Didn't move Tim, just a little levity to excuse my bad habit of staying up
until the hours long after the wee ones. I was trying to pretend that it was
still the "night before" when it was becoming the "morning after" in
progressively western time zones. Still here in NJ.
Best, Jon
To get on
Jon,
I've made two Greek lyres. The second one was better than the
first. You can get turtle shells here: http://
www.skullsunlimited.com/. I recommend a snapping turtle shell;
they're big enough to give you a large tympanum. The first lyre had
rough branches for the arms; I ended up l
What an enjoyable thread, I will read the rest of it tomorrow to avoid being
up until midnight Hawaiian time zone. But I must insert a comment on
historical construction. I think I'll make a Greek lyre tomorrow, in my
spare time. The tetrachord (and the name of the instrument escapes me) was
tr
On Sun, Dec 21, 2008, Rob Dorsey said:
>1. We have no idea what historical musical presentation sounded like.
>We can only infer from the notations on the tablature and the style of
>the instruments along with basically anecdotal comments in extant
>writings.
All true, but, we
On Sun, Dec 21, 2008, Rob Dorsey said:
>1. We have no idea what historical musical presentation sounded like.
>We can only infer from the notations on the tablature and the style of
>the instruments along with basically anecdotal comments in extant
>writings.
All true, but, we
On Sun, Dec 21, 2008, Rob Dorsey said:
>1. We have no idea what historical musical presentation sounded like.
>We can only infer from the notations on the tablature and the style of
>the instruments along with basically anecdotal comments in extant
>writings.
All true, but, we
On Sun, Dec 21, 2008, Rob Dorsey said:
>1. We have no idea what historical musical presentation sounded like.
>We can only infer from the notations on the tablature and the style of
>the instruments along with basically anecdotal comments in extant
>writings.
All true, but, we
On Sun, Dec 21, 2008, Rob Dorsey said:
>1. We have no idea what historical musical presentation sounded like.
>We can only infer from the notations on the tablature and the style of
>the instruments along with basically anecdotal comments in extant
>writings.
All true, but, we
On Sun, Dec 21, 2008, Rob Dorsey said:
>1. We have no idea what historical musical presentation sounded like.
>We can only infer from the notations on the tablature and the style of
>the instruments along with basically anecdotal comments in extant
>writings.
All true, but, we
All,
I regret that I must take exception to the idea that attempting to
replicate historical construction techniques somehow gives us entry
into the way the music sounded way back then. This, in my opinion, is
for several reasons: (Please understand that I am basically a maker of
ury.
>
> Best regards and season's greetings to all,
>
> S. Ramos-Collado
>
>
> --- El jue 18-dic-08, Rob Dorsey escribió:
> De: Rob Dorsey
> Asunto: [LUTE-BUILDER] Re: What to build.
> A: "'Timothy Motz'" ,
> dem...@suffolk.lib.ny.us
>
-08, Rob Dorsey escribiA^3:
De: Rob Dorsey
Asunto: [LUTE-BUILDER] Re: What to build.
A: "'Timothy Motz'" ,
dem...@suffolk.lib.ny.us
Cc: lute-buil...@cs.dartmouth.edu
Fecha: jueves, 18 diciembre, 2008, 11:44 am
Let me preface this post by saying that I co
Yes lighting is everything. I'm sure north light was the be all end all of
lighting. Today I have seen luthiers do certain tasks at certain times of day
when the light is right. I dream of a north light studio even a tiny one
please.
Ken
-- Original message --
17, 2008 9:05 PM
To: dem...@suffolk.lib.ny.us
Cc: lute-buil...@cs.dartmouth.edu
Subject: [LUTE-BUILDER] Re: What to build.
Someone once told me that I needed to read the book, but that no one would
really build lutes that way. Having read the book, I would agree. I'm glad
he wrote the book and
Someone once told me that I needed to read the book, but that no one
would really build lutes that way. Having read the book, I would
agree. I'm glad he wrote the book and I refer to it a lot, but I
wouldn't build a lute that way.
Tim Motz
On Dec 17, 2008, at 8:12 PM, wrote:
On Tue, D
On Tue, Dec 16, 2008, kenp...@comcast.net said:
> Hi.
> I can't speak with authority but I think the Lundberg as great as it is did
> not work out as had been hoped.
Yes, He gave a series of lectures in germany; the book pulls that material
together. There was considerable trouble getting the
ng about on the heating pad.
Good luck!
Garry
-Original Message-
From: kenp...@comcast.net [mailto:kenp...@comcast.net]
Sent: Tuesday, December 16, 2008 4:37 PM
To: luciano bernardi; lute-buil...@cs.dartmouth.edu
Subject: [LUTE-BUILDER] Re: What to build.
Hi.
I can't speak with aut
gt; >
> > Build, it's how you learn to build,
> >
> > Rob Dorsey
> > http://LuteCraft.com
> >
> >
> > -Original Message-
> > From: dem...@suffolk.lib.ny.us [mailto:dem...@suffolk.lib.ny.us]
> > Sent: Monday, December 15, 2008 2:14 PM
>
to build,
>
> Rob Dorsey
> http://LuteCraft.com
>
>
> -Original Message-
> From: dem...@suffolk.lib.ny.us [mailto:dem...@suffolk.lib.ny.us]
> Sent: Monday, December 15, 2008 2:14 PM
> To: lute-buil...@cs.dartmouth.edu
> Subject: [LUTE-BUILDER] Re: What
nd first time completions.
Build, it's how you learn to build,
Rob Dorsey
http://LuteCraft.com
-Original Message-
From: dem...@suffolk.lib.ny.us [mailto:dem...@suffolk.lib.ny.us]
Sent: Monday, December 15, 2008 2:14 PM
To: lute-buil...@cs.dartmouth.edu
Subject: [LUTE-BUILDER] R
Hello Paul:
>> I am considering building a lute. Unfortunately, I have little
>> knowledge of the lute other that hearing the wonderful, mellow tone of
>> the lute on various recordings. I see there are plans available for
>> building various types of lutes. Does any one know of a reso
Hello Paul:
I would strongly suggest that you look into David Van Edwards WONDERFUL
course on the building of either a Renaissance or Baroque lute
Which type of lute you build will actually depend on the music you wish to
play and the level of your skills. I think the baroque lute might be a
l
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