Hi Markus,
I think it isn't sure Falckenhagen was pupil of Weiss. He was sent to
Dresden by Wilhelmine of Bayreuth to *listen* to Weiss and we assume that
he would have taken the opportunity to get some lessons from the best known
master of the instrument of his time. Or is there any evidence
On Wed, 27 Apr 2005 13:39:52 +0200, thomas.schall wrote:
t> Hi Markus,
t>
t> I think it isn't sure Falckenhagen was pupil of Weiss. He was sent to
t> Dresden by Wilhelmine of Bayreuth to *listen* to Weiss and we assume that
t> he would have taken the opportunity to get some lessons from the best k
Hi Thomas, there is even one more, lets say better proof for the fact
that he was a pupil of Weiss.
Walter writes in his Lexicon from 1732 "Unter währender Zeit ist er
etliche Monate in Dresden gewesen, und hat daselbst von der berühmten
lautenisten, Hrn. Weiss proffitieret".
in English: Then he
of "A".
Another interesting thing I noticed, was Barto's technique, of repeating
the same finger, on the same string. Very liberating!
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Wednesday, April 27, 2005 5:39 A
Michael Thames wrote:
> A friend just sent me a video of Barto playing a
> concert at the LSA last year. I couldn't help but notice He rarely use's
> "A" finger, but did seem to use it sometimes. Hence, I became curious as to
> the correct application of "A".
> Another interesting thing I notic
---
From: "Howard Posner" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, April 27, 2005 10:17 AM
Subject: Re: Antwort: Re: Antwort: Weiss MS
> Michael Thames wrote:
>
> > A friend just sent me a video of Barto playing a
> > concert at the LSA last year. I couldn't
>> A friend just sent me a video of Barto playing a
>> concert at the LSA last year. I couldn't help but notice He rarely use's
>> "A" finger, but did seem to use it sometimes. Hence, I became curious as to
>> the correct application of "A".
>> Another interesting thing I noticed, was Barto's te
With the legato style of playing the baroque lute, there are so many slurs,
hammers-on, pull-off's, etc. It seems almost opposite of renaissance lute,
where every note is plucked. So, with the legato left hand work, it is
really not all that foreign to repeat plucked notes with a right finger
CTED]>
To: "Michael Thames" <[EMAIL PROTECTED]>; ;
"Howard Posner" <[EMAIL PROTECTED]>
Sent: Wednesday, April 27, 2005 4:21 PM
Subject: Re: Antwort: Re: Antwort: Weiss MS
> With the legato style of playing the baroque lute, there are so many
slurs,
> ham
>> With the legato style of playing the baroque lute, there are >so many
> slurs,
>> hammers-on, pull-off's, etc. It seems almost opposite of >renaissance
> lute,
>> where every note is plucked. So, with the legato left hand >work, it is
>> really not all that foreign to repeat plucked notes wit
ontext?
Best wishes
Thomas
Markus Lutz <[EMAIL PROTECTED]> am 27.04.2005 15:28:24
Bitte antworten an [EMAIL PROTECTED]
An: lute
Kopie:
Thema: Re: Antwort: Re: Antwort: Weiss MS
Hi Thomas, there is even one more, lets say better proof for the fact
that he was a pupil of Weiss.
Walter
r Sor's time.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Howard Posner" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, April 27, 2005 10:17 AM
Subject: Re: Antwort: Re: Antwort: Weiss MS
> Michael Thames wrote:
>
> > A friend just
On 4/28/05, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> My first tutor was Giesbert's book (only the very first starting exercices)
> and then Satoh's book which is usefull if you already have played the
> renaissance lute. If one should start lute playing with the baroque lute
> Giesbert is sti
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