his best
also: the method by Pascale Boquet, Approche du luth renaissance,
published by the French Lute Society (Societe Française du Luth). Lot of
pieces (aprox 350), in a very gradual progression regarding difficulty.
Manolo Laguillo
Mathias Rösel wrote:
I presume you mean renaissance lute. 2
enables switching easily between two
different temperaments.
I have neither a lute nor a vihuela, but a viola da mano made by Ivo
Magherini, which is sort of a hybrid, because it is a vihuela with a
curved back, a 'fondo tumbado' (Tumba = tomb, grave).
Saludos from Barcelona,
Manolo Laguillo
referring them to the whole), something the Renaissance (re)discovered
and cultivated, today would be absent, ironically even when writing on
it, on the Renaissance.
Saludos from Barcelona,
Manolo Laguillo
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wear.
Saludos from Barcelona,
Manolo Laguillo
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to this problem...
In my case the Feldenkreis technique worked very well. Luckily I stomped
with the right therapist...
Saludos,
Manolo Laguillo
Thank you for the book reference, Stephen!
Eric Liefeld wrote:
Dear Stephen,
I was going to reply privately, but I'll broadcast here in the
hope
Dear friends,
this was posted on the recorder group.
just for fun...
regards,
Manolo Laguillo
Original Message
Subject:[recorder] Out of the Mouths of Babes
Date: Mon, 1 May 2006 21:49:30 EDT
From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL
a muscular
tension that is really unnecesary. The learning experience consists in
learning to relax...
Saludos from Barcelona,
Manolo Laguillo
Hopkinson Smith uses two straps, one above the shoulder, the other one
under himself (he sits on it).
Pascale Boquet plays standing (with a strap
course in the lute, some positions that
are difficult on my 60 cm vihuela, because they were written with a 55
cm guitar in mind, become easier when the highest note is played with
the very first course of the vihuela.
Saludos from Barcelona,
Manolo Laguillo
Manolo Laguillo escribió:
Dear
Thomas,
please upload them again, I would like to see them.
Thank you,
Manolo Laguillo
Gernot Hilger wrote:
Arto,
I quietly enjoyed your videos. I have not yet had the opportunity to
see Thomas'. Perhaps he's going to make'em available again, will you
please, Thomas? Never mind the bollocks
, but I will try. That te adds
a sense of conectivity between her marriage and Juan Pastor. In english
I would say: It happened to you that your girlfriend got married
I hope it helps,
regards,
Manolo Laguillo
Christopher Schaub wrote:
Hello all. I've been wracking my brain to try
, that means or, and not or true.
viola (da mano) means a vihuela with vaulted back. since it belongs
more to the italian tradition, it would be appropiate to use octave
stringing.
BTW, Palladin lived in Lyon (France)...
Manolo Laguillo
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...) by Fr. da Milano, Ness no. 34.
Regards,
Manolo Laguillo
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Thank you, Gernot, for explaining how to manage arto's new calculator on
a Mac!
regards,
Manolo Laguillo
Gernot Hilger wrote:
Hi Mac-users,
I also had some trouble with the calculator. Here's how to get it to
work under 10.4.5
- load the J2SE5 Java package from www.apple.com (a hefty 42
Hello again,
regarding my question about a review of the Violab Pitchman tuning machine,
I've found it!
It's in Lute News 74 (July 2005), by Chris Goodwin himself.
The magazine was buried under a staple of books...
regards,
Manolo Laguillo
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, it is quite HIP ;-) .
And the progression is also fantastic: that's exactly the reason because
I ordered it: I felt quite happy being able to play a lot of the pieces
it contains :-) ...
Saludos,
Manolo Laguillo
Lino Messina wrote:
Hi Stephan,
I used both Damiani and Boquet tutors, I find
the author of Tratado
de glosas sobre cláusulas... (1553) was named as it was?
Precisely because he was the son of the very same Diego Ortiz we are
speaking about... ;-)
Saludos,
Manolo Laguillo
these are a series of stories by nestor guestrin - of
which, at least one relates to the making
May I enlarge that smallest answer a bit...
What an art critic has to say is uninteresting; it's better to ask a
painter educated in the Old School: he/she would know what to answer.
Saludos,
Manolo Laguillo
Roman Turovsky wrote:
No, you wouldn't.
RT
I'd really like to hear what an art
I agree with you, Ariel, in your putting the emphasis on the right spot...
Manolo Laguillo
ariel abramovich wrote:
Charlie,
once again, people accuse me of insulting them (at least you, unlike
Abramovich and others before) did not insult me but answered with a
statement that I can
Regards,
Manolo Laguillo
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is not in the printed
books of Morlaye's music, belongs to a manuscript which is now in Sweden.
Does somebody know which MS it is? The piece is of such an astounding
beauty...
Thank you very much in advance...
Saludos from Barcelona
Manolo Laguillo
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hope, in November...
saludos from Barcelona
Manolo Laguillo
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from an amateur; in my opinion, and with
the due respect, it is not a good advice.
Last curious and funny point: who bought my theorbo? It was bought by a
young boy (14 years old) who plays violin since he was 5...
Saludos from Barcelona
Manolo Laguillo
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Hi,
I'm looking for the intabulation of the following piece: Guillaume
Morlaye, Premier Bransle d'Ecosse.
I was unable to find it in the web...
Someone has it, and would send it to me?
Thank you very much in advance!
Saludos desde Barcelona,
Manolo Laguillo
PS Christopher Wilson recorded
1 x 6-courses (56 cm)
1 x 13-courses (bass rider, 67 cm)
and 1 x 7-courses viola da mano (60 cm) being constructed in these weeks...
no animals at all,
saludos,
Manolo Laguillo
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Dear Alain, dear all,
thank you very much, Alain, for your explanation.
Knowing the background clarifies the foreground.
But even if MO's aggressivity has a reason that makes it understandable,
that does not imply we have to tollerate it.
Saludos from Barcelona,
Manolo Laguillo
Alain Veylit
, but in a much less poetical form because of lack of emotionality...
saludos,
Manolo Laguillo
Herbert Ward wrote:
What actually causes strings to go dead?
One theory is that dirt cakes between the windings and causes
the string to stiffen slightly. But that would apply only
to wound strings, and should
. The three
authors consulted for that purpose thousands of books, brochures,
fliers, etc. I will search for the book where the above phrase is taken
from.
Saludos,
Manolo Laguillo
Tony Chalkley wrote:
Dear Manolo,
Does this mean that in Spanish the word bordon never had the meaning of a
bee
Dear friends,
weeks ago somebody announced an essay (by Wilfred Foxe?) on how to play
french XVII century preludes, those without rithm indications. If I
remember well, it appeared by initiative of the british Lute Society.
How can I obtain that text ?
Saludos from Barcelona,
Manolo Laguillo
.
The beauty of Covarrubias' writing is, by the way, amazing...
Saludos from Barcelona,
Manolo Laguillo
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, fields of
specialization and real life... (perhaps this is the real subject of
your email, is it not?)
By the way, I enjoy your postings...
Have a nice time.
Saludos from Barcelona,
Manolo Laguillo
bill kilpatrick wrote:
temple nuovo in the search engine produced a macabre
item about the world
told him about Venezuela as a diminuitive of Venecia (=Venice),
and he was quite surprised. He said: OK, toponimics are not my
speciality...
Saludos from Barcelona,
Manolo Laguillo
PS By the way, for those with enough fluency in spanish, there is a
modern edition (not a facsimil, but much
a nice surprise...
If I would say what happens, there would be no surprise...
Saludos,
Manolo Laguillo
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to understand
what is happening today in the islamic world...
Saludos,
Manolo Laguillo
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Saludos from Barcelona,
Manolo Laguillo
PS Please consider that accents on 'Fernández' and 'laúd' will appear as
garbage on your screen if your keyboard is not in spanish.
I say this for all of us that are not so fluent in computer technology...
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Without this list,
lute-related thinks would be so much difficult
that they would become impossible...
Thank you very very much, Wayne!
Manolo Laguillo
Barcelona
www.manololaguillo.com
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the air it would be impossible...
Saludos from Barcelona
Manolo Laguillo
some letters to The Lute News (magazine of The Lute Society) by Mrs.
Trellis, in North Wales, illustrate very well the whole point.
Michael Thames wrote:
I saw a concert years ago of Aner Blysma, playing the six cello
Dear all,
does somebody know of an intabulation of the lute part in the Arioso
(for tenor, baroque lute and 2 viola d'amore), number 31 from the St.
John Passion (BWV 245)?
surely this was a subject before...
thank you in advance,
Manolo Laguillo
Barcelona
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Hi,
unable to find on the web Attaignant's Il me suffit tablature (I have
heard it played by Hopkinson Smith), I resort to you, lutelist members...
Where can I find it ?
Thank you !
Saludos from Barcelona,
Manolo Laguillo
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Barcelona,
Manolo Laguillo
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Hi,
does somebody of you know some news about the long awaited publication
of the Balcarres Ms ?
Saludos from Barcelona,
Manolo Laguillo
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The sound, that's it...
But, what does intervals mean? The jump from, say, c to e (major
third) or to f (quart)? Could you explain it better? Thank you very much!
Saludos from Barcelona
Manolo Laguillo
PS Thank you to everybody who answered so nicely my question about the
Mary Burwell Tutor
Dear list:
I'm interested in the Mary Burwell lute tutor, reprinted in facsmile
years ago by the Severinus Press (am I right?).
Where can I find it (I mean the facsimile, of course...)?
Does somebody know of the existance of a copy of it?
Saludos from Barcelona,
Manolo Laguillo
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Hello to everybody,
What is happening with the site of Clive Titmuss? Seems to have
disappeared...
No way of reaching it.
Saludos from Barcelona,
Manolo Laguillo
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Barcelona,
Manolo Laguillo
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process of your
instruments?
Saludos from Barcelona,
Manolo Laguillo
--
That Sarabande is in the Jacques de Gallot CNRS edition, page 112
Saludos from Barcelona,
Manolo Laguillo
Edward Martin wrote:
At 11:00 AM 6/17/04 -0400, Arthur Ness (boston) wrote:
Is it in the Gallot edition publ. CNRS?
I am uncertain, as I do not have CNRS's Gallot version
Dear lutelisters,
I would like to consult some old topics that appeared months ago in this
list. How can I access to the general archive?
Thank you!
Manolo Laguillo
Barcelona
--
was the
reception it received when published?
Saludos,
Manolo Laguillo
Barcelona
--
don't forget the Thyssen Collection: it is just facing the Prado, near
the Hotel Ritz.
Manolo Laguillo
Barcelona
Roman Turovsky wrote:
Dear All,
?I'm in Madrid!
?Do you have some recommendations,
lutistical or not?
PRADO, PRADO, PRADO. Toledo is an hour away. Try to get also to Cuenca
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