On Martedì, giu 8, 2004, at 07:10 Europe/Rome, Jon Murphy wrote:
What is re-entrant tuning.
reentrant tuning is when the strings you would normally expect to be
lower are actually higher in pitch - nearer to the 1st string than the
last. in other words the strings don't run in a progressive
On Martedì, giu 8, 2004, at 07:10 Europe/Rome, Jon Murphy wrote:
What is re-entrant tuning.
--I thought re-entrant tuning was when you stop the other guys from playing
so you get a second chance to tune.
--In a solo setting, re-entrant tuning means to stop mid-way through a
piece to adjust
Dear Alain,
that's wonderful! You saved my evening after a particular hard day.
I'm going to try to tune my lute now ...
Cheers, Joachim
Alain Veylit [EMAIL PROTECTED] schrieb:
On Martedì, giu 8, 2004, at 07:10 Europe/Rome, Jon Murphy wrote:
What is re-entrant tuning.
--I thought
for a nigerian single stringed
lute . It sounds a bit like the Theramin!
Charles
-Original Message-
From: Alain Veylit [mailto:[EMAIL PROTECTED]
Sent: 08 June 2004 17:43
To: bill; Jon Murphy
Cc: James A Stimson; lute society
Subject: Re: really bad deals and reentrant tuning
On Martedì, giu 8, 2004
--Tuned in fourths: when you only bother to tune every fourth string
--Tuned in fifths: no one is lazy enough in the lute world to do it, but
widely in use in the violin family of instruments
Lutes are never tuned in seconds because it usually takes much longer than
that.
Sean
Am Die, 2004-06-08 um 22.33 schrieb lutesmith:
Lutes are never tuned in seconds because it usually takes much longer than
that.
Wrong! Ask Stefan how (if ever) I tune my 10-course. It's *very* fast (I
told him I would have bought it tuned and it would stay in tune since
then. All a matter
Alain Veylit wrote:
Is a fifth really a unit
of measure for whisky?
And any other liquor, including wine. 750 ml is close enough to a fifth of
a gallon not to worry about the difference.
I don't get the Ashcroft jokes, BTW.
Howard, all,
Serious and sincere apologies for getting the giggles on that tuning thing
and for all the bad jokes -
The Ashcroft references come from a WEB page I read recently detailing some
comments he made regarding Classical music in general and opera in
particular: Ashcroft seems to
Alright, ooopsie, the Cultural bureau is a hoax... I had to go all the way
to the Job opportunities page to figure it out for sure... Who knows: the
beautiful song in the second link might be a fake too. Have the Sauceks
taken over the whole WEB?
Alain
At 05:48 PM 6/8/04, Alain Veylit wrote:
Actually I meant what I said. Without belaboring the point, whether you think of the
tuning of 16c 4 cs guitar tunings (g,c,e,a or a,c,e,a) as reentrant or not depends on
if you think of the bourdon as the primary or secondary string. Assuming that you are
using a one at all. (The practice of
At 07:56 AM 6/7/04, you wrote:
Actually I meant what I said. Without belaboring the point, whether you
think of the tuning of 16c 4 cs guitar tunings (g,c,e,a or a,c,e,a) as
reentrant or not depends on if you think of the bourdon as the primary or
secondary string.
Craig,
Can you cite
.
if documentation doesn't exist to support the existence of reentrant
tuning or alternative tunings in the renaissance and baroque periods,
then how did what eventually became a ukulele get its reentrant tuning
and how did the vihuela that eventually became a charango end up with
that clanger
What is re-entrant tuning. In computer programming it is a form such that
a subroutine can be used again and again during a system routine without
distrurbing the basic program. I'll not get into the details, but it was a
question when we used to program in machine language and real time.
Best,
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