Two things to keep in mind:
1. I don't really think there's a future-instrument creep going on. Many of
us have been lutophiles long enough to remember when we didn't know enough to
raise most of the questions you bring up. Players are certainly more conscious
of the variety of historical in
I see. I try to design my own concerts so I have a say over my choices.
Personally, I see it as a life-long graduate course worth, no doubt in
the end, a whole of [SFX: Dylan wheeze into harmonica]. I guess we all
try to get something different out of our playing.
Of course I have t
Dear Sean,
Thanks for the kind words, but not sure what you mean about the fingernails?
Liuto Forte! I thought that was all over
These days I prefer to read www.mylespaul.com/forums/historics-reissues/
Absolutely fascinating what authenticity fanatics these guys are
They even influence
