I remember him playing in Bremen with a consort (seem to remember it was in
January 1981) with the singer Glenda Simpson. She was advanced in pregnancy
and miraculously managed to sing messa di voce, as it was then called.
Monteverdi's Se dolce e il tormento (Mr Tyler accompanying on the guitar
I can even HEAR him heavily strumming!
M= athias
-Original-Nachricht-
> Subject: [LUTE]= Who got this gig?
> Date: Sun, 13 Mar 2011 03:32:02 +0100
&= gt; From: Daniel F Heiman
> To: Lut= e...@cs.dartmouth.edu
> [1]http://www.youtube.com/user/protest= ant7#p/u/58/Bcg
You'll have all the tunes and lyrics from this edition, at least. But these are
adaptations for the keyboard, definitely no more feasible on the lute.
Quite a few copies of Der Zupfgeigenhandel are still floating around (
http://de.wikipedia.org/wiki/Der_Zupfgeigenhansl ), why not take one of th
Let me try.
Jacques Gallot (I) was brother to Antoine Gallot. Antoine (Gallot
d'Angers= ) died 1647 in Vilnius, Jacques (I) (Gallot de Paris) died
around 1685 in P= aris. Both were called Gallot le vieux.
Jacques Gallot (I) was lute teacher to Sebastien de Brossard (b. 1654)
i
Let me try.
Jacques Gallot (I) was brother to Antoine Gallot. Antoine (Gallot d'Angers)
died 1647 in Vilnius, Jacques (I) (Gallot de Paris) died around 1685 in Paris.
Both were called Gallot le vieux.
Jacques Gallot (I) was lute teacher to Sebastien de Brossard (b. 1654) in
Paris. The Mille
ther one surfaces.
>
> MH
> '
> --- On Sun, 20/3/11, Grzegorz Joachimiak wrote:
> From: Grzegorz Joachimiak
> Subject: Odp: [LUTE] Other de Gallots
> To: "Martyn Hodgson" ,
> mathias.roe...@t-online.de
> Cc: "lute List" , "Ma
See also http://www.gerbode.net/ft2= /composers/MNewsidler/saltarello/
Mathias
-Original-Nachricht-
> Subject: [LUTE] Re: = Pieces of Melchior Neusidler in the Web?
> Date: Sun, 20 Mar 2011 = 16:06:07 +0100
> From: Hilbert Joerg
> To: Andreas Schroth
> Cc: lute L
Chris,
as for me, I'm not a prof musician like you are. However, I love to attend
recitals where I can hear and learn something new. Not necessarily new music
(perhaps, though, newly discovered early music), new interpretations will do as
well.
I do not expect performers to meet my desire for
May I say that I've learned a lot from Thomas Mace's book as regards French
and English music of nthe 1620ies through 1670ies. And I particularly enjoyed
his music which I perceived as a blend of French texture and English folk tunes.
His tuning allows you to play all of that sophisticated
ers to-be learned to play the lute
from his book still in Handel's days!
Mathias
> - Original Message
> From: "mathias.roe...@t-online.de" To:
> "lute@cs.dartmouth.edu"
> Sent: Tue, July 19, 2011 3:13:35 PM
> Subject: [LUTE] Re: Mace
&g
as
-Original-Nachricht-
> Subject: Re: [LUTE] Re: Mace
> Date: Wed, 20 Jul 2011 03:53:44 +0200
> From: brentlynk
> To: "mathias.roe...@t-online.de"
>
>
> Hi Mathias,
>
> Thanks for that...I actually like the book,
Steve,
first of all I'd think about how to convert my 10c into an 11c lute, as there
are not exactly many pieces in D minor tuning for 10 courses.
Mathias
-Original-Nachricht-
> Subject: [LUTE] Re: Mace-- Not Mace Anymore
> Date: Wed, 20 Jul 2011 04:13:11 +0200
> From: Steve Ramey
lute so as to get Les Accords Nouveaux, i.e. so called
transitional tunings, which I'd count as baroque.
Mathias
> ----- Original Message
> From: "mathias.roe...@t-online.de" To:
> lute@cs.dartmouth.edu
> Sent: Wed, July 20, 2011 4:41:09 PM
> Subject: [LUT
>
> IMHO it seems safe to say that Vieux Gaultier probably used the tuning
> that old-fashioned Thomas Mace still propagated in 1676, but that the
> fashion of combining a trill with a back-fall hadn't yet started
> during Viux Gaultier's active days.
>
>
> I hear you loud and clear with regard to renaissance lute being a good
> prep. for baroque. Having played 10-courses, my thumb is pretty
> comfortable all over. I use thumb-under, even on the 10-course,
That's what you can see with many players, that much is true. When you look at
paintings
Sorry for the delay, I had and have to busy in my profession. May I assure you
that these two theorbo mss. do exist. I have contacted the person who gave the
xeroxes to me some ten years ago. The shelf marks are okay, Paris Bibliotheque
National, but I'm not sure about the current whereabouts of
NN simply is a gorgeous soloist.
Mathias
PS: My theorbo has 82 cm VSL, and it took a while until I got used to it, but
today I wouldn't say any more that 82 cm is large at all.
-Original-Nachricht-
> Subject: [BAROQUE-LUTE] Lute strings for theorbo
> Date: Fri, 12 Aug 2011 11:03:52
Yes, couldn't agree more. Ivo's information on materials has allways been a
model IMO: http://www.floxflorum.com/materials.php
Mathias
Von: Lex van Sante
An: lute mailing list list
Betreff: [LUTE] Re: An article from today's Wall Street Journal
Datum: Sun, 28 Aug 2011 00:50:23 +0200
> I
Dear Matthew,
thank you for pointing once again at the source! John Sturt's lute book
bears collector Matthew Locke's stamp, that's why it is now called the
ML lute book, or so I understand the nomenclature . A member of this
list was kind enough as to share a scan.
I copied t
Dear Jerzy,
it's amazing to me, indeed, how a baroque piece that starts with a 7th
in the opening chord, comes to your mind just like that.
> As you asked David, I'll refrain from answering that particular
questio.
I didn't mean to ask David Tayler exclusively because I prefer
> Rebe= l's Cahos is not really to the point, since it is a depiction
of primordial Chaos. Mathias was questioning a dissonance that was
presumably intended for the composer's well-ordered French universe.
There isn't much of a difference between an intended depiction and a
well-ord
> it's amazing to me, indeed, how a baroque piece that starts with a
7th
9th, that is. Sorry!
M.
> in the opening chord, comes to your mind just like that.
>
>
> > As you asked David, I'll refrain from answering that particular
> questio.
>
> I didn't mean to ask
> Eh! =A0 Didn't the appogiatura change (short to long) from the early
> 17th through to the late 18thC (see, for example, Donnington pp 197
> -228)
Does that mean that any appogiatura occuring during the, say, 1st half
of the 17th century is short, or would that be somewhat simplis
If you had googled before, you would have found countless numbers of
pictures. Try related Wikipedia-articles also.
M
-Original Message-
> Date: Thu, 12 Mar 2009 14:42:02 +0100
> Subject: [LUTE] Lute pictures for website...
> From: Duncan Midwinter
> To: lute@cs.d
&g= t; Another way could be to say that, provided the phrase is used
the
&= gt; papal way, Solus cum sola is an Elizabethan way of alluding to
>= ; intercourse of the sexes (not necessarily sexual intercourse).
> > > Solus cum sola non cogitabuntur orare pater noster.
&g= t; > > A
&g= t; The term "double headed French lute" is misleading because this
type
> was not used in France. So I changed to "double headed lute"
Which will hopefully prevail! Terms may refer to a) building, or b)
tun= ing, at its best to both. Double headed lute refers to building,
sole
Pe= rhaps, it's a matter of dictionaries, indeed. Not sure for English
archlute= , but Erzlaute was defined to mean what we'd today call
theorboed lutes by = Sachs. Seem to remember he even invented the name.
Will look it up when I'm= back home tonight.
As for booklets, Erzlaute isn'
&g= t; In its widest sense, the theorbo simply means a lute based on
either a> bass lute or a renaissance lute with an extended neck.
However, ev= en
> as I write this, I know that there are those who will of cours= e
> disagree.
I wonder who would disagree, as this simpl= y is th
Dear Peter,
So there's music for the lute in renaissance tuning in your database?
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: Petrus Paulus Maria Steur
Betreff: [LUTE] Re:
I played it last year on the chitarone. No chance to play continuo,
only the bass line as written.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: jjnoo...@sbcglobal.net
Betref
Dear Collected Wisdom,
Does the CNRS Gumprecht edition contain music for the angélique? The
edition is sold out, unfortunately, but perhaps someone owns a copy and
is kind enough as to look it up?
Mathias
__
Ge
Thank you, Markus!
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: Markus Lutz
Betreff: [LUTE] Re: Gumprecht
Datum: 04.08.2017, 14:53 Uhr
An: lute@cs.dartmouth.edu
Dear
How about "Vatel" with UmaThurman and Gerard Depardieu? Okay, the plot
takes place in Louis XIV's days and the major part of the music is by
Rameau, but hey, it's well done!
Mathias
__
Gesendet mit der [1]Telekom M
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: mathias.roe...@t-online.de
Betreff: Re: Chromatic lute works
Datum: 17.12.2017, 11:57 Uhr
An: Baroque Lute Net
Is there a contemporary
I take my lute once a week to the kindergarten. The children love the
sound and start singing once they see it. We sing their songs, of
course, but the divisions I do for every stanza would fit renaissance
music just as well.
And I take it to hospital for visits. I don't open the sui
I did it together with Jochen Domning, Wenzel Norzel and the late Klaus
Schmidt. We played from facsimiles, and it may have been due to our own
mistakes in playing that all of it sounded nice and correct.
Not too many pieces and IMO each one worthwhile to be included.
Mathias
__
Ad 1. It didn't. At least, not in Italy. May I add that I play a copy
of a Sellas liuto attiorbato with double first. And it's sheer joy as
it tends t to kinda "sing".
Ad 2. My guess is that players tended to prefer the single first
because it strikes the ear when the first course is
As I said, I do. Good experience.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: spiffys84121
Betreff: [LUTE] Re: Double first courses (chanterelles)
Datum: 22.01.2018, 16:43
When this topic was up on the list the last time, ten lutes with gilded
roses were said to survive, all of the first half of the 17th century.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht
Everybody is free to do with their lutes, or should be so, what they
like best.
Gilbert's initial observation was, though, that some 90% of this tiny
community don't seem to be interested in newly composed music for the
lute. And I take it that he wasn't referring to the lute mailing
e, via recorders and other
> early
> instruments, because I like playing renaissance music. What better
> way
> to enjoy it than on the instruments for which it was written? If I
> were an instructor, I would probably be more inclined to teach
> guitarists to read l
I seem to remember that a 14c lute is required in Reusner's Lustgarten.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: Andreas Schlegel
Betreff: [LUTE] Re: Latest book in viel to
Yes, Goeran Crona did it IIRC.
Mathias
__
Gesendet mit der [1]Telekom Mail App
--- Original-Nachricht ---
Von: mathias.roe...@t-online.de
Betreff: Re: Siena Lute Book
Datum: 21.06.2018, 22:12 Uhr
An
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