'... singer and accompanist, if they were indeed two individuals' (page 9)
So should we be singing these songs to our own accompaniment? Do we dare?
The lute realisations are simple enough.
P
On 02/08/07, LGS-Europe <[EMAIL PROTECTED]> wrote:
>
> Concerning the article Rob put up, written by
Fundamenta der Lauten musique, a tutor for the 11c lute with many
musical examples (Latin text, translated into German and English and
republished by the German Lute society - pls excuse the ad) encourages
its readers to write out accompaniments in form of partimenti and
teaches how to do that.
Ma
I thought parallel octaves and fifths were okay as long as they
happen in the inner voices rather than the outer. And what about
octave stringing, especially on the harpsichord?
On Aug 2, 2007, at 11:20 AM, Rob wrote:
> Here is another interesting continuo link. I've uploaded for a few
> da
Here is another interesting continuo link. I've uploaded for a few days only
the article by John Walter Hill on 'Realised Continuo Accompaniments from
Florence, c.1600' (Early Music April 1983).
www.rmguitar.info/temp.htm
It is a large file, over 7 megabites, but the main point can be extracted
EMAIL PROTECTED]>
> To:
> Sent: Thursday, August 02, 2007 11:03 AM
> Subject: [LUTE] Re: Durante -was:Re: Matthew Locke
>
>
>>> http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
>>>
>>> the link is
D]>
To:
Sent: Thursday, August 02, 2007 11:03 AM
Subject: [LUTE] Re: Durante -was:Re: Matthew Locke
>> http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
>>
>> the link is extremely interesting. I wonder whether the exampl
> http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
>
> the link is extremely interesting. I wonder whether the examples here were
> used just to construct a piece on a base or to accompany.
The forword explains quite extensively. A worthwh
http://faculty-web.at.northwestern.edu/music/gjerdingen/partimenti/collections/Durante/diminuiti/index.htm
the link is extremely interesting. I wonder whether the examples here were
used just to construct a piece on a base or to accompany. I listened to some
lessons of Christensen, and according
