At 06:44 AM 8/26/2005, Arthur Ness <[EMAIL PROTECTED]> wrote:
>I can't remember who attributed that motet
>intabulation to a Dutch lutenist. That's not
>Zuth, who should not be condemned for a mistake made by a cataloguer.
And at the same time he should be congratulated
for making other mistak
At 05:33 PM 8/25/2005, Alain Veylit wrote:
>Incidentally, "library science" is the only "science"
>in the U.S. that can provide you with faculty status just with a
>Master's Degree. And that went straight to some of those poor people's
>heads...
I know of one other field where one can break into
ejolly" for the correct
title "Ode to Melancholy."
ajn
- Original Message -
From: Alain Veylit
To: Arthur Ness
Cc: Lute Net
Sent: Thursday, August 25, 2005 5:33 PM
Subject: Re: [LUTE] Re: [LUTE]Madame Robert Sidney Pratten, Victorian guitar
virtuosa
This
At 05:33 PM 8/25/2005, Arthur Ness wrote: wrote:
>I think it would be a mistake to cite what are additions and
corrections to Zuth's work as a demonstration that his work is
poor. (Some of that is really obscure information.) For his time,
his Handbuch is quite thorough.
No argument. But it
o." It is one of the very
>few iindications that lute might be used during the Mass. Here when the
>celebrant walked to the lectern to read the Gospel of the day, the lutenist
>would play that Josquin motet intabulation.
>
>ajn
> ----- Original Message -
> From:
hee
To: lute@cs.dartmouth.edu
Sent: Thursday, August 25, 2005 2:13 PM
Subject: [LUTE] Re: [LUTE]Madame Robert Sidney Pratten, Victorian guitar
virtuosa
Arthur Ness
Thu, 25 Aug 2005 07:56:03 -0700
>I didn't realize that in addition to being a music hall tenor he was
>a comed
Bone explains:
'
Shand was known to the British public as a variety artist - a comedian - who
for many years headed the bills with the stars of variety ['Burlesque' I
suppose in the US - my comment], Lottie Collins, Gus Elen and Vesta Telley, at
the most popular music halls,'
Get Bone's book -
Arthur Ness
Thu, 25 Aug 2005 07:56:03 -0700
>I didn't realize that in addition to being a music hall tenor he was
>a comedian
>as well. He must have been tremendously popular. It is Zuth in his Handbuch
>that says that Shand was an American. I wonder where he got that notion.
Same place he got t
At 01:05 PM 8/25/2005, [EMAIL PROTECTED] wrote:
>Details pertaining to the lives of both Madame Pratten and Ernest Shand
>appear in Stewart Button's 1984 dissertation "The Guitar in England
>1800-1924"
>(University of Surrey) published by Garland in 1989.
>
>Shand was the pen name of Ernest Willia
1998):
9-17.
Arthur
- Original Message -
From: Martyn Hodgson
To: Arthur Ness ; Lute Net
Sent: Thursday, August 25, 2005 3:58 AM
Subject: [LUTE] Re: [LUTE]Madame Robert Sidney Pratten, Victorian guitar
virtuosa
Dear Arthur,
You might have added, by way of curiosity, that Shand
Details pertaining to the lives of both Madame Pratten and Ernest Shand
appear in Stewart Button's 1984 dissertation "The Guitar in England 1800-1924"
(University of Surrey) published by Garland in 1989.
Shand was the pen name of Ernest William Watson, born in Hull in 1868. He
studied guitar w
formidible work. His article is in _Soundboard_ 24/3
(1998): 9-17.
Arthur
- Original Message -
From: Martyn Hodgson
To: Arthur Ness ; Lute Net
Sent: Thursday, August 25, 2005 3:58 AM
Subject: [LUTE] Re: [LUTE]Madame Robert Sidney Pratten, Victorian guitar
virtuosa
Dear Arthur,
Any relation to Jimmy Shand? Scottish band-leader...
Ron UK
-Original Message-
From: Martyn Hodgson [mailto:[EMAIL PROTECTED]
Sent: 25 August 2005 08:59
To: Arthur Ness; Lute Net
Subject: [LUTE] Re: [LUTE]Madame Robert Sidney Pratten, Victorian guitar
virtuosa
Dear Arthur,
You might
Dear Arthur,
You might have added, by way of curiosity, that Shand was much more famous in
his day as a Music Hall comedian; I believe Bone inherited much of his
collection and he writes that Shand never used the guitar in his stage
act
rgds
Martyn
Arthur Ness <[EMAIL PROT
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