Thomas,
In Vallet's Regia Pietas there's a small acrostic in French, called Au
luth. You can find it at the bottom of this page:
http://www.gerbode.net/ft2/sources/vallet/psalms_of_david_1620/000h_poem_3.j
pg
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu
Hi,
In the introduction to Livre de tablature des pieces de luth, Denis
Gaultier mentions a Monsieur de Montarcis, recommending his books on
lute performance. He says one of his books would be published soon
and one other had been published recently.
According to The New
Here's the first scene of the film Le Roi danse where Lully hurts his
foot: http://www.youtube.com/watch?v=pTY9iIXO4R4
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre
de
Peter Danner
Enviado el: miércoles, 16 de marzo de 2011 09:00
Here's the first scene of the film Le Roi danse where Lully hurts his
foot: http://www.youtube.com/watch?v=pTY9iIXO4R4
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre
de
Peter Danner
Enviado el: miércoles, 16 de marzo de 2011 09:00
Dear all,
Not sure if it's been posted here, but I found a lute on Lost TV
series, season 6, chapter 4. It shows only for some seconds, but you
can see it on a table, just like old paintings. It's a Renaissance 8c
lute and it even has a broken string! (which is actually a clever
Andrew,
My first lute was an EMS 8c and it was very disappointing. I used to spend a
long time trying to tune it because of its awful pegbox mechanism, strings
broke very easily or were damaged due to a harsh nut and the soundboard was
too thick for a good sound. This is very discouraging for a
Hi Herbert,
I ordered the same method from Ut Orpheus and my experience was positive as
well. It took a bit as they're based in Italy and I'm in Latin America, but
the book arrived in good shape. However, you should compare shipping cost
with other sellers as it's a heavy book.
Best,
Nicolás
Thanks Bernd and Daniel for sharing these treasures!
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Daniel Shoskes
Enviado el: lunes, 18 de octubre de 2010 10:39
Para: Bernd Haegemann
CC: baroque Lutelist
Asunto: [BAROQUE-LUTE] Re:
Dear Goran,
You may find some useful information at the IMSLP/Petrucci Music Library:
http://imslp.org/wiki/Lute_Pieces,_BWV_995-1000_%28Bach,_Johann_Sebastian%29
#Bach-Gesellschaft_Ausgabe.2C_1851-1899
Or at the Bach-Gesellschaft Ausgabe: http://einam.com/bach/
Regards,
Nicolás
Hi Danny, Arto and all,
This is an interesting subject indeed a will nd I agree with Arto in that
putting borderlines between musical periods can be confusing. However, it's
clear there was a particular style between French and German styles and perhaps
it deserves its own name!
I had
Gorgeous, thanks Andreas!
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Andreas Schlegel
Enviado el: lunes, 13 de septiembre de 2010 01:09
Para: BAROQUE-LUTE Lutelist
Asunto: [BAROQUE-LUTE] Hinerleithner
Hello
I ordered a scan
Chris,
Just a few of the links work but most of them are off indeed. I've written
to Mr Vincent and hopefully he'll fix this.
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Christopher Stetson
Enviado el: martes, 31 de agosto
I found this interesting: ...his lute, an ancestor of the guitar... A
well-informed statement, which sheds a new light on lute studies. :-)
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Benjamin Narvey
Enviado el: viernes, 16 de julio
Dear Graham,
I second Ned, although I should add that nylon frets don't hold to the
fingerboard as well as gut does, so they move very easily when playing.
However they're a good work-around in case of emergency.
Best,
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu
Herbert,
I've been playing Baroque lute for one year and my 13 course has allowed me
to approach XVII and XVIII c. repertoires, both of which I love.
IMHO, 11c French music is not necessarily a first step before 13c, as some
French pieces can be harder than some German music. Moreover, while
Thanks Martin, beautiful performance indeed!
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Martin Shepherd
Enviado el: sábado, 15 de mayo de 2010 04:16
Para: baroque-l...@cs.dartmouth.edu; Lute List
Asunto: [BAROQUE-LUTE] Xavier's
Bernd,
Thanks for sharing this interesting document.
Best,
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Bernd Haegemann
Enviado el: domingo, 25 de abril de 2010 16:44
Para: baroque Lutelist
Asunto: [BAROQUE-LUTE] Mathew
There's a lot of belles in French repertoire, such as La belle homicide,
La belle ténébreuse, La belle angloise, La belle voilée... Find the most
suitable for every kind of woman. ;-)
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de
Wunderschön... Vielen Dank!
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Andreas Schlegel
Enviado el: jueves, 04 de marzo de 2010 02:55
Para: lute list; BAROQUE-LUTE Lutelist
Asunto: [BAROQUE-LUTE] B-Bc FA VI 10
Hello
Here's
other
musicians.
Best,
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En
nombre de Mathias Rösel
Enviado el: lunes, 22 de febrero de 2010 14:46
Para: Nicolás Valencia
CC: baroque-lute@cs.dartmouth.edu
Asunto: [BAROQUE-LUTE] Re: Inégalité
Mathias,
Do you happen to have Quantz statement on inegalite? I wonder how close
his definition was compared with earlier sources.
Best,
Nicolas
2010/2/22 Mathias Roesel [1]mathias.roe...@t-online.de
Reusner's advise to follow the latest fashion in playing inegale can
Bernd et al.,
...he often was so diligent as to write out the inegalite.
Perhaps Bach intended this only for his French style works such as some
partitas and ouvertures, but what about his other works? Can we infer
that he applied inegalite everywhere?
Best,
Nicol`as
Dear b-lute fellows,
Following the recent thread on inégalité, I'd like to ask your opinion on the
extension of its use.
I know it's mainly a French, XVII century feature and a matter of taste
(whatever it means), as well as suitable for the transition composers or
early German lutists such
Thanks to all for your interesting insights and amusing comments on this
curious painting.
Best,
Nicolás
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi all,
I've found this lute in a painting by Jacques Linard, (France,
1600-1645). It's called The Five Senses and the Four Elements, so I
guess the lute represents hearing. What kind of lute is this?
[1]http://www.wga.hu/art/l/linard/senses.jpg
Best,
Nicolas
--
I also have Forests solitaires et sombres by Joseph Chabanceau De La
Barre. It seems dark woods were a common topic among Airs de cour...
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre
de David van Ooijen
Enviado el: sábado, 06 de
It looks more like one of those fake lutes built by Signor Franciolini...
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre
de Alexander Batov
Enviado el: miércoles, 27 de enero de 2010 14:19
Para: Roman Turovsky
CC: lute@cs.dartmouth.edu
David,
I'm not a specialist on this subject at all, but I've got this recording by
Hesperus called Early American Roots: Spirited new sounds from early
Colonial America - from the arrival of the first colonists to the American
Revolution and the birth of our republic.
I've noticed it includes
Martin
Enviado el: lunes, 11 de enero de 2010 12:25
Para: Nicolás Valencia; 'Daniel Shoskes'
CC: 'LuteNet list'; baroque-lute@cs.dartmouth.edu
Asunto: [BAROQUE-LUTE] Re: Conradi Sonata
Dear Nicolas and all,
Thanks for inquiring about Conradi. You care
correct, in that the pieces are from the 1724
Daniel,
I didn't know Conradi's music so thanks for sharing these beautiful pieces.
I'd love to hear that Barto's bootleg!
I looked at the New Grove Dictionary of Music and found there are two
Conradi. Based on the publication date you give (1724), I guess these works
are from Johann Melchior,
Thanks David, nice strumming!
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre
de David van Ooijen
Enviado el: jueves, 17 de diciembre de 2009 08:39
Para: lutelist Net
Asunto: [LUTE] another day at the office
Well, in my ultra-catholic town's church, seminarists play guitar during the
mass imitating pop songs, which is really awful (I'd rather prefer David's
b-guitar).
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre de
Monica Hall
Enviado el:
I don't think Lislevand's recording is kitsch, which implies a tasteless
music. Perhaps it sounds sometimes New Age, but it's well performed with
interesting arrangements. Of course it can shock some conservative ears, but
it's a matter of taste.
IMO he's trying to do something interesting,
Daniel,
Miguel Yisrael/Serdoura's baroque lute method has many pieces of Jacques de
Saint-Luc, who, after Weiss and Anonyme, is the most quoted composer in
the whole book. I think this confirms your point about how his music is
ideal for beginners. Being a self-taught amateur, I've very much
Dear All,
Here's an interesting link published in a French lute list for those
who feel comfortable reading in this language: La dispute du luth et
de la guytarre (sic) in Nouveau recueil des pieces les plus agreables
de ce temps, de Charles Sorel, 1644.
Hi All,
I've got exactly the same problem: same kind of lute, same tuning, same
course, same string (which is actually a brand new one)... I wonder if this
is not a string problem.
Nicolás
-Mensaje original-
De: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] En nombre
de
Thanks to all for your kind help. If anyone is interested in free scores of
recorder and lute duo with tablature, Eugene Vincent published some pieces
on his site at: http://www.geocities.com/ebienvenue/luteandrecorderlist.htm.
Some of them are adaptations of lute duos, dances, violin pieces, etc.
Dear All,
Im looking for music scores on Internet for lute (renaissance or
baroque) and recorder (all registers). Any suggestion please?
Regards,
Nicolas
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear All,
Could anyone advise me on the best diameters of Nylgut fret strings for
a 13-curse baroque lute?
Kind regards,
Nicolas
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear all,
I'm afraid that this is a worn-out topic, but since I'm a newbie and
I've not been able to find a satisfactory answer in the Mail Archive
webpage, I'm asking your help:
I'm currently expecting a 13-course lute (after Schelle, 70.2 cm) and
I'd like to strung it with
Dear All,
I've recently ordered a 13-course baroque lute beautifully decorated
with a fretwork at the back of the peg-box. However, I'm still
hesitating if this is the right choice. My question is: does it affect
the peg-box strength and therefore could it be risky because of the
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