improvised,
> >memorized or read from score
>
> Who cares! everyone does this, the topic incidentally was live
> performance.
> Michael Thames
> www.ThamesClassicalGuitars.com
> - Original Message -----
> From: "Stuart LeBlanc" <[EMAIL PROTECT
Yeah well I'm talking about live performance soundclips, audience noise
included.
-Original Message-
From: Michael Thames [mailto:[EMAIL PROTECTED]
Sent: Monday, April 11, 2005 10:10 PM
To: lute@cs.dartmouth.edu; Stuart LeBlanc
Subject: Re: Antwort: Re: Blind players and memory
ance.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Stuart LeBlanc" <[EMAIL PROTECTED]>
To:
Sent: Monday, April 11, 2005 8:12 PM
Subject: RE: Antwort: Re: Blind players and memory
>
> Twenty years ago when I was in school, improvising double
ntify which are improvised,
memorized or read from score.
-Original Message-
From: Michael Thames [mailto:[EMAIL PROTECTED]
Sent: Monday, April 11, 2005 9:00 AM
To: lute@cs.dartmouth.edu; [EMAIL PROTECTED]
Subject: Re: Antwort: Re: Blind players and memory
Thomas,
A jazz friend recently
Thomas,
A jazz friend recently told me there is a society of classical musicians
devoted to improvising in counterpoint.
I like your comparison of the Passacaglia and modern blues . I never
thought of it that way.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
Fr
