you know Roman has strong artistical principles and promotes them as absolute
although they should be considered personal taste (as profund as they may
be).
No the difficult thing is applying these principles to oneself, and I'm not
sure I'd have something to boast about there.
RT
Thomas,
Yes, it's all personal taste, I have a hard time being told who is a
good lutenist and who is not. Michel Cardin has givin the lute world a
great contribution.
I'd prefer the adjective LARGE, rather than GREAT, in this particular
context.
RT
--
http://polyhymnion.org/torban
To get
By the way, Roman, Stanley Yates is giving a concert of Russian guitar
music.
Michael Thames
www.ThamesClassicalGuitars.com
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lutenist's on a regular basis. I think the Baroque lute is an
excellent
way to break the ice. Most guitarist thesedays, seem to relate more
to
Bach, and Weiss than ren music.
Perhaps next year we can have Michel Cardin.
Michael Thames
A BIG mistake. He can't play his way out of a paper
: Barto at GFA
lutenist's on a regular basis. I think the Baroque lute is an
excellent
way to break the ice. Most guitarist thesedays, seem to relate more
to
Bach, and Weiss than ren music.
Perhaps next year we can have Michel Cardin.
Michael Thames
A BIG mistake. He can't play his way out
you know Roman has strong artistical principles and promotes them as absolute
although they should be considered personal taste (as profund as they may
be).
I personally just listend to one of Michel Cardins CDs and found it
interesting. I've also read a program for a recital (haven't had a
.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: Thomas Schall [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, March 25, 2005 3:57 PM
Subject: Re: Barto at GFA
you know Roman has strong artistical principles and promotes them as
absolute
although they should