Hello Thomas,
if a lute piece sounds good on another instrument, depends from at least 2
points:
is it a good arrangement fitting for the instrument, and is it performed well?
Lute music played well on the lute sounds best on it, in that I agree with you.
But if a good musician plays his instrum
Hi Markus,
I assume you still didn't get my point.
I simply doubt that there are many "responsible arrangements" and even that
this is possible for very many pieces (not all - there are pieces which are
easily accessible to players of other instruments, be it Hawaii guitar,
Toaster, Marimba o
That article was by Eric Liefeld and is in the LSA Quarterly Volume 38 No.
1 - February, 2003 (mislabeled August & November, 2002). Back issues
should be available from
Anne Burns
[EMAIL PROTECTED]
Nancy Carlin
>As for Vivaldi's lute concerti, I seem to remember that someone found
>out (one o
Hello Mathias,
That someone would have been me. There is indeed evidence that
Vivaldi's smaller-scale pieces (RV82, RV83, and RV93; likely two
trios and a quartet) were all composed while he was in Prague (circa
1730-31). These pieces bear a dedication to the Bohemian Count
Johann Joseph von Wrt
At 01:11 PM 7/6/2005, Mathias Rösel wrote:
>As for Vivaldi's lute concerti, I seem to remember that someone found
>out (one of the more recent issues of LSA quarterly) they were composed
>in Prague and were conceived for the then and there flourishing
>mandora.
They were certainly dedicated to Wr
At 01:01 PM 7/6/2005, Thomas Schall wrote:
>have you ever tried to play them?
>I don't think the lute should play the bass part. If so, Vivaldi wrote
>something (for example in the slow movement of the concerto for Viola
>d'Amore, Lute and B.C.). But it doesn't disturb to add a bass here and there
Thomas Schall schrieb:
>Am Mittwoch, 6. Juli 2005 18:23 schrieb Markus Lutz:
>
>
>>On Wed, 06 Jul 2005 11:55:41 -0400, Eugene C. Braig IV wrote:
>>I would even assume, that the lute in the vivaldi concerts should play also
>>the bass parts. It would be interesting to see, where the leute was not
At 12:23 PM 7/6/2005, Markus Lutz wrote:
>I would even assume, that the lute in the vivaldi concerts should play
>also the bass parts.
I agree. I believe Vivaldi was only sketching a solo line in violinist's
shorthand and expected competent lutenists to do the rest.
>P.S.: BTW - some of the
As for Vivaldi's lute concerti, I seem to remember that someone found
out (one of the more recent issues of LSA quarterly) they were composed
in Prague and were conceived for the then and there flourishing
mandora.
Best,
Mathias
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Am Mittwoch, 6. Juli 2005 18:23 schrieb Markus Lutz:
> On Wed, 06 Jul 2005 11:55:41 -0400, Eugene C. Braig IV wrote:
> I would even assume, that the lute in the vivaldi concerts should play also
> the bass parts. It would be interesting to see, where the leute was notated
> in the partiture and if
Also Chiesa in his London Weiss edition. One can even learn to play baroque
lute from his transcriptions ;-)).
Best
Markus
On 06 Jul 2005 15:20 GMT, Mathias Rösel wrote:
MR> "Arthur Ness" <[EMAIL PROTECTED]> schrieb:
MR> > stave. Do you? And it's virtually impossible to notate baroque lute mus
On Wed, 06 Jul 2005 11:55:41 -0400, Eugene C. Braig IV wrote:
ECBI> At 06:37 PM 7/5/2005, Thomas Schall wrote:
ECBI> >the c-minor prelude is in staff notation NOT in tablature!
ECBI> >Vivaldi's lute conceros are written in staff notation, too. It was
common to
ECBI> >write the lute part in staff
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