Hi there,
I'm currently repairing my old German Lute (6x1, 62cm), previously
decorative only. Some ribs have come apart. I managed one connection
already.
I noticed that it has very thin ribs (about 1-1.5mm), however the
soundboard is quite thick judging at the rose (about 4-5mm).
There is one
Hello Mimmo,
YES, I'm sold. When I have the time to crunch all the numbers (tensions
& all other relevant specifications together) I will be ordering a
bunch. Or just send me what's on your lute. Or send the whole lute; you
won't have unstring & restring, and I will tune it up for you too! :-P
> Hello to anyone
> I have made this video showing the last version of ther CD basses.
>
> [1]https://www.youtube.com/watch?v=dKrNCEOfPVM
>
> there is a brief text in the video explaining the difference than the
> first CD's types.
> In the video I am a bit tired after this very str
As an experiment, I put extremely light strings on my baroque lute.
This made the tone very difficult to control. This is pretty good
practice, but in a month or two I need to venture out of the house
with the lute.
So it's string buying time.
Can someone give me a Savarez PUL number for the
Martyn
--- On Mon, 21/1/13, Martin Shepherd [1] wrote:
From: Martin Shepherd [2]
Subject: [LUTE] Re: Vihuela stringing - was 6c (lute) stringing?
To: [3]lute@cs.dartmouth.edu
Date: Monday, 21 January, 2013, 12:00
Dear Martyn and all,
I think the no
pherd
Subject: [LUTE] Re: Vihuela stringing - was 6c (lute) stringing?
To: lute@cs.dartmouth.edu
Date: Monday, 21 January, 2013, 13:07
Dear Martyn,
I never said it was easy! It's not a question of "avoiding playing
all
the upper octaves" but a ques
t the 5th and 6th courses were octave
strung.
Monica
- Original Message -
From: "Martin Shepherd"
To:
Sent: Monday, January 21, 2013 12:00 PM
Subject: [LUTE] Re: Vihuela stringing - was 6c (lute) stringing?
Dear Martyn and all,
I think the notion that the vihuela was st
musical one, btw. "
And the rest of it was Martin's email
Stuart
--- On Mon, 21/1/13, G_abramovic wrote: From:
G_abramovic Subject: [LUTE] Re: Vihuela
stringing - was 6c (lute) stringing? To: "Martin Shepherd"
, lute@cs.dartmouth.edu Date: Monday, 21 January,
t the 4th, 5th and 6th course on a
lute with octaves and avoid playing all the upper octaves, as it is
not to. If so, I take my hat of to you.
regards,
Martyn
--- On Mon, 21/1/13, Martin Shepherd [1] wrote:
From: Martin Shepherd [2]
Subject: [LUTE] Re: Vihuela strin
Dear G Abramovic,
I'd love to read what you wrote but all I got was this below! Is it
Wayne's system or what?
regards
Martyn Hodgson
--- On Mon, 21/1/13, G_abramovic wrote:
From: G_abramovic
Subject: [LUTE] Re: Vihuela stringing - was 6c (lute)
s,
Martyn
--- On Mon, 21/1/13, Martin Shepherd wrote:
From: Martin Shepherd
Subject: [LUTE] Re: Vihuela stringing - was 6c (lute) stringing?
To: lute@cs.dartmouth.edu
Date: Monday, 21 January, 2013, 12:00
Dear Martyn and all,
I think the notion that the vih
Covarrubias? I think that was the source, I
might be wrong. A non musical one, btw. Enviado de Samsung Mobile Martin Shepherd
escribió:Dear Martyn and
all,I think the notion that the vihuela was strung in unisons is based
on a source (which one, anyone?) which contras
Dear Martyn and all,
I think the notion that the vihuela was strung in unisons is based on a
source (which one, anyone?) which contrasts the vihuela with the
"Flemish vihuela" i.e. the lute. Can someone help with the reference?
As far as I know there is no documentary evidence on the unison/
Dear Martin,
You may recall that quite some years ago it was generally accepted that
the vihuela (but not the viola) was strung in unison - I believe this
was a misreading of an early source and was explained through the great
wealth of Spain in the periof whereby such expensive st
hello all,
I get a present from member of our church choir: a 6-string
"wandervogelgitarre" 63cm mensur. It is the instrument of her father (born in
1904). so its about 90 years old. not very pretty but corpus and soundboard
without cracks and with intact mechanics. the instrument is stringed wi
These are the results for the fretboard strings with Paul Beier's string
calculator.
"Gut" is the column to look for as nylgut is by and large of the same
charactersitics as gut. May I recommend that you round down the decimal
places, e. g. 0.420 equals 0.4, 0.499 equals 0.5 and so on because
dif
"Anthony Hind" schrieb:
> I have come to adopt the equal tension, loaded string hypothesis,
That would refer to the basses IIRC, viz. thin bass strings of gradually
increasing length?
> It is clear that if we have a scale of sound 1) according to the
> position ; near the rose, mid position, n
As far as I can see, Louis Pernot has the strings of his lute strung in the
normal order, i.e. with the bass of each course nearer the ceiling. However,
the lowest courses are spaced at the nut in such a way that the gap between
the strings of each course is greater than the gap between courses. T
Dear all,
On Fri, 20 Jan 2006, David Rastall wrote:
> I string my 66 cm Venere 10-course in G, using a chanterelle of 0425
> Pyramid nylon. I've never broken a chanterrelle yet. It works
> fine. It sounds just as good in G, with all the string gauges
> appropriately lighter than for F t
> My "flat-back" is 63.5 cm VL, and I tune it to G. But there is no
> musical
> string that will hold that at that length.
Another beautiful theory destroyed by ugly facts. We have two 65 cm
ten course lutes (almost identical) and they are often kept at G
(A440) with either nylon or nylgut t
I beg to differ with you guys:
On Jan 20, 2006, at 4:16 AM, Jon Murphy wrote:
>> The basic answer is that 63cm is too long to comfortably tune to G at
>> modern pitch A440.
>>
>
> ...there is no musical
> string that will hold that at that length.
I string my 66 cm Venere 10-course in G, using a
the
> nut, and slide along the frets to match to get them about right.
> Nick
>
> -Original Message-
> From: Steve Walters [mailto:[EMAIL PROTECTED]
> Sent: 16 January 2006 20:43
> To: List - Lute
> Subject: [LUTE] Question on Lute stringing
>
> Hi Lute Loverz,
Thanks to everyone for their responses! I've taken your advice and emailed
"Catline" Henricksen to arrange for a few sets of strings. The La Bella
strings are now safely loose on my lute and I'll wait until getting new ones
from Chris to resume playing it.
I would also like to remark that it wa
slip under the strings to the
nut, and slide along the frets to match to get them about right.
Nick
-Original Message-
From: Steve Walters [mailto:[EMAIL PROTECTED]
Sent: 16 January 2006 20:43
To: List - Lute
Subject: [LUTE] Question on Lute stringing
Hi Lute Loverz,
I'm new to the
Hi Steve,
the diameter for the strings should be somewhere near the following
example (gut or nylgut on 1st will probably break very soon):
Hope that helps.
Benjamin
results for Lute (10 c.) a'=440Hz 63cm
String Note Length Tension Gut Nylon Carbon KFNylgut
1stg'63 3,7
Hi Steve,
on Monday 16 January 2006 22:43, you wrote:
> I'm new to the lute email list and need some help.
Welcome to the List!
> It was strung with nylon for 1st, 2nd and 3rd courses, unison wound
> strings for the 4th and 5th courses, and nylon octaves + wound
> strings for the 7th and 8th
if it
is still there you should be able to find it.
Vance Wood.
- Original Message -
From: "James A Stimson" <[EMAIL PROTECTED]>
To: "Steve Walters" <[EMAIL PROTECTED]>
Cc: "List - Lute"
Sent: Monday, January 16, 2006 8:54 PM
Subject: [LUTE] Re: Qu
"List - Lute"
t.net> cc:
Subject: [LUTE] Question on
Lute stringing
Sandy Hackney wrote:
> The debate over gut strings versus more modern ones is very old - it was
> just as impassioned in the early 70s as now with little change.
Could someone sketch a little history of lute stringing by the well known
recording lutenists?
Was there a period when everyon
Last summer in Cleveland, Bob Barto did some experimenting with gut; he
played my 13 course Burkholtzer in all gut (bass rider on 12 & 13) and he
likes it, but I think, as in the case of most touring professionals, he is
concerned about tuning problems, so he probably sticks with what works for
--Original Message-
From: Roman Turovsky [mailto:[EMAIL PROTECTED]
Sent: Friday, August 19, 2005 8:57 AM
To: BAROQUE-LUTE
Subject: Fw: [LUTE] barto lute stringing
- Original Message -
From: "Taco Walstra" <[EMAIL PROTECTED]>
To: "lutelist"
Sent: Frida
Hi Taco,
I am working on such problem since few years.
I am quite sure that, at the Weiss' time, basses were open wound on gut
cores.
No plain gut at all: simply it do not work.
I have made some samples of such open wound strings and I must say that they
are very interesting.
There are a lot of
- Original Message -
From: "Taco Walstra" <[EMAIL PROTECTED]>
To: "lutelist"
Sent: Friday, August 19, 2005 09:42
Subject: [LUTE] barto lute stringing
> Listening to a recordings of Weiss and Hagen by Roberto Barto I have been
> wondering several times
Listening to a recordings of Weiss and Hagen by Roberto Barto I have been
wondering several times what kind of strings were on his lute. Sometimes it
sounds like gut sometimes it's quite "un" -gut. The difference is very clear
if you listen for example to recordings by Toyohikoh Satoh who uses l
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