On 20/04/2013 01:51, pabouk wrote:
I did not read all the discussion yet but I think that the recordings should
be credited to the real artists because there are many cases where the same
recording is released with real credits and also with Alfred Scholz
credits. IMHO such recording should
This is another what's printed on the cover vs. what we know
dilemma, and I'd appreciate a discussion among classical editors who
care.
The problem is how to handle the recordings of Alfred Scholz, a prolific
creator of budget classical recordings the 1970s. I won't go into all
the details
On 19/04/2013 23:41, Frederic Da Vitoria wrote:
(...) Moving back here for the discussion. My last suggestion was
creating one dummy artist for this. Dummy because we don't know who the
real artist(s) for those performances is/are. This dummy artist could
have aliases to allow using him in an
I did not read all the discussion yet but I think that the recordings should
be credited to the real artists because there are many cases where the same
recording is releases with real credits and also with Alfred Scholz
cerdits. IMHO such recording should not exist in multiple copies and they
